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Loading... Sweet Tooth (2012)by Ian McEwan
  
No current Talk conversations about this book.   Dermot_Butler | Nov 8, 2023 |   ) bookwrapt | Mar 31, 2023 |  ) steve02476 | Jan 3, 2023 |  ) Amzzz | Aug 23, 2022 | És itt jön a mégis. Az van, hogy amikor este el kellett döntenem, hogy ezzel a könyvvel heveredjek le a kanapén, vagy Koestler Alvajárók-jával, hát egyértelműen utóbbihoz volt ingerem. És itt nem a témaválasztásról van szó (senki nem állíthatja, hogy a csillagászat jobban vonz, mint egy szaftos kémsztori), hanem a lelkesedésről, amiben óriási differenciát éreztem e két írás között Koestler javára. Valahogy a konkrét cselekményt illetően a Mézesmadzag nekem egy végtelenül rutinszerű alkotásnak tűnik – (majdnem) hibátlan szakmai teljesítmény, kiváló iparosmunka, de… Pedig hát szeretem a profizmust, mégis most az a benyomásom támadt, hogy egy plazmatévét látok fellógatva a Velazquezek között. Ezért nem nagyon ültem tűkön, hogy na, most mi lesz a következő oldalon, és végig visszafogottan viszonyultam a szereplők gondjához-bajához. Ha valaki kikapta volna a könyvet a felénél a markomból, és elrohan vele, talán utána sem járok, mi lett velük. De nem kapta ki, úgyhogy tudom a végét: van ott egy meglepő csavar (még ha szükségtelenül részletezett és kissé modoros is). De mutassatok nekem egy kémregényt, aminek a végén nincsen meglepetés – úgyhogy ez a meglepetés se meglepetés. Mondjuk ha nem meglepetés, az viszont meglepetés. De akkor meg meglepetés, tehát nem meglepetés… Viszont… (és így tovább) ( )1  Kuszma | Jul 2, 2022 |
 A satisfying spy novel with a literary twist provides both surprises and sly references to McEwan's early work Ian McEwan has never been a spy (or, if he has, that fact remains classified), but of today's novelists he may be the most uniquely suited to the profession. He has a scientific, technical mind drawn to structural ploys and complicated scene engineering. . . . Mr. McEwan likes manipulating readers as much as plots. . . . Ultimately, like his bloodless previous novel, Solar (2010), there is little point to Sweet Tooth beyond Mr. McEwan's low-level authorial deceptions. . . . The book is soon overwhelmed by its own narrative ruse, which revealed in the final pages, is clever but not meaningful.  In playing these mirror games, Mr. McEwan seems to want to make the reader think about the lines between life and art, and the similarities between spying and writing. He also seems to want to make us reconsider the assumptions we make when we read a work of fiction. As usual his prose is effortlessly seductive. And he does a nimble job too of conjuring London in the 1970s — with its economic woes, worries about I.R.A. bombings and uneasy assimilation of the countercultural changes of the ’60s. These aspects of “Sweet Tooth” keep the reader trucking on through the novel, but alas they’re insufficient compensation for the story’s self-conscious contrivance and foreseeable conclusion. The combination of all these nose-tapping hints suggests to the alert reader that there’s something clever-clever coming along at the end, which makes it feel even more like a gimmick. I won’t spoil things if you’re going to read the book, but just remember that one of the central characters is a novelist. OK? But Sweet Tooth – which has been misleadingly hyped as a thriller – is a different kind of work altogether. It’s McEwan’s version of metafiction, his exploration of what it could mean to write a postmodern-realist novel for a wide (mainstream and literary) readership. It’s also rather biographical. . . . . but this novel could be seen as his way of reaching beyond the easy labels without abandoning the style his readers love. He’s intelligent, has popular and literary appeal, manages credibly and interestingly to include politics in his writing, and has a gift for making an enormous range of readers feel as though he is writing about them, about their own particular life of the mind. He observes the tiny tragedies of growing up and growing old with humour and insight. AwardsDistinctionsNotable Lists
Recruited into MI5 against a backdrop of the Cold War in 1972, Cambridge student Serena Frome, a compulsive reader, is assigned to infiltrate the literary circle of a promising young writer whose politics align with those of the government, a situation that is compromised when she falls in love with him. No library descriptions found. |
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 Google Books — Loading...GenresMelvil Decimal System (DDC)823.914Literature English English fiction Modern Period 1901-1999 1945-1999LC ClassificationRatingAverage: (3.52)
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