An Intimate History of Humanity

İnsanlığın Mahrem Tarihi, insanlık hafızasını tazelemeyi amaçlayan bir unutulmuşlar derlemesi, tarihe geçenlerden çok geçmeyenlerin tarihi. Zeldin, insanlığın unutulmuş anılarını gün ışığına çıkararak, köşeye sıkıştığı noktalardan çıkış yoları bulabilmesi için insanoğlunun ufkunu genişletmeyi ve modern zihinlere yerleşmiş yanılsamaları yıkmayı deniyor. Zeldin'e göre her kuşak, tıpkı kendisinden önceki sayısız kuşak gibi, dünyayı kendi çağının gözlüklerinden bakarak binlerce yıllık insanlık deneyimini boşa harcıyor. Kendi atalarının sınırlı ve kolay kolay değişmeyen hafızasını kullanmayı tercih ederken, geçmişin karanlığına gömülüp giden koca bir show more insanlık hafızasından yararlanma fırsatını kaçırıyor. Bu fırsatta yatan en değerli hazine, hayatın kendi çağımızın ışığıyla aydınlanmış görüntüsünün değişmez bir son durak değil, beklenmedik dönüşler yaparak ilerleyen insanlık tarihinin rastgele bir noktası olduğunu keşfetmek. Zeldin'in unutulmuşlar tarihi, insanların hayata ve kendilerine ezelden beri bugünkü gibi bakmadıklarını göstermekle kalmıyor, umudun tükenmeye yüz tuttuğu noktada insanlığın imdadına yetişen şeyin her zaman yeni bakış açıları, yeni düşünce biçimleri ve yeni yaklaşımlar olduğunu hatırlatıyor. show less

A very ambitious book that attempts to chronicle the history of human thought, emotions, problems, and (for a lack of a better description) general themes by exploring how humans are connected. For instance, the book's chapters have titles such as "How some people have acquired an immunity to loneliness" and "How respect has become more desirable than power." Each chapter starts with descriptions of modern day persons and how they have interacted with (or more often struggled with) the chapter's theme. After this, Zeldin then comments on the character's struggles and links them back to other cultures across time and geography, illustrating both how these "modern problems" often have historical roots and also how other people with show more similar problems have attempted to solve them.

Zeldin's intentions behind this book are admirable and it is from reading on his general philosophy/thoughts that led me to this book initially. The Preface captures his ideologies well. He writes, "I want to show how, today, it is possible for individuals to form a fresh view both of their own personal history and of humanity's' whole record of cruelty, misunderstanding, and joy. To have a new vision of the future, it has always been first necessary to have a new vision of the past." For more information on Zeldin, I suggest to watch this 5x15 talk he gives, https://www.youtube.com/watch?v=pdnnZ0Y4HEo, where he says, "I saw what I want from life is to discover life, to know what life is and that means getting to know as many people as possible, each of whom sees life in a different way and has experienced life in a different way and I can only see what I see, my idea of what life is, and each one of you sees something different and therefore I am almost blind and I am searching to see what there is...I have developed curiosity." You can feel this intense curiosity of Zeldin's from the book. The book is epic in scope and you get the sense that Zeldin has thought about, researched about, and knows a bit about...almost everything relating to humans and how we feel.

On the negative side, I did find some of the book slightly repetitive. I think Zeldin is so impassioned about his ideas about how people should seek to have conversations with each other and discover more of each other that similar arguments tend to come through again and again. At the end of each chapter are also wonderful lists of suggested additional reading related to the chapter, but I really wished that each page had footnotes as there were a lot of ideas I wanted to read further on and it would have helped to know specifically where to go.

Overall though, I found it a wonderful book and very easy to get through, for a "history book." One does have to go into it fairly open minded. Zeldin seems to be a bit of an idealist and also sometimes in the writing makes wide, sweeping, generalizing statements that made me to want to feel skeptical. However, for me, the point of the book is not to get a 100% detailed factual account of history - but one that inspires curiosity and makes me think in different ways about familiar topics. And in that respect, the book certainly succeeded. show less

I have read numerous history books that take, in some cases, an eagle's eye view of the world, looking down on all that has happened and summing it up in a few hundred pages, such as Gombrich's excellent Children's History of the World; there are others that have taken a single era or epoch or even a single year, and examined it minutely, looking at the famous people who lived in that time and what they did and the impact they had on the world - Dava Sobel's Longitude is a reasonable example.

However, I have never read a book that looked at shared histories, the histories of real, everyday people, and how their thoughts and actions are influenced by the weight of history that there is all around us. Zeldin's book is that book, a book show more that looks at the way people behave and then examines the historical reasons for these actions, a book that makes one believe that history is not what we'd thought it was. It is a real paradigm-shifter. show less

People who wish to escape from the grasp of the institutions of their time, and the opinions of the crowd, and indeed from ordinary life, are not misfits in modern society: their roots go back into furthest antiquity, as far as those of warriors; they were singing songs like these in ancient China.

I arrive all alone, I sit down all alone.
I have no regrets that people today do not know me.
Only the spirit of the old tree, in the south of the city
knows for certain that I am an Immortal passing by.

To ask what the practical results of escape might be is to miss the point of escape, which includes escape from purpose. Those who want a purpose must look beyond escape.

Having acquired this book from a down-sizing relative, I was undecided about show more whether to read it or pass it on, but I was drawn in by the fascinating chapter headings, such as "How people have repeatedly lost hope, and how new encounters, and a new pair of spectacles, revive them", "How people searching for their roots are only beginning to look far and deep enough", and "How the art of escaping from one's troubles has developed, but not the art of knowing where to escape to", which made it clear that it was an unusual kind of history book.

.It has been said that tor those who 'feel', life is a tragedy and for those who 'think', it is a comedy. There is no need to live only half a life. for those who both think and feel, life is an adventure.

Each chapter begins with a description of how one or more people, mostly French women, think and feel about their lives, followed by a discussion of how human behaviour and attitudes have changed over the centuries, illustrated by examples from various countries and historical eras. I was not keen on the descriptions of the women at the beginning of every chapter. The author delved into their deepest motivations and insecurities in his interviews with the women, but then presented them in an extremely off-putting way, so that they come across as cold and self-centred. I did find them less annoying towards the end of the book, but I may just have got used to the style of the descriptions.

The scope of the book is enormous, covering large swathes of history and the world, but it is also intimate as the title says, with its concentration on topics such as love and loneliness, compassion and curiosity, power and pessimism, and the vexed question of whether men and women can ever really communicate. Some kinds of behaviour have changed gradually over the centuries, but other ideas and attitudes seem to be cyclical. Cultures tend to alternate between optimism and pessimism, and there will often be a growing dissatisfaction with the status quo that results in permissive decades (or even centuries) being followed by more restrictive decades, before swinging back again.

Three centuries of lonely ridicule followed, and astrologers almost vanished. It looked as though old ideas could be consigned once and for all to the dustbin. but no, they do not vanish, and when there is a crisis, and when people lose hope, or when they feel that the world is changing too fast and not giving them what they want, when they do not know where to turn, they discover that the old ways were only packed away in their bottom drawer. they fetch them out, and try them on again.

This wide-ranging and intriguing book is definitely a keeper, but next time I read it I may skip over the descriptions of the women. show less

Zašto smo više napredovali u kuvanju nego u seksu? Kako su neki ljudi postali imuni na usamljenost? Zašto je radoznalost ključ slobode? Otkud nam ideja gostoprimstva? Zašto su prijateljstva između muškaraca i žena tako krhka? Kako su ljudi nekad, a kako danas, naučili da pronalaze izlaz iz usamljenosti, straha i besciljnosti?
Autor koristi svoju neobičnu erudiciju u istraživanju istorije ljudskog iskustva i pokazuje kako smo došli do današnjih oblika osećanja i mišljenja.

This groundbreaking book by an internationally renowned historian and prolific author is so wide-ranging in scope that categorizing the various issues and audiences it seeks to address would be difficult. Implicit in Zeldin's work is a challenge to traditional historians who have heretofore pigeonholed their accounts of the human past into discrete cubicles (social, economic, political history, etc.). By contrast, Zeldin attempts a history of human thoughts and feelings unfettered by considerations of historical epoch or culture. Each chapter focuses on a particular thought or feeling, such as toil, the art of conversation, voluntarism, compassion, attitudes on class and social status, and authority. To organize his ideas, Zeldin show more employs a masterful new technique. After introducing each chapter with a personal vignette based on interviews he has conducted with individuals musing on the meaning of some aspect of their lives, Zeldin traces changes or commonalities in that feeling across time and place. General readers will be inspired by this thought-provoking and immensely readable work.?Marie Marmo Mullaney, Caldwell Coll., N.J.

From Book News, Inc.
A readable and thoughtful work first published in Great Britain in 1994 by Sinclair-Stevenson, an imprint of Reed Consumer Books, Ltd. Historian Zeldin (Oxford U.) conveys the broad scope of his reflections in chapters with such intriguing titles as: How humans have repeatedly lost hope, and how new encounters, and a new pair of spectacles revive them; How men and women have slowly learned to have interesting conversations; How some people have acquired an immunity to loneliness; Why there has...

A provocative work that explores the evolution of emotions and personal relationships through diverse cultures and time. "An intellectually dazzling view of our past and future."--Time magazine show less

I've just begun Zeldin's An Intimate History of Humanity. He writes well enough: simple sentences and simple diction; doesn't hide indecision behind a lot of fluff. I like the meditations. They remind me a bit of Annie Dillard. And the seriousness of the themes (work=slavery; conversation between the sexes; loneliness) brings Thomas Nagel to mind. My only complaints revolve around lack of depth and direction -- the meditations seems to peter out rather than conclude.