1gwendetenebre
"Mariana" by Fritz Leiber.
Discussion begins August 21, 2024.
First published the February 1960 issue of Fantastic Science Fiction Stories.

BIBLIOGRAPHY
https://isfdb.org/cgi-bin/title.cgi?41170
SELECTED PRINT VERSIONS
The Best of Fritz Leiber
Masters of Science Fiction: Fritz Leiber
100 Hair-Raising Little Horror Stories
ONLINE VERSIONS
https://tinyurl.com/5dsza8u2
ONLINE AUDIO VERSIONS
https://www.youtube.com/watch?v=sGom7euUcVU
MISCELLANY
https://lankhmar.co.uk/
https://en.wikipedia.org/wiki/Fritz_Leiber
https://cthulhuwho1.com/2010/10/07/fritz-leiber-audio-files-part1-being-intervie...
https://tinyurl.com/msxkdn6w
Discussion begins August 21, 2024.
First published the February 1960 issue of Fantastic Science Fiction Stories.

BIBLIOGRAPHY
https://isfdb.org/cgi-bin/title.cgi?41170
SELECTED PRINT VERSIONS
The Best of Fritz Leiber
Masters of Science Fiction: Fritz Leiber
100 Hair-Raising Little Horror Stories
ONLINE VERSIONS
https://tinyurl.com/5dsza8u2
ONLINE AUDIO VERSIONS
https://www.youtube.com/watch?v=sGom7euUcVU
MISCELLANY
https://lankhmar.co.uk/
https://en.wikipedia.org/wiki/Fritz_Leiber
https://cthulhuwho1.com/2010/10/07/fritz-leiber-audio-files-part1-being-intervie...
https://tinyurl.com/msxkdn6w
2paradoxosalpha
The Fantastic cover story by Herbert is intriguing.
3gwendetenebre
I'll be reading from Centipede Press's Masters of Science Fiction: Fritz Leiber. And that's a nice long 2-part audio interview with Fritz up under Miscellany.
6gwendetenebre
Loved the progression of switches, with the final one being both the most logical in terms of the story itself and also the most chilling, even if you saw it coming.
7paradoxosalpha
It's sort of strange that I read this story while in the midst of The Diamond Age. The wonderland of nanotech and virtual realities that Stephenson presents made me more prone to take the opening parts of the story at face value, I think.
>6 gwendetenebre:
I agree that it's not much of a surprise, but still impressive. The penultimate switch, opening the epistemological question in the face of the previously-apparent nature of the switches, makes the final one more disturbing, even if she had anticipated it earlier ("ROCKS? AIR? or even ...?").
>6 gwendetenebre:
I agree that it's not much of a surprise, but still impressive. The penultimate switch, opening the epistemological question in the face of the previously-apparent nature of the switches, makes the final one more disturbing, even if she had anticipated it earlier ("ROCKS? AIR? or even ...?").

