Silver Screen Fiend: Learning About Life from an Addiction to Film

by Patton Oswalt

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"Between 1995 and 1999, Patton Oswalt lived with an unshakable addiction. It wasn't drugs, alcohol or sex: it was film. After moving to L.A., Oswalt became a huge film buff (or as he calls it, a sprocket fiend), absorbing classics, cult hits, and new releases at the New Beverly Cinema. Silver screen celluloid became Patton's life schoolbook, informing his notion of acting, writing, comedy, and relationships. Set in the nascent days of L.A.'s alternative comedy scene, Oswalt's memoir show more chronicles his journey from fledgling stand-up comedian to self-assured sitcom actor, with the colorful New Beverly collective and a cast of now-notable young comedians supporting him all along the way"-- show less

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28 reviews
I love movies. I love memoirs. I love Patton Oswalt. So I was a little nervous, reading the first three chapters of this book, because I couldn't get into it. And I really really wanted to. By the time I got to chapter 4, something clicked and I couldn't put it down. As someone who is easily lured by checklists, I appreciated Oswalt's last chapter, an illuminating epiphany of the risks we run when we enslave ourselves to checklists of any sort: "The engine of your life should be your LIFE." So glad I stuck with him until the end.
I get a strong "loser" vibe from this, which is unfortunate, because I used to think he was funny. Then he went off the deep end, but this book makes it obvious in retrospect that that's exactly what would happen. A two-faced man full of piss and vinegar who LARPs as a "nice guy" (you know the type). It came out before his first wife's death, whom he very quickly replaced. It works as a kind of psychological study, and an insight into everything wrong with the Hollywood mindset.
This is written by from the perspective of someone who has achieved a level of enlightenment, by someone who clearly hasn't. What it amounts to is a guy who hates his former self, but hasn't seemed to learn about life ... just addiction ... from that self.

There are some great stories about stand ups and the business in here, and some nice movie talk, nestled in among judgey, go-nowhere assertions that his current self is where it's at.

I wonder how the book would read if he'd made less money or hadn't had a kid.
I was pleasantly surprised by this life-lessons memoir, which was modestly expressed and so different from the movie-review compendium I was expecting. About two-thirds of the book centers on movies, and you're highly advised to have IMDB or another good film guide at your side, because Oswalt tosses off fascinating titles like a sparkler throws sparks. One quarter of the book is a surprising insider's look at the world of comedy, from entry-level to the various double-edged flavors of success, with varied hilarious and cautionary tales told like stories on The Moth. The rest consists of fairly subtle and self-deprecating bits of wisdom that it would be easy to overlook. Like Oswalt himself, this book is short and contains depths. I show more enjoyed it a lot and I hope there's a sequel. show less
½
I have loved movies, since I was a kid, witnessing my own golden era of film, late 60s to mid-70s, in all it's celluloid glory. In my early thirties, thanks to a few film buff friends, I decided to get more serious about film, by putting myself through my own little film school, in the late 80s and through the 90s, by watching hundreds of movies, from every niche and every era. I absorbed and studied movies, through the silent years, the great Warner Brothers films of the 30s, Capra, Ford, Hitchcock, Kazan, film noir and then onto foreign film, Bergman, Truffaut, Kurosawa and Fellini, which opened so many decades of beauty and wonder. All that said, I can really relate to Silver Screen Fiend.
Starting in '95 and ending in '99, Patton show more Oswalt became addicted to film, obsessively watching hundreds of films and this coincided with his own rise in comedy, which he credits as influencing his own creative drive to succeed.
I did not know Oswalt, through his comedy, (I did not watch much stand-up during this time. I must have been busy raising a family and watching movies) but I had recognized him through his film work.
This is a solid memoir. Smart and funny and the audio with Patton narrating is a joy to hear.
show less
I picked this book up thinking it was going to be about movies, and it is. However, it's a whole lot more: a coming of age story, a discourse on modern stand-up comedy and observations about various obsessions over the author's life.

Patton Oswalt is an edgy comic, an actor and also a screenwriter and this book is like peering into a diary written by someone who has OCD and also on drugs. In a stream of consciousness style, Oswalt talks about breaking into the big time stand-up comedy world as well as the larger world of show business all while he is obsessively immersing himself into movies, watching sometimes as many as five or six per day. At times his writing is a bit too frenetic, but mostly it's absorbing and very, very funny.
I felt like this book was a love letter to film and an apology to Patton Oswalt's friends, family and colleagues who put up with him in his 20s. If you wish you could write letters to all those you ran over and disregarded at some point early in your life, then you will enjoy this book - even if you are not a true film fanatic. Beautifully written and lovingly performed by Oswalt (the audiobook). Short and sweet.

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40+ Works 1,862 Members
Patton Oswalt is an actor, comedian, and author. He has appeared on numerous television shows and in more than twenty movies including Young Adult, Big Fan, and Ratatouille. He has released four TV specials and four comedy albums including My Weakness Is Strong. His books include Zombie Spaceship Wasteland and Silver Screen Fiend: Learning about show more Life from an Addiction to Film. (Bowker Author Biography) show less

Common Knowledge

Original publication date
2015-01-06
People/Characters
Patton Oswalt; Vincent van Gogh; Fax Bahr; Jeremy Kramer; Sherman Torgan; Marc Maron (show all 12); Jerry Lewis; David S. Ward; Clint Howard; Bob Odenkirk; Louis C. K.; Lawrence Tierney
Important places
Los Angeles, California, USA; New Beverly Cinema, Los Angeles, California, USA; Arles, Bouches-du-Rhône, Provence-Alpes-Côte d'Azur, France; San Francisco, California, USA; Sterling, Virginia, USA; Amsterdam, North Holland, Netherlands
Epigraph
Film is a disease, when it infects your bloodstream, it takes over as the number one hormone . . . it plays Iago to your psyche. As with heroin, the antidote to film is more film.
― Frank Capra
Oh Bert, do stop this worrying. You must have heard surely of "movie magic." You should be a stunt man, who is an actor, who is a character in a movie, who is an enemy soldier. Who'll look for you amongst all those? People li... (show all)ke to believe in things, and policemen are just people. Or so I'm told. Frankly, our problem is so simple it's almost beneath us. Now listen to me: That door is the looking glass, and inside it is Wonderland. Have faith Alice! Close your eyes and enjoy.
― Peter O'Toole, in Richard Rush's The Stunt Man
Already the present starts plotting its recurrence
somewhere in the future, weaving what happens
in among our fabrics, launching its aroma, its music
imbuing itself into floorboards, plaster, nothing can
stop it, ... (show all)it can't stop itself. You will never have access
to its entirety, and you have asked how to calculate
what resists calculation . . .
― Timothy Donnelly, Dream of the Overlook
This WAS our dream, surrounding us. The fucking studios! People's dreams were their business, and they knew their business. They had us by the heart, and we just walked, and looked around, and longed, all the way to the cattl... (show all)e chutes.
― Michael Shea, The Extra
No good movie is too long and no bad movie is short enough.
― Roger Ebert
Dedication
For Sherman Torgan, all twenty-four frames of this are yours
First words
I like to drink.
Listen ― you don't have to follow me into the darkness here. [Chapter One]
Last words
(Click to show. Warning: May contain spoilers.)We'll see.
Blurbers
Susan Orlean; Ricky Gervais; Amy Schumer; Gillian Flynn
Canonical DDC/MDS
792.76028092

Classifications

Genres
Nonfiction, Biography & Memoir, General Nonfiction
DDC/MDS
792.76028092Arts & recreationRecreation, sports, and performing artsTheater: Plays, Ballet, OperaVariety shows and theatrical dancing; burlesque, cabaret, vaudeville, music hall, nightclubsStand-up comedymodified standard subdivisionsTechniques, procedures, apparatus, equipment, materials, miscellanyActing & performancestandard subdivisionsHistory, geographic treatment, biographyBiography
LCC
PN2287 .O745 .A3Language and LiteratureLiterature (General)Literature (General)DramaDramatic representation. The theaterSpecial regions or countries
BISAC

Statistics

Members
480
Popularity
62,756
Reviews
27
Rating
½ (3.49)
Languages
English
Media
Paper, Audiobook, Ebook
ISBNs
6
UPCs
1
ASINs
7