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Florence Parry Heide (1919–2011)

Author of The Day of Ahmed's Secret

94+ Works 5,299 Members 176 Reviews 5 Favorited

About the Author

Florence Parry Heide was born in Pittsburgh, Pennsylvania on February 27, 1919. She studied at Wilson College before transferring to the University of California at Los Angeles, where she received a B.A. in English. She worked in advertising and public relations in New York City before returning to show more Pittsburgh during World War II. She moved to Wisconsin with her husband after the war and started writing books at the age of 48. She wrote or co-wrote over 100 children's books including the Treehorn series, Princess Hyacinth: The Surprising Tale of a Girl who Floated, and The One and Only Marigold. She also wrote under the pseudonyms Alex B. Allen and Jamie McDonald. Heide received numerous awards and honors including having The Shrinking of Treehorn named by the New York Times as the Best Illustrated Children's Book of 1971 and winning the Jugendbuchpreis for the Best Children's Book of Germany in 1977; The Day of Ahmed's Secret received the Editors' Choice Award from Booklist in 1991, and Sami and the Time of the Troubles received the Editors' Choice Award from Booklist in 1992. She died on October 24, 2011 at the age of 92. (Bowker Author Biography) show less

Series

Works by Florence Parry Heide

The Day of Ahmed's Secret (1995) 1,318 copies, 20 reviews
The Shrinking of Treehorn (1971) 425 copies, 9 reviews
Sami and the Time of the Troubles (1992) 336 copies, 15 reviews
That's What Friends Are For (1971) 261 copies
The House of Wisdom (1999) 113 copies, 1 review
Tales for the Perfect Child (1985) 93 copies, 1 review
Treehorn's Treasure (1981) 90 copies, 1 review
Banana Twist (1978) 77 copies, 2 reviews
The One and Only Marigold (2009) 68 copies, 12 reviews
Dillweed's Revenge: A Deadly Dose of Magic (2010) 56 copies, 10 reviews
Fables You Shouldn't Pay any Attention to (1978) 53 copies, 2 reviews
How to Be a Hero (2016) 53 copies, 5 reviews
Treehorn's Wish (1986) 49 copies, 1 review
God and me (1975) 48 copies
Always Listen to Your Mother (2010) 46 copies, 3 reviews
Banana Blitz (1983) 42 copies
You and Me (1975) 40 copies
The Problem With Pulcifer (1982) 39 copies
Grim and Ghastly Goings-On (1992) 38 copies, 2 reviews
A Promise Is a Promise (2007) 36 copies, 6 reviews
Tio Armando (1998) 33 copies, 2 reviews
Time Flies! (1984) 30 copies, 2 reviews
The Adventures of Treehorn (1983) 29 copies, 1 review
Mystery at Keyhole Carnival (1976) 27 copies
Growing Anyway Up (1976) 22 copies
The Bigness Contest (1994) 17 copies
Who Needs Me? (1971) 16 copies
Who taught me? Was it you, God? (1978) 15 copies, 1 review
Hats and Bears (1980) 15 copies
Changes (1978) 14 copies
It's About Time! (1999) 13 copies
Timothy Twinge (1993) 13 copies
Mystery at Southport Cinema (1978) 13 copies
The Hidden Box Mystery (1973) 13 copies
Sound of Sunshine, Sound of Rain. (1970) — Author — 13 copies
Wendy Puzzle, The (1982) 12 copies
Who Can? (1975) 12 copies
Time's Up! (1982) 12 copies
Black Magic at Brillstone (1981) 11 copies
Fear at Brillstone (1978) 9 copies
The Little One (1970) 8 copies
Alphabet zoop (1970) 8 copies
Time Bomb at Brillstone (1982) 8 copies
It Never Is Dark (1968) 6 copies
The key (1971) 6 copies
Mystery on Danger Road (1983) 6 copies
Lost and Found (1980) 5 copies
The New Neighbor (1970) 5 copies
My Castle. (1972) 4 copies
A Surprise For Santa (1967) 3 copies
Banane (French edition) (1988) 3 copies
Maximilian Becomes Famous (1969) 2 copies
Alice Gets a New Look (1964) 2 copies
Maximilian 2 copies
Sebastian 2 copies
Look! Look! A story book (1971) 2 copies
bananes a gogo (1989) 1 copy
Tristan Se Achica (2013) 1 copy

Associated Works

Sing a Song of Popcorn: Every Child's Book of Poems (1988) — Contributor — 1,176 copies, 27 reviews
Never Take a Pig to Lunch: And Other Poems About the Fun of Eating (1994) — Contributor — 346 copies, 12 reviews
Monster Poems (1976) — Contributor — 24 copies
Raising Readers: A Collection of Stories from Maine (2005) — Contributor — 22 copies
Across Wide Fields (1982) — Author — 12 copies

Tagged

animals (38) Cairo (54) children (112) children's (110) children's books (34) children's literature (53) culture (39) Egypt (110) family (63) fantasy (51) fear (77) fears (70) fiction (228) friendship (35) funny (35) growing up (55) hardcover (48) humor (100) illustrated (52) jungle (44) literacy (37) Middle East (88) multicultural (67) picture book (388) princess (49) realistic fiction (43) scary (123) to-read (51) war (39) writing (33)

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Reviews

186 reviews
Gideon had a very nice life - nice parents, a nice home, nice toys - but he wanted something more. He wanted to be a hero. Unfortunately, all of the fairy-tales he had read - stories like Rapunzel, Sleeping Beauty, and Cinderella - had heroes who simply showed up at the right time and place, without doing anything particularly remarkable. So what made a hero, and how could he become one...?

I'm bemused to note that some online reviewers of How To Be a Hero have deplored its message, arguing show more that it reinforces masculine and white privilege, when I think one of the central ideas in the text is how ill-served young boys are by many traditional tales. Plenty of people complain about stories like Cinderella and the messages they send to young girls - the passivity of the heroine, the idea of finding one's prince being the ultimate end-goal, etc. - without ever thinking about the poor messages they send young boys. As Gideon reflects about what it takes to be a hero, the qualities he'd like to emulate - strength, bravery, cleverness - don't seem to be required, leaving him at something of a loss. His determination to be mindful is admirable, but humorously undercut by his obliviousness in the final scenes, in which he doesn't notice a baby in need of saving. Here perhaps, in the artwork, we can see where the above mentioned critiques might have some justification, although I think the critics may have missed the fact that the artist is deliberately creating a satirical counter-narrative to the text in his illustrations, and that the artwork itself may be a commentary on the issues they have raised. I'd be curious to know illustrator Chuck Groenink's thought process, in expanding upon author Florence Parry Heide's text. I'd also be interested in Heide's reaction, although that won't be forthcoming, since this one was published posthumously.

Leaving aside questions of messages, implicit or otherwise, How To Be a Hero struck me as a quirky and amusing book, although I'm not sure the younger picture-book set will be able to appreciate some of the irony it employs.
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This miniature book, illustrated by Edward Gorey, is a pure delight punctuated with laugh-out-loud moments. An interview with the author enriches the story: "And because I had been looking for an idea for a new book, I thought what about a mother who keeps saying That's nice, dear, no matter what's happening." And later, upon seeing a neighbor boy she hadn't seen in a while: "Oh, for heaven's sake, of COURSE he's grown, don't sound so surprised. Surprised would be if he'd grown smaller."

A show more boy named Treehorn is shrinking, but the adults around him - parents, bus driver, teacher, principal - either ignore or deny his predicament or don't take him seriously. When Treehorn discovers a way to reverse his shrinking (a board game he'd sent away for from the back of a cereal box), everyone is relieved - so when he turns green, he decides, "I don't think I'll tell anyone...If I don't say anything, they won't notice."

See also: Imogene's Antlers by David Small

"Guess they couldn't think of any other name, once they thought of Treehorn." (bus driver, 38)
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I really loved this book for the simple concept it centers around. It is simply a book that lists common fears that a growing child might face. The fears range from irrational to completely common. I would have loved this book as a child because I would've felt less alone about my fears. This book would be absolutely perfect for the young children who have a hard time vocalizing their fears about the world around them. This book also reinforces the idea that scary things are totally normal show more and part of growing up is learning deal with these fears. In fact, the last page says that knowing you'll become a grown up is scary. This is such an important, comforting message for adjusting children who feel an overwhelming sense of pressure when it comes to growing older. show less
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Brilliant, and funny for grown-ups too. It was an important book to me as a child and I have to wonder just how much it's unconsciously affected me. I'm a civil servant and the problems Treehorn faces are very much like mine. If you point out a problem you get a set of responses very much like Treehorn gets, and eventually, if you want something done, you have to do it yourself (though in real life sometimes they try to stop you). It grinds you down. I am literally fourteen inches shorter show more than when I started 9 years ago. I've reached the stage now where if everything turned green I wouldn't bother mentioning it. show less

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Works
94
Also by
6
Members
5,299
Popularity
#4,697
Rating
4.0
Reviews
176
ISBNs
239
Languages
8
Favorited
5

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