Timothy Corrigan (1) (1951–)

Author of A Short Guide to Writing about Film

For other authors named Timothy Corrigan, see the disambiguation page.

Timothy Corrigan (1) has been aliased into Timothy J. Corrigan.

13 Works 895 Members 4 Reviews

About the Author

Timothy Corrigan is Professor of Cinema Studies, English, and History of Art at the University of Pennsylvania. He is the author of New German Film and A Cinema without Walls and an editor of Critical Visions in Film Theory.

Works by Timothy Corrigan

Popular Recent

Works have been aliased into Timothy J. Corrigan.

A Short Guide to Writing about Film (1989) 584 copies

The Film Experience: An Introduction (2004) 137 copies

Film and Literature: An Introduction and Reader (1998) 49 copies

Critical Visions in Film Theory (2010) 26 copies

A Cinema Without Walls: Movies and Culture After Vietnam (1991) 25 copies

New German Film: The Displaced Image (1983) 22 copies

The Essay Film: From Montaigne, After Marker (2011) 17 copies

The Films of Werner Herzog: Between Mirage and History (1986) 15 copies

American Cinema of the 2000s: Themes and Variations (Screen Decades: American Culture/American Cinema) (2012) 13 copies

Coleridge, Language, and Criticism (1982) 3 copies

Film Elestirisi El Kitabi (2008) 2 copies

A Quick Film Terminology Reference Card (2004) 1 copy

Cinema, Media, and Human Flourishing (The Humanities and Human Flourishing) (2023) 1 copy

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Common Knowledge

Birthdate: 1951-03-30
Gender: male

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Reviews

A Short Guide to Writing about Film (Short Guides… by Timothy Corrigan

Comprehensive and really helped me learn how to critically write for the first time about film for a film class this semester. Highly recommend but wish it wasn't so expensive.

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WellReadSoutherner | 1 other review | Nov 17, 2022 |

Film and Literature: An Introduction and Reader by Timothy Corrigan

Textbook from film studies class. Eh.

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kedicat | Sep 29, 2011 |

A Short Guide to Writing about Film (Short Guides… by Timothy Corrigan

Slim, steeply-priced volume which deals tidily with the subject promised by the title. Clearly intended for a classroom environment, although general readers wanting more methods for thinking about film might be able to extract something from it as well.