
About the Author
Roderick Whitfield is Percival David Professor of Chinese and East Asian Art, School of Oriental and African Studies, University of London, and corresponding fellow of the Dunhuang Academy.
Series
Works by Roderick Whitfield
Cave Temples of Mogao at Dunhuang: Art and History on the Silk Road, Second Edition (Conservation & Cultural Heritage) (2000) 70 copies, 1 review
Imperial Taste : Chinese Ceramics from the Percival David Foundation (1989) — Author — 27 copies, 1 review
In pursuit of antiquity; Chinese paintings of the Ming and Chʻing dynasties from the collection of Mr. and Mrs. Earl Morse (1969) 16 copies
Oriental Ceramics: The World's Great Collections, No. 5 - British Museum, London (1981) — Editor — 7 copies
Fascination of nature: Plants and insects in Chinese painting and ceramics of the Yuan dynasty (1279-1368) (1993) 2 copies
Tausend Jahre Kunst aus Dunhuang = Dunhuang-hua-yu-wenhua-zhan : Kulturaustausch auf der nördlichen Seidenstraße (2009) — Author — 1 copy
A group of tings 1 copy
Seon Poems: Selected Works 1 copy
Associated Works
Tagged
Common Knowledge
- Gender
- male
- Occupations
- art historian
Members
Reviews
Absolutely one of the most useful books I have ever read on 9-18C Chinese Ceramics. Issued as a catalogue in 1989 to accompany an exhibition tour of outstanding pieces from the world-famous Sir David Percival Foundation of Chinese Art Collection held at four American museums 1989-1990.
Each of the 56 beautiful colour plates is accompanied by a superb text written by ceramics doyen Rosemary Scott, former curator of the collection. She describes each piece in detail from the clay and glaze show more structures to the designs to the piece's historical context; in so doing, she presents amazingly insightful and clear snapshots of the most important Chinese ceramics from 9C Yue ware to Qing Dynasty overglaze enamel ware.
But the hidden gems of this beautiful book printed on very high-quality glossy paper, are the additional essays starting with Lady David Percival's essay on her husband and his collection, which explains his interest in ceramics, how he acquired his collection, and the depth and knowledge he first acquired then shared with the world when he gifted his collection to the public. Once housed in a lovely building 53 Gordon Square, London, today it is housed in the British Museum.
Additional essays on recent archaeological contributions to the study of Chinese ceramics (that includes sections on Ding ware and other related white wares, and another on the origin of underglaze blue); the significance of Chinese ceramics around the world, an essay on the influences on the painting styles of Qing overglaze enamel wares, and a final article on ceramics in Chinese painting complete the wealth of ceramic knowledge that this slim volume contains.
This volume is one of the most helpful addition to my ceramics library and one I shall always treasure. The photographs, the scholarship, the editing and helpful glossaries, map and bibliography are all superb.
Out-of-print and hard to find, but worth the search for anyone with a serious interest in Chinese ceramics. show less
Each of the 56 beautiful colour plates is accompanied by a superb text written by ceramics doyen Rosemary Scott, former curator of the collection. She describes each piece in detail from the clay and glaze show more structures to the designs to the piece's historical context; in so doing, she presents amazingly insightful and clear snapshots of the most important Chinese ceramics from 9C Yue ware to Qing Dynasty overglaze enamel ware.
But the hidden gems of this beautiful book printed on very high-quality glossy paper, are the additional essays starting with Lady David Percival's essay on her husband and his collection, which explains his interest in ceramics, how he acquired his collection, and the depth and knowledge he first acquired then shared with the world when he gifted his collection to the public. Once housed in a lovely building 53 Gordon Square, London, today it is housed in the British Museum.
Additional essays on recent archaeological contributions to the study of Chinese ceramics (that includes sections on Ding ware and other related white wares, and another on the origin of underglaze blue); the significance of Chinese ceramics around the world, an essay on the influences on the painting styles of Qing overglaze enamel wares, and a final article on ceramics in Chinese painting complete the wealth of ceramic knowledge that this slim volume contains.
This volume is one of the most helpful addition to my ceramics library and one I shall always treasure. The photographs, the scholarship, the editing and helpful glossaries, map and bibliography are all superb.
Out-of-print and hard to find, but worth the search for anyone with a serious interest in Chinese ceramics. show less
Organized chronologically and preceded by a timeline of history, this British Museum exhibition catalog presents a broad collection of ceramics, gold work, and from the later dynasty, paintings. The narrative is archeological discovery and cultural anthropology, and is detailed and enlightening. An extensive compilation that enriches the breadth of understanding about Korean artifacts and art.
beautiful framable prints
Fine pictures of the Dunhuang cave paintings
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Associated Authors
Statistics
- Works
- 22
- Also by
- 2
- Members
- 266
- Popularity
- #86,735
- Rating
- 3.8
- Reviews
- 5
- ISBNs
- 29
- Languages
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