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Gerald Scarfe

Author of The Making of Pink Floyd: The Wall

20+ Works 293 Members 4 Reviews

Works by Gerald Scarfe

Associated Works

Hercules [1997 film] (1997) — Designer — 670 copies, 4 reviews
The Wall [1979 album] (1979) — Cover designer, some editions — 274 copies
London OZ 1 (1967) — Illustrator — 1 copy

Tagged

1960s (7) 1970s (8) 1980s (8) 1990s (4) 1st (6) art (34) arts (3) biography (7) caricature (14) cartoons (18) comics (4) DJ (8) Edition: (4) Editorial (4) Genres: Cartoons (6) HB (9) history (3) humor (8) illustration (4) music (13) non-fiction (6) pictorial (4) Pink Floyd (4) political cartoons (3) politics (12) private eye (6) satire (8) signed (4) Sunday Times (5) UK (13)

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Reviews

4 reviews
A lavishly illustrated chronological run-down of over forty years of Scarfe's work in political cartoons, theatrical set and costume design, and animation. Featuring heavily are his favourite victims Nixon and Thatcher, alongside many more figures from British, US and international politics, pop and film stars, and royalty. Particular vitriol is poured upon Ian Smith and Enoch Powell (for obvious reasons) - thus any reader will need a certain level of familiarity with their show more cultural/historical context since these figures of the sixties and seventies do seem an awfully long way away now. A number of pages are given over to the extensive work Scarfe did with Pink Floyd (both for the film The Wall and for various stage props and effects), and to his collaboration with Disney on their Hercules movie. After the introduction (detailing his childhood, artistic schooling, and liking for Ronald Searle - whose influence is obvious), text commentaries are fairly minimal, merely setting the scene for each new project. But it's the pictures that are the point of a book like this anyway.

Of course, the prudish should be warned (if they didn't know already) that Scarfe's style explores the most grotesque sides of life, from merely gross distortion of celebrities' features through to a gleeful scrabbling around in the sexual and the scatological, via depictions of the horrors of war, pollution and famine.

So be aware that while there are glorious colourful costume designs for stage adaptations (Fantastic Mr. Fox), opera (The Magic Flute) and ballet (The Nutcracker), there are also pictures of George W. Bush pooping out bombs, and Mary Whitehouse being rogered by Rupert Bear in front of the pope.
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½
Modestly, even diffidently told but with a strong artistic drive showing through.
And enough storytelling energy to keep it interesting. Scarfe’s been around for ever it seems, and yet it’s still somehow surprising to learn he was born in the 30s, and so has memories going back to the War. From the Swinging London era on, he’s been hanging out with pop stars, film folk, the fashionable and the talented. And he’s been working hard all that time, so has turned out plenty of memorable show more pieces, embedding that unique and caustic drawing style in our consciousness. show less
½
There is absolutely no doubt that Mr Scarfe is a talented cartoonist and artist but he does himself no favours with this memoir. After a run through his childhood blighted by asthma and the very early days of his career he settles into a long series of name dropping, stories about his own greatness and talent and the comforts of being rich and privileged. I wouldn't fancy bumping into him in the pub.

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Works
20
Also by
3
Members
293
Popularity
#79,899
Rating
4.1
Reviews
4
ISBNs
26
Languages
3

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