The Nashville Sound: Bright Lights and Country Music

by Paul Hemphill

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While on a Nieman Fellowship at Harvard, journalist and novelist Paul Hemphill wrote of that pivotal moment in the late sixties when traditional defenders of the hillbilly roots of country music were confronted by the new influences and business realities of pop music. The demimonde of the traditional Nashville venues (Tootsie's Orchid Lounge, Robert's Western World, and the Ryman Auditorium) and first-wave artists (Roy Acuff, Ernest Tubb, and Lefty Frizzell) are shown coming into first show more contact, if not conflict, with a new wave of pop-influenced and business savvy country performers (Jeannie C. "Harper Valley PTA" Riley, Johnny Ryles, and Glen Campbell) and rock performers (Bob Dylan, Gram Parsons, the Byrds, and the Grateful Dead) as they took the form well beyond Music City. Originally published in 1970, The Nashville Sound shows the resulting identity crisis as a fascinating, even poignant, moment in country music and entertainment history. show less

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This was published long before I started paying attention to country music. It was kinda fun reading about people like Johnny Cash and Dolly Parton I(only mentioned as Porter Wagner's sweet little singing partner) before they were fully established as country royalty.

Glen Campbell was considered an upstart popstar crossover act. Ha! Most of the folks Hemphill talks to in this book are probably rolling in their graves at the sound of today's "country" music!

As with the collection of Hemphill's sports columns that first captured my attention, these tales are eminently readable and convey a lot of personality as well as information. I am glad to have read it, particularly given the way it rounds out my interests in southern and family show more history. show less
This bit of investigative journalism on Nashville reeling from the rise of rock with Music Row largely vacants and in decline touts itself on the cover name-dropping luminaries covered here including George Jones, Patsy Cline, Merle Haggard, Johnny Cash, etc. However, much more ink is spent on and insight gathered from such key figures slugging away in the trenches of transformation such as Whisperin’ Bill Anderson, Billy Dilworth, and John Wesley Ryles. This is a must read for the serious fan of post-hillbilly popular country music.

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20+ Works 434 Members
Paul Hemphill (1936-2009) was born in Birmingham, Alabama, and attended Auburn and Harvard Universities. In addition to long work as a sports writer and columnist at the Atlanta Journal, he was the author of several collections of journalism, novels, and memoirs, including, among others, Too Old to Cry, King of the Road, and Leaving Birmingham: show more Notes of a Native Son, as well as Lovesick Blues: The Life of Hank Williams. Hemphill served on the faculties of Emory University, Brenau University, and the University of Georgia is a historian of country music and a professor of music business at the Mike Curb College of Entertainment and Music Business at Belmont University. His many books include Saved by Song: A History of Gospel and Christian Music and The Cowboy in Country Music: An Historical Survey with Artist Profiles. show less

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Original publication date
1970

Classifications

Genres
Music, Nonfiction, General Nonfiction, History, Biography & Memoir
DDC/MDS
780Arts & recreationMusicMusic
LCC
ML3561 .C69 .H445MusicLiterature on musicLiterature on musicHistory and criticismFolk, national, and ethnic music
BISAC

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Members
61
Popularity
504,761
Reviews
2
Rating
½ (3.50)
Languages
English, German
Media
Paper, Ebook
ISBNs
6
ASINs
2