Geekomancy

by Michael R. Underwood

Ree Reyes (1)

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Clerks meets Buffy the Vampire the Slayer in this original urban fantasy ebook about Geekomancers--humans that derive supernatural powers from pop culture. Ree Reyes's life was easier when all she had to worry about was scraping together tips from her gig as a barista and comic shop slave to pursue her ambitions as a screenwriter. When a scruffy-looking guy storms into the shop looking for a comic like his life depends on it, Ree writes it off as just another day in the land of the geeks. show more Until a gigantic "BOOM!" echoes from the alley a minute later, and Ree follows the rabbit hole down into her town's magical flip-side. Here, astral cowboy hackers fight trolls, rubber-suited werewolves, and elegant Gothic Lolita witches while wielding nostalgia-powered props. Ree joins Eastwood (aka Scruffy Guy), investigating a mysterious string of teen suicides as she tries to recover from her own drag-your-heart-through-jagged-glass breakup. But as she digs deeper, Ree discovers Eastwood may not be the knight-in-cardboard armor she thought. Will Ree be able to stop the suicides, save Eastwood from himself, and somehow keep her job? show less

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23 reviews
Fun romp through a world where fan-fervor creates power that can be tapped by empowered geeks. The central characters are fun and interesting, although my suspension of disbelief was strained by the coincidences and happenstance at times.

Still, it felt like a very geeky homage-montage mix of everything from Gaiman's Neverwhere to the early days of D&D with hefty swathes of every genre movie, TV show, comic, or cartoon from my generation.

And it didn't hurt to find a personal geekish-pride moment where Ree, the central character, takes a moment to leaf through The D&D Cyclopedia (the book that kept editor-me inside and working on tight deadline all through the summer of 1991...and of which I'm still very proud).
If you love all things geek--video game, movie, comic book--if you have brown coat and aren't afraid to use it--if you succeed at a task and hear the Final Fantasy victory music play in your head--this book is for you. Geekomancy blends urban fantasy with the awesomeness of Ready Player One, though I found Geekomancy much more accessible. Ready Player One was all about the 1980s; Geekomancy isn't confined to any decade or media.

I read part of the book in early draft form and loved it. It didn't surprise me at all that publishers clamored for this book. Ree is a great heroine--strong, yet vulnerable, completely at ease with her inner geek and not ashamed. She discovers that by tapping her inner geek she can channel magic. That's right, show more the magic is derived of pop culture. Watch Princess Bride, and you're suddenly an expert swordsman. Watch an episode of the new Sherlock, and you see things with his incredible attention to detail, complete with text overlaying reality (this scene is one of the funniest in the book and had me giggling out loud).

It's easy to love Ree. Heck, it's easy to want to BE Ree. Most urban fantasies drop you in a world that is so dark that you would never want to exist there. That's not the case here. The book ended and I felt that cozy melancholy of enjoying another world and wanting it to linger a while longer.
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In my top three of the best books of 2012.

Have you ever have epic brain fart where you were absolutely sure you posted a book review months ago and then you discover, much to your embarrassment, that you didn’t? I guess it works out that I’ve got a new blog now to post it on.

So, maybe that makes up for it a little? Maybe? *sheepish grin*

On with the review!

Geekomancy has succeed where many urban fantasies have failed miserably. It surprised me. Not a small feat when I’ve been reading in this genre for over two decades, and was all but done with the recycled ideas. Honestly, there are only so many blood you can get out of a turnip of a genre that is based on recycling old, sometimes tired tropes from other genres. Yet Underwood show more came up with an original idea I had never seen before, and he won my heart with his leading lady.

Despite the title, premise and overwhelming amount of geek culture references this book never once jumps the shark into ridiculous. If anything once the layers are peeled back readers will find a very real, relatable human story. It has depth, a compelling plot and vibrant characters who defy the very conventions and tropes that inspired them.

Before I wax poetic about how this story wooed my pants off, let’s talk about how it went a long way toward redeeming the urban fantasy genre for this very jaded fan.

Let’s hear it for a female leads who are complex human beings!

In a sea of one-liner dropping, two dimensional approximations of female empowerment that too many authors in this genre have been trying to pass off as women for decades, a real, complex female lead is a rare find. Not for a lack of looking. I’ve been searching like a one-woman archaeological expedition pickaxe and shovel in hand, digging through this genre for decades trying to find one and have come up empty handed more often than not.

Ree is funny, flawed, relatable and best of all authentically geeky. It never feels forced or affect. She isn’t just a pretty girl in glasses regurgitating famous lines from Star Wars and Buffy the Vampire Slayer. In fact, everything about Ree is real and natural. Underwood never has to tell us she is strong, because the story itself runs her through the ringer and she comes through with banners flying.

Geekomancy is a heroes journey with a woman (finally) front and center. Ree faces all the challenges, terror and trials befitting classic heroes, but never once did I feel the story was tailored to her gender. No dumbing down (in fact, quite the opposite for the non-geeky reader), no emphasis on her hair, clothes or makeup. In fact, I’m not even sure she wears any make up, because I was too busy falling in love with her personality.

Despite the strange world and circumstances she’s plunged into Ree handles every situations with a very believeable grain of salt. She’s rational, intelligent and sarcastic as hell. Though, her sarcasm and snarky comments never come off as flippant, but rather as a realistic coping mechanism we all might use when faced with the frightening reality that Trolls or Demons are real. Plus her jokes are actually funny. I laughed out loud more than once.

Sweet baby Jebus, Ree is the kind of heroine I’ve dreamed of reading about. One who I could show to my fourteen year old, extremely geeky, female cousins and say “Look, she’s just like you and she’s a hero, not the hero’s girlfriend.”

All right, I set down my fangirl pom poms for two seconds to actually talk about the story, because it is fantastic.

Underwood created a reality that is just slightly to the left of the one we know. A world where every tiny scrap of geek culture has real tangible power and can be used as weapons in a shadowy war happening right under our noses. There is no nerdy stone left unturned in this story. I went dizzy from listing the movies, tv shows, games, and various other geeky pursuits that were referenced in this novel. Some were even new to me.

Despite all this nerdtastic name dropping, we never get pulled out of the story. Quite the contrary actually. With each new reference the magic of this world unfurls a little more, giving it depth and heart. It’s the kind of world dreamed about as a kid. Where a Magic: The Gather card can save your life. Where you can download the skills of your favorite characters just by watching a few scenes of a movie. Where a true believer could actually become a Jedi knight, and even a nerdy barista can become a hero.

I was very surprised by how deeply this book affected me. It is after all a fun, fictional adventure and wonderful tribute to geek culture, but more than that it is a very real story of a woman coming into her own power. I think that is something that I’ve been yearning to read from the moment I first learned how to read.

I would recommend this book to fans of Buffy the Vampire Slayer (or anything by Joss Whedon really), Doctor Who, The Dresden Files, and strong female leads.
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I hate most Sci-Fi/Fantasy books. I was forced to read a Sci-Fi book in 9th grade and loved it, read every single one in the series, and then, pretty much lost faith in the genre after a multitude of authors failed me with too-detailed discussion of weapons, miserable excuses for dialect, and terrible, terrible plot and character development.

Michael Underwood did not fail me. The characters are relatable and realistic, the action moves along with an appropriate level of exposition, and even though my geekiness stems largely from living vicariously through a D&D-playing spouse, Dr. Who fanatic friends, and a well-read/watched corps of slash-fanfiction-writing college friends rather than actively participating, the abundant geek cultural show more references (some of which were way over my head) did not detract from this read.

This book is billed, quite rightly, as a book for geeks, but I’m not a very adherent one and I loved it all the same. If you, like me, have a chequered past with Sci-Fi/Fantasy, you’ll be doing yourself a favor by giving this one a try.
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These books are going in a growing collection of novels devoted to geeky nostalgia. Remembering Among Others and Ready Player One, I kinda knew what to expect here, and I was eagerly awaiting a chance to sink my teeth into these two novels by Mr. Underwood. The premise it just too sweet to miss, and it parallels so many of my own private obsessions (that so many people also share, lol) that it elevates the book to instant must-read status.

So I read both of the novels, and enjoyed so many wonderful nostalgic moments and I wasn't even missing any references at all.

As a side note, the story isn't bad, but a heroine who bakes so much and eats so many bad things and drinks so much cannot ever remain so stick-thin. I call bullshit!

Otherwise, show more I tore through the novels and giggled and pined for such wonderful superpowers. Easy reads, strictly urban fantasy, but more importantly, fun fun fun.


There's only so much nostalgia you can pack into any one novel, of course, and the balance was kept, but I'm used to heavy nostalgia, so I probably could have taken an even heavier dose than this. On that note, I'm just going to say that I'll have to kick someone if I don't get at least 13 books in this series. :)
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~2.5
I recently had a conversation with a non-native-speaker in which I tried to explain that American phrases are not the sum of their parts, and, in particular, that (a) telling a woman that she "really gets around" does not imply admiration of world travel, and (b) to "put out" doesn't mean "put" plus "out." He complained that speaking with Americans was extremely difficult: they speak fast, use colloquialisms, try to turn every remark into a joke based on some obscure reference or other, and are constantly waiting to throw in The Dreaded Pun. He said he found that the best policy was to smile, nod, and hope that the inexplicable laughter wasn't directed at him. After reading this book, I have gained a new sympathy for his point of show more view.

Pop culture reference books are always tricky. Gratifying the expectations of those "in the know" while still providing sufficient background for the plebes without explaining--and thereby killing--the joke seems to be about as easy as a drunkard's walk on a tightrope. The best approach I've seen is to keep a clueless character on hand to ask for translations when necessary; for example, in the horror-conventionized Proven Guilty has one guy make all the movie cracks while the others look on in incomprehension. This book, however, is more like Ready Player One: the pop culture is so deeply embedded that ignorant readers are basically just shoved out of the airlock. In this case, even with frequent wikisearches, my bewilderment extended past the pop culture references to incorporate practically the entire plot. Before reading this, I thought I could claim some geek cred. I've seen Princess Bride and Firefly, can spot a Funny Walk at fifty yards, can quote large chunks of LotR (I blame my parents, who nearly named me Eowyn), knew LeVar Burton as Geordie before I saw him on Reading Rainbow (parents again), got started in fanart by trading sketches of Pokemon for cards, and devoured over 100 UF books. Even so, I must have failed out of geekdom without realising it.

So, for the rest of this review, assume that I failed my GSL's and missed every reference and every hilarious joke. Better yet, let's just assume that I have no sense of humour. If you understand geekspeak, move along; this is not the review you're looking for.

The basic plot is rife with potential. Rhiannon "Ree" Reyes is an up-and-coming screenwriter (i.e., currently a barista.) While trying to distract herself from a recent breakup with an insufficiently geeky boyfriend, she encounters a mysterious, lightsaber-wielding, comic-destroying maniac who leads her into a world where artefacts of geekdom are powerful magic weapons. Unfortunately, that's also about the point where the plot peters out for me. I'm a mystery reader by disposition, and this is a world and plot that you just cannot think too hard about or the epic logic fail will bog you down. I read the book on kindle, and I think there were five to ten invasive pop culture references on each tiny kindle page. So that you can judge readability/laughability for yourself, here are some quotes (under the spoilertag): hover for spoiler. Since the narration describes the action in terms of these references, it became increasingly difficult to figure out what was happening without constant trips to Google.

I might still have been able to enjoy the ride if the characters, humour, or worldbuilding had buoyed me along. They didn't. I vaguely liked most of the characters that Ree ran into, from her boss Bryan to her female friends. Ree herself was more problematic. Each of Ree's memories is given in the context of the boyfriend of the moment; she can't think of AP Chem without dwelling on the shoulders of her crush of that time; she can't think of movies without obsessing on Jo the Libertarian; she can't hang out with a guy for an hour before she starts thinking possessively and has to remind herself, "Don't get ahead of yourself, now. Thou shall not trampage, okay?" Apparently the only time her life wasn't bracketed and defined by her current boyfriend was the stereotypical geek girl "phase" in college (ye gods) when she "spent two years dating girls to tragically drama-ridden results." The most entertaining fails were when Ree was written as a pair of walking breasts; e.g. when "Ree dug her toes in to stop herself before running into Eastwood's hand breast-first." (If I were walking in the dark, I'd be worried about my hands, shoulders, or chin.) I loved that Ree was quite badass and never played damsel in distress, but I think Underwood just tried too hard to Think Girl. To be fair, it's not just Ree; the whole book centres on these shallow romantic relationships, as if the only thing that matters is lurve.

In terms of story, I'd call this a grade-A Idiot Plot, and most of the worldbuilding is sketchy and depends almost entirely on allusions to geekdom. More problematically, much of the conflict of the plot involved issues that I don't tend to pair with humour. Don't get me wrong; I'm addicted to Mood Whiplash and the way that (gallows-humour) comedy, when interleaved with tragedy, exponentially heightens the impact of both. However, for me, Geekomancy remained a superficial farce, so I did not appreciate the introduction of "suspense" via teen suicide. My major issue is, as Carol points out in her review, that Underwood himself handles these tragedies carelessly. hover for spoiler There were plenty of cute moments--for example, when Ree started telling herself her story in "Choose Your Own Adventure" terms--but they didn't make up for the rest.

Rather like my acquaintance's experiences in conversing with Americans, many of the individual words made sense; it was just the meaning of the entirety that was a bit of a muddle. If you're not up on the wonderful world of Geek and want a book in which the power of story and belief and routine imbue the world with magic, then I suggest trying A Madness of Angels instead, where the protagonist conjures with housecleaner brands and wards with a London Underground oyster card. If, on the other hand, you speak Geek, give it a try. You may be pleasantly surprised to finally find a book that gets your language.
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Have you ever read such a good [fantasy] book that by the end of it you believed in magic…if only a little? Or maybe watched Star Wars, episode 2 and walked away from it feeling that if you only found a Master and practiced your latent Jedi powers would manifest? What about reading one of Jim Butcher’s Harry Dresden novels and then find yourself shopping for a trench coat and a skull? Or walking away from an episode of Firefly itching for a sixshooter and a spaceship…?

If so, this is the book for you. Geekomancy is a love song written by a geek for geeks. This book is pure comedy wish fulfillment for the person who wishes that the force really exists.

Ree Reyes is a screenwriter (see “barista”) who suddenly finds herself in a show more world in which magic exists…and that the geeky TV shows, books, movies and games that she has always loved powered that world.

Ree jumps into this newfound world of magic and danger with both feet…and of course she gets slapped sideways, lol. Ree has does has help, however. Her introduction to “Geekomancy” (the use of magic fueled from the world of Pop Culture) is by Eastwood, a scruffy old Geekomancer who becomes her mentor. She also hooks up with another character that totally stole the show for me, Drake, a Steampunk inventor and adventurer extraordinaire. I ♥ Drake. As you wish. ;-)

Ree and Eastwood’s task is simple (on the surface): find out who is causing a string of teenaged virgin suicides and stop them before they kill again. But…as anyone who’s ever read any Fantasy, Sci-Fi, Comic books or played any MMO RPGs…things are never quite as simple as they seem.

There are a great many geektasic references that a reader may or may not get. This books is hip deep in geek references like D&D, Firefly, BSG, Gaiman, RPGs, MMORPGs, comics, anything Joss Whedon (of course), Doctor Who, Sherlock gets a mention, Star Wars, Star Trek, The Princess Bride (book and movie), Dresden, Steampunk and I even detected a hint of Bleach.... There are a lot of references (too many references?) and I didn't get all of them. I think it would be almost a drinking game to get them all, lol (*ahem* or maybe a great companion book? If you read this and do it, Underwood, I want acknowledgements! lol) As I haven't read any Gaiman (shoot me, ok? I own a few…but I’m being very hipster about the whole “Gaiman” thing) I had to look up the Sandman reference (that I caught). I had to look up a couple of things, TBH. But I didn't feel that it really distracted from the story in any way.

If you didn’t live your childhood with your face planted in a book/video/computer game or you didn’t get most or any of those comments I made in the above paragraph…this may not be the book for you. But…if you want some fun brain candy that doesn’t take itself too seriously AND you have a sense of humor yourself, this is a great book to read! Note: Please keep Wikipedia on hand.

A lot of people have complained about the beginning RPG references…which I ate up with a spoon (I will keel you yet, Diablo!!) but one of my biggest problems was the characterization of Ree. She…was a little too gun-ho and a little too much of a know it all. I get that she’s 23ish and people of that age seem to feel immortal…but she took it to the next level sometimes and I occasionally wanted to slap her. She’s like the protagonist that just blunders into plotlines. Much like the standard orphan hero that finds the “special sword” and instantly becomes a better swordsman than a master…Ree stumbles and bumbles her way into a win over people/entities she should not be able to overcome.

The book dragged a bit starting around 50% but it picked back up again around 65% - 70%. And I had a major issue with the ending. A major issue. A issue so large that I’m not sure how the author plans to redeem this problem in book 2. To avoid spoilers but still giving hints…it’s a serious Bleach type of event. Let’s just say that Ree was Ichigo and entered the Soul Society for a bit. Ugh, I guess. But I have certain plans to read book 2 when it comes out.

I also want to make a point to say that I greatly appreciated this book for one more thing. The complete and TOTAL lack of sex. There’s not a lick of (hehe, I said lick) of sex in this book. Nor is there any smooching or heavy petting. There is no scantily clad, stiletto boot wearing angry UF Chick with a sword marching around. There’s no Romance in this book. Well…there’s a slight hint of geeky love...that you might catch if you get the reference. And the MC is a woman. A regular woman working a regular job who will get her ass fired if she doesn’t show up to work. Sleep is mentioned quite frequently…as in she gets none and wants some with her entire heart.

I had a hard time scoring this one. Its wavering between a 3 and a 4. I’d love for the author to make the book a bit more accessible to the non-geeks and I’d like for him to do a little more work on his female characterization. So, I’m going towards the 4 because I would pick up book 2, [b:Celebromancy|16595339|Celebromancy (Ree Reyes #2)|Michael R. Underwood|http://www.goodreads.com/assets/nocover/60x80.png|22798602] tomorrow. If it was available.
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Original publication date
2012-07-10

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Genres
Fiction and Literature, Fantasy
DDC/MDS
813.6Literature & rhetoricAmerican literature in EnglishAmerican fiction in English2000-
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214
Popularity
152,784
Reviews
23
Rating
½ (3.39)
Languages
English
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Paper, Audiobook, Ebook
ISBNs
3
ASINs
4