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Edison Marshall (1894–1967)

Author of Caravan to Xanadu

67+ Works 702 Members 10 Reviews

About the Author

Series

Works by Edison Marshall

Caravan to Xanadu (1953) 91 copies
Yankee Pasha (1947) 76 copies
American Captain (1954) 55 copies
The Viking (1951) 47 copies
The Infinite Woman (1950) 46 copies
The Pagan King (1959) 46 copies
The Lost Land (1966) 30 copies
Gypsy Sixpence (1949) 26 copies
The lost colony (1964) 20 copies
Benjamin Blake (1941) 17 copies
Great Smith (1943) 16 copies
West with the Vikings (1961) 16 copies
The Conqueror (1963) 16 copies
The upstart (1945) 13 copies
The White Brigand (1937) 13 copies
The gentleman (1956) 11 copies
Cortez and Marina (1963) 11 copies
The heart of the hunter (1956) 9 copies
Earth giant (1960) 6 copies
The stolen god 6 copies
The Snowshoe Trail (1921) 6 copies
The Sky Line of Spruce (1922) 5 copies
The Far Call (1944) 4 copies
Princess Sophia (1960) 4 copies
Forlorn Island (1932) 3 copies
The Voice of the Pack (1920) 3 copies
The death bell (1924) 3 copies
Love stories of India (1950) 3 copies
The Splendid Quest (1934) 3 copies
The Deadfall 3 copies
Ogden's Strange Story (1934) 3 copies
Sam Campbell, gentleman (1938) 3 copies
The missionary (1943) 3 copies
Yankee Pasha Abridged (1959) 2 copies
Tähdenlento 2 copies
Seward's folly (1924) 2 copies
Rogue Gentleman (1963) 1 copy
Sabreur 1 copy

Associated Works

The New Junior Classics Volume 09: Sport and Adventure (1938) — Contributor — 173 copies
The Vikings [1958 film] (1958) — Original book — 93 copies
Horrors unknown (1971) — Contributor — 42 copies
Shot in the Dark (1950) — Contributor — 24 copies
O. Henry Memorial Award Prize Stories of 1919 (1919) — Contributor — 9 copies
Son of Fury [1942 film] (1994) — Original novel — 5 copies
Four in One Mysteries (1924) — Contributor — 5 copies
The Bedside Bonanza (1944) — Contributor — 2 copies

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Common Knowledge

Members

Reviews

There was a long, diffuse novel titled "Anthony Adverse", and this is Marshall's attempt to capture the market created by that monster hit. Our hero, Benjamin is the orphaned result of an adultery by a titled Englishman and the wife of a local gunsmith. Benjamin flees his servitude to his wicked uncle and after voyaging to the exotic south seas returns to displace the villain
getting all of the goodies left from his father's life. As escapism, it is adequate, if not very original for the fiction of the time.… (more)
 
Flagged
DinadansFriend | Oct 22, 2021 |
Read a good bit of it before giving up on it.
 
Flagged
HenrySt123 | Jul 19, 2021 |
As a long- time Pagan how can I resist a version of the story of King Arthur titled _The Pagan King_ ? Well actually I resisted it for some time. Don't even recall how I acquired it but have been giving it shelf space and moving it for a couple of decades. Finally I read it.

This is not a new book but appears to be one of the earlier efforts (1959) to write a more historically likely story of the legendary King Arthur. While I would agree that this version of the Arthurian myth seems to have more historically accurate detail than the versions based on Mallory's Middle Ages, it does have its problems. Ambrose, who becomes Artay and then Arthur, is a rustic living with the old druid Merdin, a serving woman who never speaks, and Gerald, a 1/4 Roman who teaches him swordsmanship and tactics and eventually becomes his general. Merdin eventually reveals that Ambrose is the son of Vortigern and his first queen, exposed to die by the King's order and rescued by Merdin. When Ambrose fights and wounds his half-brother Mordred at the King's Beltane games, his identity is revealed and he and the household must flee. Ambrose eventually puts together a small band of followers which grows larger as he defeats other rulers and eventually Vortigern. In the meantime, a prophetic song says that he must wed a woman named Wander, but he has fallen in love with Elain of the lake and is bedeviled with lust for Vivain, who claims to be of Witch blood and have prophetic dreams.

The changes that Marshall rings upon the basic Arthurian story are interesting. However his treatment of his pagan characters is uneven. Merdin, for example is called a druid, not a wizard, yet professes admiration for the law and order than the Romans had enforced in Britain. This seems strange given that the Romans banned and massacred the Druids. Merdin seems to feel that he is serving a sacred cause in trying to fulfill the predictions of Arthur's ruler ship, yet he lies and deceives in the furtherance of that cause, which doesn't seem to display much faith in the gods. Artay is also inconsistent. For instance at one point he vows to Elain, in the names of the Great Gods, that he will free 5 prisoners who otherwise would be hanged. But a few pages later he seems to have forgotten this pledge and has to be persuaded by Merdin to free a particular criminal for purely strategic reasons. Another time a character refers to the false gods of the Saxons. Pagans were not generally given to considering the gods of other peoples as false, merely not their gods. The idea of false gods is a Christian one (or Jewish in origin). Why would a Briton accept that he worships Lud and Romans worship Jove, yet regard the Saxon Odin as false? The characters also speak and act as though Christians were rare in Britain, yet the Romans did not leave until some time after Constantine's conversion, so a good number of Romans or Romanized Britons would have been Christians. Many of these details would not be noticed by readers unfamiliar with the history, but they are distracting for those who do.
… (more)
 
Flagged
ritaer | 1 other review | May 24, 2021 |
I have owned this for many years and never gotten beyond the first few pages, which are Marco Polo in first person describing growing up in Venice humiliated by the absence of his father. I gather it follows him all the way to China.
 
Flagged
antiquary | Jun 14, 2013 |

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Works
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ISBNs
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