Even the Stars Look Lonesome
by Maya Angelou
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This wise book is the wonderful continuation of the bestselling Wouldn't Take Nothing for My Journey Now. Even the Stars Look Lonesome is Maya Angelou talking of the things she cares about most. In her unique, spellbinding way, she re-creates intimate personal experiences and gives us her wisdom on a wide variety of subjects. She tells us how a house can both hurt its occupants and heal them. She talks about Africa. She gives us a profile of Oprah. She enlightens us about age and sexuality. show more She confesses to the problems fame brings and shares with us the indelible lessons she has learned about rage and violence. And she sings the praises of sensuality. Even the Stars Look Lonesome imparts the lessons of a lifetime. show lessTags
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On audio, it's priceless. Gorgeous vignettes about her parents, about her past, about men, and most delightfully, about architecture: homes that "hated" and constricted her, contrasted with her present home in North Carolina that keeps expanding to fit her. Listen to it the first time if at all possible, so that the teaching of this American legend will echo deep into you. She is luminous, her insights are rich and full; it was a better world by far with Maya in it.
Of twenty essays, I found only about three that I could relate to on a personal level, and Angelou deals with these topics wisely from her own experience. These were "A Song to Sensuality" where she tells us how as she ages she appreciates sensuality almost as much or more than sexuality, "Vacationing" in which she observes that even on vacation people can hardly resist working, and finally the title essay "Even the Stars Look Lonesome Sometimes" in which she tells us, essentially, that it is okay - even good - to be alone with ourselves sometimes.
Despite the seeming irrelevance of much of this book to me personally, the quality of Angelou's writing is undeniable. She has a beautifully poetic prose that absorbs readers and lends itself show more in some measure to being read aloud.
From "A Song to Sensuality":
I would have my ears filled with the world's music, the grunts of hewers of wood, the cackle of old folks sitting in the last sunlight and the whir of busy bees in the early morning. I want to hear the sharp sound of tap dancing and the mournful murmur of a spiritual half remembered and then half sung. I want the clashing of cymbals of a marching band and the whisper of a lover entreating a beloved. Let me hear anxious parents warning their obstreperous offspring and a pedantic pedagogue teaching a bored class the mysteries of thermodynamics. All sounds of life and living, death and dying are welcome to my ears.
show less
Despite the seeming irrelevance of much of this book to me personally, the quality of Angelou's writing is undeniable. She has a beautifully poetic prose that absorbs readers and lends itself show more in some measure to being read aloud.
From "A Song to Sensuality":
I would have my ears filled with the world's music, the grunts of hewers of wood, the cackle of old folks sitting in the last sunlight and the whir of busy bees in the early morning. I want to hear the sharp sound of tap dancing and the mournful murmur of a spiritual half remembered and then half sung. I want the clashing of cymbals of a marching band and the whisper of a lover entreating a beloved. Let me hear anxious parents warning their obstreperous offspring and a pedantic pedagogue teaching a bored class the mysteries of thermodynamics. All sounds of life and living, death and dying are welcome to my ears.
show less
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127+ Works 40,553 Members
Maya Angelou was born Marguerite Annie Johnson on April 4, 1928 in Saint Louis, Missouri. At the age of 16, she became not only the first black streetcar conductor in San Francisco but the first woman conductor. In the mid-1950s, she toured Europe with a production of the opera Porgy and Bess. In 1957, she recorded her first album, Calypso Lady. show more In 1958, she became a part of the Harlem Writers Guild in New York and played a queen in The Blacks, an off-Broadway production by French dramatist Jean Genet. In 1960, she moved to Cairo, where she edited The Arab Observer, an English-language weekly newspaper. The following year, she went to Ghana where she was features editor of The African Review and taught music and drama at the University of Ghana. In 1964, she moved back to the U.S. to become a civil rights activist by helping Malcolm X build his new coalition, the Organization of African American Unity, and became the northern coordinator of the Southern Christian Leadership Conference. Even though she never went to college, she taught American studies for years at Wake Forest University in Winston-Salem. In 1993, she became only the second poet in United States history to write and recite an original poem at a Presidential Inauguration when she read On the Pulse of Morning at President Bill Clinton's Inauguration Ceremony. She wrote numerous books during her lifetime including: I Know Why the Caged Bird Sings, Just Give Me a Cool Drink of Water 'Fore I Die, All God's Children Need Traveling Shoes, Wouldn't Take Nothing for My Journey Now, and Mom and Me and Mom. In 2011, President Barack Obama gave her the Medal of Freedom, the country's highest civilian honor, for her collected works of poetry, fiction and nonfiction. She appeared in the movie Roots and was nominated for Best Supporting Actress in 1977 for her role in the movie. She also played a part in the movie, How to Make an American Quilt and wrote and produced Afro-Americans in the Arts, a PBS special for which she received a Golden Eagle Award. She was a three-time Grammy winner. She died on May 28, 2014 at the age of 86. (Bowker Author Biography) show less
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