S. L. Bensusan (1872–1958)
Author of Rubens
About the Author
Image credit: Samuel Levy Bensusan
Works by S. L. Bensusan
Lawrence (Masterpieces in Colour) 7 copies
These from God's own county 4 copies
The charm of Rossetti 3 copies
Salt of the marshes 3 copies
On the tramp in Wales: The record of a springtime pilgrimage in search of agricultural knowledge and seasonable recreati (1929) 3 copies
Home life in Spain, 3 copies
Late harvest 3 copies
Right forward folk 3 copies
Marshland echoes 2 copies
Tales from the Saxon Shore 2 copies
Dear countrymen 2 copies
Marshland voices 2 copies
A Marshland Omnibus 2 copies
Comment from the countryside 2 copies
Father William 2 copies
The children's story of the bee 2 copies
Marshland calling 2 copies
The Charm of Burne-Jones 1 copy
Souvenir of Paris, 1 copy
Tea Time Gossip 1 copy
A Quiet Evening 1 copy
Village idylls 1 copy
Associated Works
Tagged
Common Knowledge
- Legal name
- Bensusan, Samuel Levi
- Birthdate
- 1872-09-29
- Date of death
- 1958-12-11
- Gender
- male
- Occupations
- journalist
- Nationality
- UK
- Birthplace
- Dulwich, England, UK
- Associated Place (for map)
- England, UK
Members
Reviews
Opening lines:
The name of Peter Paul Rubens is written so large in the history of European art, that all the efforts of detractors have failed to stem the tide of appreciation that flows towards it. Rubens was a great master in nearly every pictorial sense of the term; and if at times the coarseness and lack of restraint of his era were reflected upon his canvas, we must blame the sixteenth and seventeenth centuries rather than the man who worked through some of their most interesting years, show more and at worst was no more than a realist. show less
The name of Peter Paul Rubens is written so large in the history of European art, that all the efforts of detractors have failed to stem the tide of appreciation that flows towards it. Rubens was a great master in nearly every pictorial sense of the term; and if at times the coarseness and lack of restraint of his era were reflected upon his canvas, we must blame the sixteenth and seventeenth centuries rather than the man who worked through some of their most interesting years, show more and at worst was no more than a realist. show less
Opening lines:
The name of Peter Paul Rubens is written so large in the history of European art, that all the efforts of detractors have failed to stem the tide of appreciation that flows towards it. Rubens was a great master in nearly every pictorial sense of the term; and if at times the coarseness and lack of restraint of his era were reflected upon his canvas, we must blame the sixteenth and seventeenth centuries rather than the man who worked through some of their most interesting years, show more and at worst was no more than a realist. show less
The name of Peter Paul Rubens is written so large in the history of European art, that all the efforts of detractors have failed to stem the tide of appreciation that flows towards it. Rubens was a great master in nearly every pictorial sense of the term; and if at times the coarseness and lack of restraint of his era were reflected upon his canvas, we must blame the sixteenth and seventeenth centuries rather than the man who worked through some of their most interesting years, show more and at worst was no more than a realist. show less
Opening lines:
The name of Peter Paul Rubens is written so large in the history of European art, that all the efforts of detractors have failed to stem the tide of appreciation that flows towards it. Rubens was a great master in nearly every pictorial sense of the term; and if at times the coarseness and lack of restraint of his era were reflected upon his canvas, we must blame the sixteenth and seventeenth centuries rather than the man who worked through some of their most interesting years, show more and at worst was no more than a realist. show less
The name of Peter Paul Rubens is written so large in the history of European art, that all the efforts of detractors have failed to stem the tide of appreciation that flows towards it. Rubens was a great master in nearly every pictorial sense of the term; and if at times the coarseness and lack of restraint of his era were reflected upon his canvas, we must blame the sixteenth and seventeenth centuries rather than the man who worked through some of their most interesting years, show more and at worst was no more than a realist. show less
Opening lines:
The name of Peter Paul Rubens is written so large in the history of European art, that all the efforts of detractors have failed to stem the tide of appreciation that flows towards it. Rubens was a great master in nearly every pictorial sense of the term; and if at times the coarseness and lack of restraint of his era were reflected upon his canvas, we must blame the sixteenth and seventeenth centuries rather than the man who worked through some of their most interesting years, show more and at worst was no more than a realist. show less
The name of Peter Paul Rubens is written so large in the history of European art, that all the efforts of detractors have failed to stem the tide of appreciation that flows towards it. Rubens was a great master in nearly every pictorial sense of the term; and if at times the coarseness and lack of restraint of his era were reflected upon his canvas, we must blame the sixteenth and seventeenth centuries rather than the man who worked through some of their most interesting years, show more and at worst was no more than a realist. show less
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Statistics
- Works
- 61
- Also by
- 1
- Members
- 211
- Popularity
- #105,255
- Rating
- 3.8
- Reviews
- 9
- ISBNs
- 11
- Favorited
- 1