The Stepdaughter
by Caroline Blackwood
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A lavish Upper West Side apartment is the site of a familial cold war about to enter a phase of dangerous escalation. J is a lonely woman without even the luxury of being alone. Her husband has fled to Paris with his latest flame, but he's left J not only with their own four-year-old daughter, Sally Ann, but with the sulky cake-mix addicted, thirteen-year-old Renata, a leftover from his previous marriage. The presence of a pert au pair, Monique, serves only to make J feel more isolated and show more self-conscious. What she'd like is someone to blame. Writing letters in her head to imaginary friends, J delights in dwelling on the hapless Renata, who "invites a kind of cruelty." This is an invitation J fully intends to take up-and like so many stepmothers before her, she will find that wickedness, once indulged, is a difficult habit to kick. A mordant black splinter of a book, Caroline Blackwood's first novel stands as proof positive of her eternal mastery-and mockery-of the darkest depths of human feeling. show lessTags
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Member Reviews
The Stepdaughter is a story written in “letters,” although main character J is just thinking them in her head, not writing them down, so it feels more like diary entries. Reading this was like being privy to Snow White’s wicked stepmother’s inner thoughts. And boy, are her thoughts wicked…
One of the most interesting aspects of reading this is, very early on, you realize that J is an unreliable narrator. The extent to which she is unreliable is unclear, which leads to a dizzying reading experience as you have to constantly sift through J’s narrative to find the truth. If you love unreliable narrators, you’ll have a blast! If you find them frustrating, you’ll be miserable reading this.
I also thought it was interesting show more that each of the three female characters (stepmother, stepdaughter, and nanny) seem to represent different ways of dealing with trauma. In a way, it seems like they’re almost one character, fractured into three parts by circumstances, and trapped in the story’s narrative by the actions of one man. show less
One of the most interesting aspects of reading this is, very early on, you realize that J is an unreliable narrator. The extent to which she is unreliable is unclear, which leads to a dizzying reading experience as you have to constantly sift through J’s narrative to find the truth. If you love unreliable narrators, you’ll have a blast! If you find them frustrating, you’ll be miserable reading this.
I also thought it was interesting show more that each of the three female characters (stepmother, stepdaughter, and nanny) seem to represent different ways of dealing with trauma. In a way, it seems like they’re almost one character, fractured into three parts by circumstances, and trapped in the story’s narrative by the actions of one man. show less
“Cáustica y pérfida, o sea, maravillosa”, JM Guelbenzu, Babelia 21.08.2021:
https://elpais.com/babelia/2021-08-21/caustica-y-perfida-o-sea-maravillosa.html
https://elpais.com/babelia/2021-08-21/caustica-y-perfida-o-sea-maravillosa.html
Aug 21, 2021Spanish
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McNally Editions (31)
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