Fowler, Gene. Timber Line: A Story of Bonfils and Tammen. 1933. Comstock, 1974.
Gene Fowler (1890-1960) grew up in the high country of Colorado, was a reporter at the Denver Post from 1914-1918, moved to New York where he became a familiar figure in the New York newspaper world. In New York, he met the famous people in the entertainment industry of the time. Encouraged by friends in the movie industry, he moved to Hollywood and finished his career as a script writer. His son, who shares his name, became a successful film editor. He was not of the school of journalism that says stick to facts, no matter how dry. He is supposed to have said that he never let facts get in the way of a good story. Timber Line is a nostalgic look at the early history of the Denver Post and the late-frontier culture that produced it. The protagonist of the story is Frederick Bonfils, a promoter who came to Denver with a nest-egg derived from a dodgy lottery he ran in Kansas. Together with Harry Tammen, a curio shop operator from Denver, he bought the Post in 1894 and turned it into the most successful and most sensationalistic newspaper in the West. They ran large headlines in red ink and used an endless array of promotional gimmicks, pranks, and games to sell papers. For example, when a rival paper put on an opera, they hired a newsboy to stand outside the hall and disrupt the performance by whistling louder than the aria. At one point they bought a circus that competed ruthlessly with the Ringling Brothers. Libel suits and claims of fraud were a way of life. Fowler tells stories illustrating the post-frontier world in which the paper developed—how he made an enemy of Buffalo Bill by running a story about the women in his life. He tells sensational stories about shootouts and cannibalism in the winter Rockies. Timber Line is a lively read, but I wish I knew how much of it I could trust. There is an excellent 2012 review of it in the Columbia Journalism Review (Rocky Mountain fever - Columbia Journalism Review (cjr.org)). As far as I know, there is no commercial ebook edition, but the book is worth a trip to the library. If you are visually impaired, there is an audio edition on Bard. 4 stars. ( )