The First 50 Pages: Engage Agents, Editors and Readers, and Set Your Novel Up For Success

by Jeff Gerke

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Seeking writing success? Start at the beginning... Whether you're looking to get published or just hoping to hook your reader, first impressions are vital. Compelling opening scenes are the key to catching an agent or editor's attention, and are crucial for keeping your reader engaged. As a writer, what you do in your opening pages, and how you do it, is a matter that cannot be left to chance. The First 50 Pages is here to help you craft a strong beginning right from the start. You'll learn show more how to:    * introduce your main character    * establish your story world    * set up the plot's conflict    * begin your hero's inner journey    * write an amazing opening line and terrific first page    * and more This helpful guide walks you through the tasks your first 50 pages must accomplish in order to avoid leaving readers disoriented, frustrated, or bored. Don't let your reader put your book down before ever seeing its beauty. Let The First 50 Pages show you how to begin your novel with the skill and intentionality that will land you a book deal, and keep readers' eyes glued to the page. show less

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4 reviews
While I sometimes found the tone a little snarky, this book is very useful. It is essentially everything you will need to know about starting a novel in order to give it more potential to spring free of the slush pile. Of course that doesn't mean if you read this book you will write a brilliant novel, you still need to be able to tell a good story, but this will help you structure it. It made me think about my own writing and made clear to me some of the things I was doing poorly. An eye opener that really makes sense.
So this is a book that focuses on the beginning of your novel. I don’t have any hard evidence, but it does seem like that’s a keystone in getting published. I’ve never heard of slushkillers starting at a random point in the manuscript for the yay-or-nay vote.

I’d say this is a useful book. The amount read per item of information learned ratio wasn’t great–lots of writing books talk about beginnings at length–but there are some key things to know. And as usual, grains of salt are recommended as a side dish. Because if you do come up with something that ticks all the boxes of a good first 13,000 words, it’s going to be… pretty boring, I imagine. I’m rather fortunate in that I usually know how a book should begin. show more Whether that’s the way editors/agents want it, whether it’s the best way or most attractive way, not so sure.

It’s not a slog to read at least. It’s enjoyable and not too long. There is padding, like “why you should want the beginning to be great” and “the do nots of beginnings” that don’t help you to actually do. If you condensed it to the actual helpful content, it would be as big as a pamphlet. Of course, that’s true of any book. So yeah, I’d say writers should pick this up. I don’t know if it’ll increase your chances of being published, but it couldn’t hurt.
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An easy read with great material for novelists whom have either looking to revise a completed draft, or for those whom are starting. I wish I would have read this before I finished my first draft. It would have saved time rewriting. On the other hand, I wouldn't have had as much appreciation for the Jeff Gerke's insights.

A few of the things that set this book apart from other author self-help books is that it:
1. Focuses on crafting your novel for the market, both the reader and the editor/agent.
2. Helps streamline the plot and character introductions early according to most reader's expectations.
3. It is NOT a formula book, although it does give broad suggestions on when readers and editors expect certain things to happen in a show more novel.

THE FIRST 50 PAGES is an easy read, and it's one of my top 10 books to recommend to authors no matter what their genre.
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Great How to book. To read my full review go to www.virginiagruver.com

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Genre
Fiction and Literature
DDC/MDS
808.3Literature & rhetoricLiterature, rhetoric & criticismCompositionRhetoric of fiction
LCC
PN3355 .G385Language and LiteratureLiterature (General)Literature (General)Prose. Prose fictionTechnique. Authorship
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Reviews
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