Roger Michell (1956–2021)

An ordinary English travel bookshop owner has a chance encounter with famous American actress Anna Scott, which turns into a second chance encounter that ends with a kiss. The two are attracted to each other and Anna seems to like Will's family's awkward friendliness, but it's uncertain whether their budding romance can survive Anna's fame.

I'm slowly rewatching movies I remember enjoying years ago, and this was one of them. Wow, was this a weirder movie than I recalled it being. I completely show more forgot about the kiss at the end of Will and Anna's second encounter, for one thing, a moment which was made even weirder by the fact that she was the one who initiated it, for no apparent reason. Literally all Will had done up to that point was be awkward around her, give her a free travel book, spill coffee on her, and give her a place to get changed into clothing that wasn't coffee-stained. Why this made him stand out to her, among all the awkward men she must previously have met, I don't know.

One thing I realized while watching this: whether it was intended to be or not, it's basically a romance movie aimed at men. Its weirder aspects suddenly make sense, from that perspective. When I first watched it, I loved its "ordinary person ending up with a famous person" fantasy aspects, but during this rewatch its "romance definitely written by a dude" aspects were impossible for me to ignore.

By the time I got to the end of the movie, I had a hard time believing that Will and Anna would last more than a few weeks - the happy epilogue seemed more like wishful thinking than a believable continuation of their story. That said, this still managed to get by on the likeability of its largely quirky cast of characters. This is the movie that comes to mind when I think of Hugh Grant - it shows him at his most awkward, British, hangdog best (or worst, depending on your perspective). Will's friends and family completed the picture, managing to be simultaneously loving, supportive, weird, and depressing.

I'd argue that the best romantic relationship in this movie wasn't Will and Anna, but rather Max and Bella. The scene near the end in which Max realized Bella was going to stay behind and he stopped everything, forced everyone else to stuff into the backseat of the car so she could ride in the front, and found room for her wheelchair was great. Now that was a couple I could easily believe would manage to last.

All in all, this was okay, but not as good as I recalled it being. The comedy aspect was better than the romance, by a good bit.

Extras:

Deleted scenes, commentary I didn't listen to, music highlights, a Notting Hill travel guide, and Hugh Grant's movie tips. One of the deleted scenes (an alternate ending) made it look like the one character (Martin?) somehow managed to reopen his restaurant after being forced to close it due to lack of customers, and all I could think was "How much money did Anna end up giving Will's friends and family members to make their problems go away?" Because that's certainly what that scene seemed to indicate she must have done.

(Original review posted on A Library Girl's Familiar Diversions.) show less

A light romantic comedy, amusing rather than funny with some excellent acting. Rachel McAdam stars as the ambitious workaholic TV producer Becky. She is ably supported by an over-enthusiastic Diane Keaton and a grumpy Harrison Ford who are both superb in their contrasting attitudes, despite having to work together.

Not a whole lot of plot, and the romance part is fairly low-key; but the majority of the film is set in a TV newsroom in the US, so it's a bit different from most light show more romcoms.

Rating 12 but I wouldn't recommend it to anyone below the age of at least 16.

Longer review here: https://suesdvdreviews.blogspot.com/2022/05/morning-glory-rachel-mcadams.html show less

Jane Austen is one of my very favorite authors. And Persuasion is my favorite of her works. This, however, is certainly not a favorite among film adaptations of her novels. Wentworth struck me as too old. The musical accompaniment is neither true to the period nor a score designed for the film but Debussey! There's this scene that always makes me cringe where after a quiet romantic moment a carnival suddenly bursts into the scene with all the subtlety of a fireworks display--no doubt to show show more the unexpressed love in their hearts! And you know, even in theaters, I recognized that last shot of ships in the sunset as spliced in from The Bounty.

So, yeah, I have issues. But then, if this isn't the Firth/Ehle Pride and Prejudice or the Emma Thompson Sense and Sensibility it's not really bad--and fairly watchable. No doubt I'm being picky because I would wish for more for one of my favorite books. show less

Excellent! The BBC really know how to do Jane Austen.

This is one of her lesser-known novels, but the adaptation brought it to life very well, with some humour where appropriate, and two very believable main protagonists. Scenery and language felt believable, close to the text of the book.

Very enjoyable, highly recommended to anyone who likes character-based period drama, whether or not you have read the classic book.

Longer review here: show more target="_top">https://suesdvdreviews.blogspot.com/2019/05/persuasion-starring-amanda-root.html show less