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Stella Adler (1901–1992)

Author of The Art of Acting

8+ Works 316 Members 3 Reviews

About the Author

Includes the name: Stella Adler

Works by Stella Adler

Associated Works

The fervent years : the Group Theatre and the thirties (1945) — Introduction, some editions — 117 copies
Shadow of the Thin Man [1941 film] (1941) 72 copies, 2 reviews
A Life on the Stage (1999) — Introduction, some editions — 26 copies

Tagged

Common Knowledge

Birthdate
1901-02-10
Date of death
1992-12-21
Gender
female
Occupations
acting teacher
actor
director
Organizations
Stella Adler Studio of Acting
Relationships
Sidney, Sylvia (sister-in-law)
Clurman, Harold (husband|divorced)
Short biography
Stella Adler was born in New York City into a famous acting family rooted in the Yiddish theater. All five of her siblings also became actors. She made her stage debut at age 4, sometimes playing boys as well as girls. She made her Broadway debut in 1922, in the play The World We Live In. In 1922–1923, she saw the celebrated Russian actor-director Konstantin Stanislavsky and his Moscow Art Theatre on their only USA tour. The performances had a powerful and lasting impact on her career. In 1931 she joined the Group Theatre in New York, founded by Harold Clurman, Lee Strasberg and Cheryl Crawford; it was a creative haven for actors, directors, and playwrights. She later married Harold Clurman in 1943. In 1934, Adler went to Paris with Clurman and studied intensively with Stanislavsky for five weeks. In 1937, Stella Adler moved to Hollywood, where she acted in films for six years, occasionally returning to the Group Theater until it dissolved in 1941. Eventually she returned to New York City to act, direct and teach. In 1949, she founded the Stella Adler Studio of Acting, where she taught many actors who went on to fame, including Marlon Brando, Judy Garland, Robert De Niro, Harvey Keitel, and Warren Beatty. She also taught at the New School, the Yale School of Drama, and New York University. Her teaching was said to be passionate, scholarly, blunt, and volatile, and her students spellbound by her in class. In 1988, she published her book The Technique of Acting. After parting from Harold Clurman, Stella married Mitchell A. Wilson, a physicist and novelist.
Nationality
USA
Birthplace
New York, New York, USA
Places of residence
New York, New York, USA
Place of death
Los Angeles, California, USA
Burial location
Mount Carmel Cemetery, Glendale, New York, USA
Associated Place (for map)
New York, USA

Members

Reviews

3 reviews
Stella Adler, as proven in her book, is the queen of acting. Her book not only explores her opinions and ideas about modern acting, traditional acting, and various techniques but actual exercises to use and expand your imagination. From the garden exercise to the Kahlil Gibran essay she recommends, everything in there really is helpful. I had no idea what it had to do with acting but it really does make a world of difference to your acting.

Of course, you cannot possibly expect to like this show more book if you are a devout "Method" fan. She really does appear to be not only what people say about her (harsh, scary) but also a genuinely interesting, smart lady. I only wish she was alive so I could study with her, personally. show less
Stella Adler is arguably the most important teacher of acting in American history. Over her long career, both in New York and Hollywood, she offered her vast acting knowledge to generations of actors, including Marlon Brando, Warren Beatty, and Robert De Niro. The great voice finally ended in the early Nineties, but her decades of experience and teaching have been brilliantly encapsulated by Howard Kissel in the lessons in this book. The groundbreaking theories of the great acting teacher show more who influenced such outstanding actors as Marlon Brando, Robert DeNiro & Warren Beatty are now made available for a wide audience. This book is compiled from her voluminous class notes as well as audio & videotape of her teaching & is destined to become a classic in the fields of acting & theatre. Drawing on an archive of notebooks, transcriptions, and audiotapes of Adler's work, Kissel (cultural critic with the New York Daily News) presents the lessons and insights she brought to the craft of acting. Adler's classroom lectures are presented, and their significance is discussed. She addresses the discipline of the actor's body, mind, and imagination. She looks at the techniques for creating believable characters and bringing authenticity to the performance, and the importance of understanding time, setting and style. show less

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Associated Authors

Barry Paris Editor, Introduction

Statistics

Works
8
Also by
3
Members
316
Popularity
#74,770
Rating
½ 3.7
Reviews
3
ISBNs
15
Languages
2

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