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Jules Dassin (1911–2008)

Author of Rififi [1955 film]

30 Works 431 Members 17 Reviews

About the Author

Works by Jules Dassin

Rififi [1955 film] (1955) — Director — 88 copies, 3 reviews
Night and the City [1950 film] (1950) — Director — 57 copies, 2 reviews
Topkapi [1964 film] (1964) — Director — 53 copies, 1 review
The Naked City [1948 film] (1948) 51 copies, 1 review
Brute Force [1947 film] (1947) — Director — 38 copies, 2 reviews
The Canterville Ghost [1944 film] (1944) — Director — 29 copies, 1 review
Never on Sunday [1960 film] (1960) — Director/Screenwriter/Cast — 23 copies, 2 reviews
Thieves' Highway [1949 film] (1949) — Director — 22 copies
Reunion in France [1942 film] (1942) 14 copies, 2 reviews
John Wayne: Film Collection (2012) — Director — 8 copies
The Law [1959 film] (1959) — Director — 7 copies
Never on Sunday: Original Motion Picture Soundtrack (1960) — Director — 6 copies
Uptight [1968 film] (1968) — Director — 5 copies
John Wayne: The Epic Collection (2014) — Director — 4 copies
The Tell-Tale Heart [1941 short film] — Director — 4 copies, 1 review

Tagged

1940s (18) 1950s (13) 1960s (6) 20th (5) black and white (11) Blu-ray (8) comedy (13) crime (16) crime and mystery (5) crime drama (8) Criterion (10) Criterion Collection (9) drama (14) DVD (69) fantasy (5) film (29) film noir (32) France (5) French (9) French cinema (8) heist (5) Jules Dassin (14) London (4) movie (11) movies (5) noir (9) Region 2 (4) romance (8) thriller (9) USA (10)

Common Knowledge

Canonical name
Dassin, Jules
Legal name
Dassin, Julius
Other names
Vita, Perlo
Birthdate
1911-12-18
Date of death
2008-03-31
Gender
male
Education
Morris High School, Bronx
Occupations
film director
screenwriter
producer
actor
Awards and honors
Academy Award nominee (1964)
Relationships
Mercouri, Melina (wife)
Dassin, Joe (son)
Short biography
Jules Dassin was born Julius Samuel Dassin to a large Russian-Jewish immigrant family. He grew up in Harlem, New York City, and attended Morris High School in the Bronx, graduating in 1929. In the 1930s, he joined the Communist Party (which he quit in 1939), took acting classes in Europe, and returned to New York to become an actor, originally in Yiddish theater. Dassin played many character roles, mainly in plays by Sholom Aleichem. But deciding that acting was not his calling, he switched to directing and writing scripts. He went to Hollywood in 1940, and served as an apprentice to Alfred Hitchcock and Garson Kanin. In 1941, he made his directorial debut with an adaptation of Edgar Allan Poe's The Tell-Tale Heart for MGM. Dassin's works in Hollywood included dramas such as Brute Force (1947), The Naked City (1948), and Night and the City (1950). During the McCarthy era, he was blacklisted for his past affiliation with Communism and for refusing to testify before the House Un-American Activites Committee.

In 1953, he left the USA for France and struggled to work there. His low-budget film Rififi (1955), noted for its long dialogue-free heist sequence, won him the Best Director award at the Cannes Film Festival. There he also met the Greek actress Melina Mercouri, whom he married as his second wife and co-starred with in his film Never on Sunday (1960). It won the award for Best Film at Cannes that year. Dassin was eventually received back in Hollywood and earned two Academy Award nominations for directing and screenwriting for his hit film Topkapi (1964). He also served as member of jury at the Cannes and several other international film festivals.

After 1974, he and Melina Mercouri went to live in Greece, where she was elected a member of the Greek Parliament and appointed Minister of Culture, and Dassin became active in the effort to return the Elgin Marbles to Greece.
Nationality
USA
Birthplace
Middletown, Connecticut, USA
Places of residence
New York, New York, USA
Place of death
Athens, Greece
Associated Place (for map)
USA

Members

Reviews

20 reviews
We liked the story, once we got used to the regular subtitles, and the way the film was made. Ilya is quite a believable person, in a 1960s, never dishevelled kind of way, and the strangely named Homer is a cleverly satirical character, determined that his own country and culture are superior to the one he is visiting. Yet he does not object to some hypocritical wheeling and dealing on his own behalf.

Not sure I'd particularly recommend this film, but it was interesting to see - and probably show more all the more so since we ourselves live in a Greek-speaking country, so could catch at least some of the Greek dialogue, and certainly understood the reality (if a little caricatured) of the culture. show less
2022 movie #53. 1960. Melina Mercouri was an incandescent ball of fire but half the dialog was in Greek (w/o subs) and most of the rest was in heavily Greek accented English which made the story really hard to follow. She was a prostitute an American writer was trying to reform.
A ghost needs to convince a descendant to do something brave.

3/4 (Good).

It's kind of cute. I like the concept of a cowardly ghost, but the story is not good. I'm bumping it up from a 2.5 to a 3 because of a delightful (and completely out-of-place) musical number.
½
2023 movie #118. 1947. Collins' (Lancaster) girlfriend needs cancer surgery but won't get it unless he's there. So he plans to escape prison, but sadistic prison guard cap't (Cronym) has the plan figured out. Pretty good prison/noir film. Helped make Lancaster a big star.

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Statistics

Works
30
Members
431
Popularity
#56,716
Rating
½ 3.7
Reviews
17
ISBNs
28
Languages
1

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