
Maria Tallchief (1925–2013)
Author of Tallchief: America's Prima Ballerina
Works by Maria Tallchief
Tagged
Common Knowledge
- Legal name
- Tall Chief, Elizabeth Marie
- Birthdate
- 1925-01-24
- Date of death
- 2013-04-11
- Gender
- female
- Education
- Beverly Hills High School, Beverly Hills, California, USA
- Occupations
- ballet dancer
artistic director (ballet company) - Organizations
- New York City Ballet
Lyric Opera of Chicago
Chicago City Ballet
Ballet Russe de Monte Carlo - Awards and honors
- National Medal of Arts (1999)
Kennedy Center Honors (1996)
National Women's Hall of Fame - Relationships
- Balanchine, George (husband|divorced)
Paschen, Elise (daughter) - Short biography
- Maria Tallchief was born Elizabeth Marie Tall Chief to an Osage Indian father and a Scots-Irish mother. She and her sister Marjorie joined their surnames when they began dancing professionally, although they refused suggestions to adopt Russian stage names. When she was 8 years old, the family moved to Los Angeles. There she studied dance with Ernest Belcher, Bronislava Nijinska, and Tatiana Riabouchinska. In 1942, after graduating from high school, she joined the Ballet Russe de Monte Carlo, and toured with the company. She was cast in ballets choreographed by Nijinska, Agnes de Mille, and George Balanchine. She married Balanchine, who was 20 years her senior, in 1946 and went with him when he and Lincoln Kirstein founded the company that became New York City Ballet. Balanchine created roles for her in many of his celebrated works, and she became the first Native American prima ballerina. She remained with NYCB after she and Balanchine were divorced in 1950, but also made guest appearances with other companies. She played Anna Pavlova in the 1952 film Million Dollar Mermaid and performed with Rudolf Nureyev on television and on tour in Europe. She retired from the stage in 1966 and moved with her second husband to Chicago, where she served as director of ballet for the Lyric Opera of Chicago from 1973 to 1979 and founded its ballet school. She then co-founded and was artistic director of the Chicago City Ballet. From 1990 until her death, she was artistic adviser to Chicago Festival Ballet.
- Nationality
- USA
Osage Nation - Birthplace
- Fairfax, Oklahoma, USA
- Places of residence
- Los Angeles, California, USA
Colorado Springs, Colorado, USA
New York, New York, USA
Chicago, Illinois, USA - Place of death
- Chicago, Illinois, USA
- Burial location
- Graceland Cemetery, Chicago, Illinois, USA
- Associated Place (for map)
- USA
Members
Reviews
Narrated in the first-person, this picture-book biography sets out the story of ballerina Maria Tallchief's childhood, from her early years on an Osage Indian reservation in Oklahoma - her father was Osage, her mother Scots-Irish - through her family's move west, to an as-yet-undeveloped Los Angeles. The importance of music and dance, in her development, is beautifully and amply explored, as Tallchief, aided by veteran children's author Rosemary Wells, explains how it effected her - how it show more would "course through her body." Prompted by her father, she chose to concentrate on ballet, rather than try to pursue both ballet and piano, and studied under Madame Nijinska in L.A. The story closes as Tallchief, inspired by the skill and grace of the dancers of the Ballets Russes de Monte Carlo, leaves to study and dance in New York City...
The narrative voice in Tallchief: America's Prima Ballerina is strong, giving the reader the feeling that she is really getting a glimpse into Tallchief's heart and mind. I know very little about the history of the Osage people, so I was fascinated to learn how wealthy they were, as a result of the discovery of oil on their lands. This contrasted so sharply with the cultural oppression they experienced, as their traditional dancing and ceremonies were banned. I was also fascinated by the progression of Tallchief's studies, as she went from a small-town dance instructor who wasn't very good, to a world-class teacher like Nijinska. What a difference that must have been! Although I think I would have preferred the story to continue, and follow Tallchief as she became a ballerina, I liked what was there, and was particularly moved by her emotionally rich descriptions of what music and dance meant to her.
All in all, an engaging biography of one of America's most celebrated ballet dancers, one I recommend to all young readers who are themselves dancers, who are interested in the arts, or who just appreciate a good biography! show less
The narrative voice in Tallchief: America's Prima Ballerina is strong, giving the reader the feeling that she is really getting a glimpse into Tallchief's heart and mind. I know very little about the history of the Osage people, so I was fascinated to learn how wealthy they were, as a result of the discovery of oil on their lands. This contrasted so sharply with the cultural oppression they experienced, as their traditional dancing and ceremonies were banned. I was also fascinated by the progression of Tallchief's studies, as she went from a small-town dance instructor who wasn't very good, to a world-class teacher like Nijinska. What a difference that must have been! Although I think I would have preferred the story to continue, and follow Tallchief as she became a ballerina, I liked what was there, and was particularly moved by her emotionally rich descriptions of what music and dance meant to her.
All in all, an engaging biography of one of America's most celebrated ballet dancers, one I recommend to all young readers who are themselves dancers, who are interested in the arts, or who just appreciate a good biography! show less
WOW! Albeit lengthy, this book was fantastic! It gave so much context and interesting detail. Her story is different than many others because she did not grow up impoverished or without much opportunity. Maria Tallchief was born a dancer, always practicing and perfecting her dynamic movements. She always had a private teacher and went to schools just for ballet. Upon moving to Los Angeles, she met with famous Russian dancers who further inspired her. She eventually joined this dream team, show more the Ballets Russes de Monte Carlo in New York. One of my favorite things about this book is when I realized the metaphor she used for the secret of music, to which she later compared herself. At the beginning of the book she said, "The frame of good music has to be strong enough to hold the weight of a whole symphony, and delicate enough to break the heart." Near the end of the book, in hoping to join the famed ballet dancers, she told herself, "What I needed to learn was how to be strong enough to dance for hours in a matinee.... And I needed to be delicate enough to break the human heart." This jumped out at me and I liked this beautifully worded story even more. show less
"Tallchief; America's Prima Ballerina" is the autobiography of Maria Tallchief beginning at her birth in 1925 and ending at the launch of her professional career. Her father was an Osage Native American, and Maria was born on the Osage Indian Reservation in Oklahoma. Since the people on the reservation had struck oil, she was well off. Her mother's ancestors had come from Scotland and had moved west in a covered wagon. Maria discusses learning ballet and piano while interweaving information show more about her father's people and their forbidden culture. Native American language and religious celebrations were considered illegal, but the Osage people did not care. In 1933, Maria, her parents, and her sister took the long journey to Los Angeles, staying in cabins and eating bacon, eggs, and hamburgers the entire way. The first thing Maria's mother did in Los Angeles was find the girls a new dance instructor, who had to reteach them everything they had learned wrong. At age 12, Maria had to decide whether to give up piano or dance. She chose to end her piano lessons, since she could experience both music and dance while learning ballet. She learned ballet techniques from a strict teacher, Madame Nilinska, who taught her to feel the composer's emotions in the music and reenact them through dance. After seeing the ballet performance of the Ballets Russes de Monte Carlo, she realized that joining such a group was her dream and it was the life she wanted to live. The story ends with her parents telling her goodbye on the train to New York where she would try out for the ballet group. The language creates a strong suggestion that she was successful in her tryout.
I believe this story is interesting since it chose to examine Maria's childhood and end at her professional career instead of extending throughout her entire life. It discussed the challenges of Americans during the early 1900's, especially Native Americans. It also discusses class, mentioning the Tallchief's oil money and the things it gave them. However, the illustrations in the book are very bland and blurry and could be used to add more to the story. show less
I believe this story is interesting since it chose to examine Maria's childhood and end at her professional career instead of extending throughout her entire life. It discussed the challenges of Americans during the early 1900's, especially Native Americans. It also discusses class, mentioning the Tallchief's oil money and the things it gave them. However, the illustrations in the book are very bland and blurry and could be used to add more to the story. show less
Tallchief is a great autobiography written by a famous prima ballerina named Marie Tallchief. Throughout the book she explains her journey as a dancer and how she became a prima ballerina. The use of metaphors in this story gives us the ability to visualize what it was like for her to learn to play the piano and dance. Hard work and a good foundation were key to her future success as a dancer.
As a reader, we learn the importance focus and determination play in becoming a professional show more dancer. My favorite part is when she explains how her new Russian ballet teacher told her she was doing everything wrong and that she was as strict as a "drill sergeant in the army". I will never forget the first time I took class with my Georgian ballet teacher, and it was very similar to Tallchiefs experience. I really enjoyed reading about Tallchief and how she became a famous dancer. show less
As a reader, we learn the importance focus and determination play in becoming a professional show more dancer. My favorite part is when she explains how her new Russian ballet teacher told her she was doing everything wrong and that she was as strict as a "drill sergeant in the army". I will never forget the first time I took class with my Georgian ballet teacher, and it was very similar to Tallchiefs experience. I really enjoyed reading about Tallchief and how she became a famous dancer. show less
Awards
You May Also Like
Associated Authors
Statistics
- Works
- 3
- Members
- 306
- Popularity
- #76,933
- Rating
- 3.8
- Reviews
- 10
- ISBNs
- 13



















