Tim Sale (1956–2022)

This is the first Superman graphic novel I've read that really delves into his life in Smallville, as a result, it feels distinct, cozy and emotional, moreso than most Superman stories.

I wasn't a fan of the artstyle at first, it's nowhere near as flashy or detailed as Red Son or Kingdom Come, but it ties in so well with the story that it works perfectly. Less is more, and every panel and piece of dialogue feels meaningful.

It's very fresh, despite being an "origin" story, which I'm usually show more bored of at this point. I like there isn't really a big bad in this one, and Clark seems more like a young man would - capable, but hesitant and confused about his direction in life. Very poignant. Excellent Superman story. show less

Jeph Loeb and Tim Sale have teamed up on a few re-tellings of the origin stories of iconic Marvel characters now ("Spider-Man Blue", "Daredevil Yellow"). Next will probably be a remake of Nick Fury called "Colonel Mustard". I do enjoy their work, and this Hulk story is one of the more poignant ones, as the newly born Hulk tries to assuage his loneliness by kidnapping Betty Ross. This doesn't go well, and her father, General Ross, eventually calls in Iron Man to rescue her. This also could go show more better. There is a pretty moving, if simplistic, "Of Mice and Men" moment. At the conclusion I am left wondering, as always, how Bruce Banner's pants (always purple) stay intact when he hulks out, and thinking I gotta get me a pair of pants like that. show less

Я плакал в конце, этим всё полагаю и сказано...
Комикс прост, невероятно прост, ничего сверх масштабного в классическом его понимании не происходит. Да один раз Лекс весь город отравил но по сравнению с обычными историями супермена это ничто. Но я его за это и обожаю, ведь в show more масштабных историях очень легко потерять душу и смысл того кем является супермен- обычный, добрый парень из Канзаса. Повествование даже не идёт от его лица но при этом я чувствовал и понимал Кларка. Такой стиль повествования мне к слову обычно не нравится так как обычно любят в такие моменты графоманствовать, но тут такого нет. Так же это и крайне ностальгичная история, есть что-то в историях о молодых ребятах из деревень или маленьких городов, меня всегда к такому тянуло.
Что-же меня заставило плакать? Я думаю это была совокупность хорошей истории, показа милых деревенских людей, прекрасного рисунка и то чувства радости и доброты которую я получил после прочтения. show less

It's another Superman origin story. Sort of. Superman For All Seasons doesn't give you any of the humongous backstory-- at one point Pa Kent mentions that they found Clark in a rocket, but that's about it. I don't think the word "Krypton" is ever used. Rather than on an exotic alien world with Kal-El's father babbling about exploding planets, this story opens in Smallville, Kansas with Clark Kent's father talking about farming... and his son.

It's divided into four sections, one for each show more season of course. And each section is narrated by a different key figure in Superman's life. As I alluded to earlier, "Spring" is narrated by Pa Kent, talking about Clark's last year of high school and the changes he went through as he started to realize his power. "Summer" is narrated by Lois Lane, talking about this new "Superman" that so fascinates her... not that she's in love or anything. "Fall" is narrated by Lex Luthor, as he fumes over the new arrival in his city. And "Winter" is narrated by Lana Lang, discussing what it's like to know Clark and Superman.

The characterization of this thing is pitch-perfect. Pa Kent is exactly what Pa Kent should be-- a good guy working a farm. There's no deep-seated paternal issues or overdramatic angst here. Which is not to say things are perfect between Clark and Kent, but it's the sort of problems every father and son should have: a son uncertain about his place in the world now that he's growing up, and father who doesn't know what's going to happen to his son... and unable to help. Since Pa's narrating, there's necessarily less of Ma, but what's there is handled well too. "Be gentle," says Ma as her husband goes out to talk to their son, who's overcome by fear as he begins to grow up. "Yep," says Pa as he goes out, thinking about being a father. The father of a boy, soon to become a man. Not a Superman.

Lois... Lois is Lois. Unfortunately, she doesn't contribute directly to the story much, but she comments on it. A cynical woman who, on some level, just doesn't like that Superman has disrupted her carefully constructed portrait of the world... but finds herself drawn to him nonetheless. Speaking of double-L love interests, this was my first real encounter with Lana Lang in, well, anything. I guess I haven't read/seen much Superman material dealing with Smallville. I like what I see here. As one of the few people who know the Clark/Superman secret, she's one of the few people who understands either of them. Superman is who he is because he is Clark Kent, and Lana may have pined for Clark as a child, but she too must grow up on move on to the next stage of her life.

And as for Lex... Lex Luthor. The 1990s cartoon is my favorite depiction of Lex bar none, but this is right in line with that. This is a Lex with no personal vendetta against Superman... at least not at first. Lex Luthor is the greatest man ever, a man who controls everything... Superman is better than him, and out of his control. His narration is brilliant: "The public needs to be spoken to. Often, they need to be spoken to as children. So they can grasp my position. Simply because my position is never wrong. Never. I poured my life into this city. I gave it a personality. A look. A kind of elegance. She was my fair lady. I've grown accustomed to her face. And yet... I was betrayed." That, ladies and gentlemen, is Lex Luthor, the greatest criminal mind of our time. Always in control, and always afraid of losing it. No hackneyed mad scientist traits or Smallville backstory required.

What of the character of Superman himself? Obviously, since the story is narrated by others, we get little of him directly. Superman can be a somewhat unfathomably distant person sometimes. How can you emphasize with a man who has powers like that? And yet, Loeb manages it. Superman has the weight of the world on his shoulders... and yet, don't we all? This story is about growing up and finding your place in the world-- drawing it not from some alien heritage, but from yourself. Even for Superman, it's hard to do what you need to do day in and day out, with a world trying to drag you down. Like anyone, when things get tough, he retreats from his problems-- in this story, Superman's "fortress of solitude" is Smallville, not some crystalline alien structure at the North Pole. But like the best of us, Superman doesn't stay in retreat. He doesn't know everything, and he certainly doesn't always know how to cope with the world... but when it comes down to it, he knows he has to do what has to be done, and he does it. Plus, he gets some of the best lines: "Nice costume," says a kid Superman has just saved from falling off a skyscraper. "Thanks," replies the Man of Steel. "My mom made it for me." Which is really everything you need to know about Superman right there.

I haven't read anything else by Loeb, but I really should. (And I believe I've got a couple of his works in my pile.) This is a man who knows how to use the comics medium. Many writers, when using narration, convey information you're already getting in the dialogue and images (John Byrne, I'm looking at you). But the solution is not to drop the narration. Loeb's narration boxes harmonize with the scenes they depict, sometimes contrasting, sometimes reinforcing. Oftentimes, the narration boxes overlay events the narrators actually know nothing about: Lois ruminates on what Superman does when he's not rescuing kittens as Clark returns to his apartment, Lana talks about the lack of Clark in Smallville as we see the lack of Superman in Metropolis. This is exceptional use of the form. And as I've gone about at length, his grasp and use of the characters is perfect.

The art is fantastic, too. Stylized, clear, usually... "gorgeous" is the wrong word. Handsome, maybe. Sale really captures the strength of Superman in one panel and the vulnerability of Clark Kent in another, but they're clearly the same person in different modes. The only problem I have is that sometimes the childish giant look he gives pre-Superman Clark comes across a little... goofy. He looks too child-like and too awkward. But on the other hand, his Lois Lane is every bit as gorgeous as Lois should be.

All I've done here is rave. Did I dislike anything about this story? I thought the "Fall" section could have been improved. Lex's plan was pure Lex-- gassing a whole city yet only killing one person just to get at Superman is absolutely something he would do-- but the Clockwork Orange-style scenes of mental conditioning had a tone just a little too... harsh for this lovely gem of a comic. And I think Jenny Vaughn's story would have been more tragic if she hadn't adopted the strange supervillainesque codename and costume for no apparent reason of hers or Lex's. But these are quibbles, really.

This is without a doubt one of the best comic books I have ever read, and the best Superman story. Almost every note is pitch-perfect-- if you want to know who he is, read this story. If you want to know who Clark Kent is, read this story. If you never read another Superman tale, read this story. "The whole world was resting on his shoulders and maybe, just maybe, they weren't big enough to carry the load." That's Superman in a nutshell. But more than that-- it's all of us. (originally written June 2008) show less