Karen Gray Ruelle

"Yesterday at dawn, the Jews of Paris were arrested. The elderly, the women, and the children. In exile like ourselves, workers like ourselves. They are our brothers. Their children are like our own children. Anyone who encounters one of his children must give that child shelter and protection for as long as misfortune - or sorrow - lasts.
Oh man of my country, your heart is generous..."

So reads a World War II era letter, recently discovered amongst the papers of a Tunisian-owned cafe in show more Paris, and written in Kabyle, the language of one of North Africa's Berber peoples. It points to a little-known footnote in the history of that terrible time: the courageous actions of Si Kaddour Benghabrit - the rector of the Grand Mosque of Paris - and the other Parisian Muslims who sheltered and saved Jewish victims of Nazi persecution, members of the French and North African resistance, and Allied parachutists caught behind enemy lines.

Built by North African immigrants between the two world wars, the Grand Mosque was not simply a place of worship, it was an entire community - complete with gardens, apartments, a clinic, a library, and a restaurant - and a hotbed of resistance to the Nazi occupiers. Karen Gray Ruelle and Deborah Surland DeSaix, who also collaborated on Hidden on the Mountain, which chronicles the courageous actions of the people of Le Chambon in hiding Jews during World War II, turn their attention to a similar episode in The Grand Mosque of Paris.

There is much that is not known about this story - much that will never be known. Most, if not all, of the rescuers are dead. They came from a tradition which emphasized oral storytelling, and left few written records behind documenting their heroism. Many of those they rescued were young children at the time, and may have forgotten the Grand Mosque, which usually provided a brief stopover, before refugees were smuggled through Paris's subterranean passages to the River Seine. Perhaps most tragic of all, subsequent developments - the onset of the Arab-Israeli conflict, the widespread denial of the Holocaust in the Muslim world - have led many to ignore and/or suppress this story.

The authors note, in their afterword, that the Grand Mosque's register of children's names for that period - uncovered by filmmaker Derri Berkani when he first began to research this story in 1974, and which he believed proved that the Mosque had saved over 400 Jewish children - have since disappeared. Although one North African Jew, Albert Assouline, claims that the Mosque saved as many as 1,732 souls, the current rector is far more reticent, and Gray and DeSaix were not granted access to the archives.

The Grand Mosque of Paris sets out a story of courage, compassion and honor - a story most worthy of telling. But more importantly, it seems to me that is a story that needs telling. A story that can teach Muslims that in denying the Holocaust they aren't just denying the humanity of the Jewish people, but their own as well. A story that can teach Jews that Muslims didn't always hate them, and aren't a predestined enemy. What could be more necessary? show less

From seedpod to mighty tree, an elm witnesses 250 years of history, as a constantly changing city springs up around it. Growing up beside a quiet country creek, it is eventually surrounded by a potters field, intended for the impoverished victims of the yellow fever. Cemetery is replaced by fields of corn, which give way in turn to a military arsenal, then a children's asylum, and finally to a park. From camping Civil War soldiers to visiting circus elephants, from politicians intent on show more making speeches to rioting citizens out to cause harm, humanity enacts its many dramas - whether for good or ill - under the elm's massive branches...

A lovely picture-book, from the creators of Hidden on the Mountain and The Grand Mosque of Paris, The Tree is a young person's history of New York City's Madison Square Park, and an examination of the changes brought by urban development. DeSaix's watercolor and oil illustrations have a grave but beautiful quality to them, and are the perfect counterpart to some of the grim events in Ruelle's narrative. The historical note at the back gives more information. All in all, a wonderful book for giving young readers - particularly those from New York - an idea of the scope of history. show less

2nd to 8th grade. Inspiring and deeply moving, the picture book The Grand Mosque of Paris makes an important contribution to the children's literature dedicated to promoting understanding and empathy between Moslems and Jews. In it Karen Gray Ruelle presents all the still surviving evidence and stories of how Jews found refuge in the Grand Mosque of Paris during the Holocaust. It being 63 years after the events, very little detail remains of those desperate and secret acts to help. But she show more describes how the Mosque hid children and escaped war prisoners, and Kabyle Moslems from Algeria helped operate an "underground railroad" of smuggling Jews out of the city. Ruelle's prose is straightforward and she gives a historical account of what transpired. Sometimes the stories are less detailed than one would like, but Ruelle explains at the end that this is all the detail that is left. Deborah Durland DeSaix's oil paintings collaborate excellently with the story. Her illustrations move from scenes depicting how large the Mosque is and how forbidding the city looks, to sensitive close ups of faces involved. She incorporates a texture to the paintings that makes it look as if the story were painted on walls, a curious technique to use given how important buildings are to both religions. This book is highly recommended for public, elementary, and middle school libraries. It would also make an excellent classroom read aloud. Given the time we live in and how precious each story of bravery is from during the Holocaust, public librarians and media teachers should not pass up on the opportunity to buy this book. These stories should not pass unknown into history. show less

This book tells the true story of a Muslim community in Paris working to rescue Jewish people during the holocaust, hiding them in their mosque, disguising them as Muslims, and transporting them out of the city to safety. It tells the stories of Albert Assouline and Salim Halil who were both saved by this community, and the work of the Kabyle Resistance.
I thought the illustrator did a great job on the opening page of using texture, color, and the lines of the bayonets to introduce the Nazi show more occupation of Paris. The dark, fogginess and sameness of the eyeless faces added a lot of meaning and mood to the setting. I noticed that she used the most color to portray the mosque, which seemed to be symbolic of the safety and light this mosque held for the Jewish people hidden there. I like how the author wrote in very clear, easy to understand language. It makes the book, with a complex topic, very accessible. I think this is an excellent book to add to children's understanding of world history and of the complexity of religious and cultural differences and interactions. I love how the authors includs a lot of information on the Muslim community in Paris and the functions of the mosque, both topics that many children may find unfamiliar. I think it's important to tell stories of Muslim people and communities that disrupt the often stereotypical or fearful images we are given in the news or other media. I also think that it's important that the creators of this book included a section that explained where they got their information and why they wrote the book. It is important for children to learn that they need to verify whether the information in a book is trustworthy. show less