George Baxt (1923–2003)
Author of A Queer Kind of Death
About the Author
George Baxt was born June 11, 1923 in Brooklyn New York. He began his career as a radio announcer, and then became an agent and a television scriptwriter. From there, Baxt's career developed into scriptwriting cult horror films. He has published twenty-six murder mysteries the first being the show more acclaimed A Queer Kind of Death, published in 1966. His play Spine Chiller was produced in London's West End, starring Sian Phillips in 1978. Baxt is also the author of nearly ninety short stories, most of which have been published in Ellery Queen mystery magazine.His numerous TV credits include The Defenders, Kraft TV Theater, The Philco Playhouse, Matinee Theater, Laredo, and in England, The Sword of Freedom series. George Baxt died June 28, 2003, from complications after heart surgery, in New York, New York. (Bowker Author Biography) show less
Image credit: from Lifeinlegacy.com
Series
Works by George Baxt
The Dorothy Parker Murder Case | The Alfred Hitchcock Murder Case | The Greta Garbo Murder Case (2000) 3 copies
All Keyed Up [short story] 1 copy
What'sisname 1 copy
Bourreau de parents 1 copy
City of the dead volume 1 1 copy
Nightmare in Manhattan | The Big Heat | A Queer Kind of Death — Contributor — 1 copy
The Woman I Envied 1 copy
Associated Works
Once Upon a Crime: Historical Mysteries From Ellery Queen's Mystery Magazine (1994) — Contributor — 29 copies
Requiem for a Mezzo | Whatever Happened to Jennifer Steele? | The William Powell and Mynra Loy Murder Case (1997) — Contributor — 1 copy
Tagged
Common Knowledge
- Legal name
- Baxt, George Leonard
- Birthdate
- 1923-06-11
- Date of death
- 2003-06-28
- Gender
- male
- Education
- City College of New York
Brooklyn College - Occupations
- talent agent
screenwriter - Nationality
- USA
- Birthplace
- Brooklyn, New York, USA
- Places of residence
- New York, New York, USA
- Place of death
- New York, New York, USA
- Associated Place (for map)
- New York, USA
Members
Reviews
Film buffs will delight in this wonderful book, mystery lovers, not so much. Baxt has written a light mystery that will bring a smile to the face of many who fondly remember William Powell and Myrna Loy as Nick and Nora Charles, as long as they don’t expect the charm or sophistication of the Thin Man films. And don’t expect any deft plotting. Some great series set around Hollywood’s heydays, such as Stuart Kaminsky’s Toby Peters mysteries, are both nostalgic and riotous as they show more deliver the goods. This one will deliver the goods, but only if your order is something light and entertaining, with little bite.
Baxt's regular characters in his series, cops Herb Villon and Jim Mallory, along with Herb's girlfriend Hazel Dixon, a gossip underling of Louella Parsons, have plenty to do and have quite a bit of interaction with Powell and Loy. This is good, because rather than having Powell and Loy be a gimmick, they are actually front and center in solving the murder. It makes for a sweet and nostalgic ride through 1930s Hollywood. Gossip and tidbits classic film fans will love are peppered throughout the narrative.
Hollywood is buzzing and Louis B. Mayer is fuming when a former stock player at MGM named Audrey Manners gets word out that she needs money. Since she is now Claire Young, a rather famous madam with a black book full of Hollywood names, such a message can only lead to murder. When her assistant gets killed, it is up to Villon and the gang to get it solved. To Mayer's consternation, however, it is Powell and Loy in the news, when they are reported as helping out with the investigation. Powell is about to marry the sickly "Baby" (Jean Harlow), and Myrna is having marriage trouble as she and Powell use the cover of researching their next Thin Man film to nose around helping Villon. Hazel, of course, is delighted at the prospect of a juicy story. Herb, however, is more concerned for Claire, with whom he once was in love.
There is nothing tawdry here despite the storyline, just some gentle fun for classic film fans. Powell and Loy discover the murder may have ties going all the way back to Paul Bern, Jean Harlow’s former husband. The friendship of Powell and Loy comes alive in their fun exchanges, and if that’s what you’re after, it’s a nice read. If you’re looking for intricate plotting, some genuine tension, this one isn’t for you. Riveting the mystery may not be, but fun in the extreme it most definitely is, if you come at it from the right direction. Obviously your mileage may vary greatly on this one, depending on expectations and how much you love wallowing in film nostalgia. show less
Baxt's regular characters in his series, cops Herb Villon and Jim Mallory, along with Herb's girlfriend Hazel Dixon, a gossip underling of Louella Parsons, have plenty to do and have quite a bit of interaction with Powell and Loy. This is good, because rather than having Powell and Loy be a gimmick, they are actually front and center in solving the murder. It makes for a sweet and nostalgic ride through 1930s Hollywood. Gossip and tidbits classic film fans will love are peppered throughout the narrative.
Hollywood is buzzing and Louis B. Mayer is fuming when a former stock player at MGM named Audrey Manners gets word out that she needs money. Since she is now Claire Young, a rather famous madam with a black book full of Hollywood names, such a message can only lead to murder. When her assistant gets killed, it is up to Villon and the gang to get it solved. To Mayer's consternation, however, it is Powell and Loy in the news, when they are reported as helping out with the investigation. Powell is about to marry the sickly "Baby" (Jean Harlow), and Myrna is having marriage trouble as she and Powell use the cover of researching their next Thin Man film to nose around helping Villon. Hazel, of course, is delighted at the prospect of a juicy story. Herb, however, is more concerned for Claire, with whom he once was in love.
There is nothing tawdry here despite the storyline, just some gentle fun for classic film fans. Powell and Loy discover the murder may have ties going all the way back to Paul Bern, Jean Harlow’s former husband. The friendship of Powell and Loy comes alive in their fun exchanges, and if that’s what you’re after, it’s a nice read. If you’re looking for intricate plotting, some genuine tension, this one isn’t for you. Riveting the mystery may not be, but fun in the extreme it most definitely is, if you come at it from the right direction. Obviously your mileage may vary greatly on this one, depending on expectations and how much you love wallowing in film nostalgia. show less
I was just reminded of this book. It's been ages since I first read it, but I still remember the *wow* about the writing. Just fell in love with the voice of Pharoah Love. Am reminded I need to hunt down the series. Don't think I made it to book five.
Sweet Harriet and some other washed-up 30s era movie dames are trying to make a comeback on television in the 60s, but their past haunts them. Are they mixed up in the murder of their former producer? Musical references and gay men in Manhattan in the 60s. What could be better? It's a bit fluffy, but hey it's a mystery. What do you want? Detective Pharoah Love, whom I really liked in Topsy, has only a bit part in this and is it the end of his career? I think this is fun for the theatre gays, show more but it mostly left me cold. Shades of Sunset Boulevard. show less
This book was ok. The main character is Mae West and someone is going around killing her impersonators. The killer also has a vampire bent. He kills people by making bite marks on their jugular and finishes the job with a knife to the heart. At times it's pure camp, much as you'd expect with Mae West. The author does do a good job of creating her world and vernacular. And if you've seen any of her movies you can hear her voice saying them in your head. The plot has Mae working with the show more police detectives to try and solve the murders. There have been two drag queens and one real lady impersonator who have been killed all with the same mo. And the murderer is not revealed until the last few pages and comes as quite a shock. The motives are explained but never really why the vampire connection to my satisfaction. show less
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