Jocasta: Wife and Mother

by Brian Aldiss

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A Theban adventure from the master of Science-Fiction, here proving himself adept at imagining historical worlds. Part of the Brian Aldiss Collection. In Jocasta, Aldiss brings vividly to life the ancient world of dreaming Thebes: a world of sun-drenched landscapes, golden dust, sphynxes, Furies, hermaphroditic philosophers, ghostly apparitions and ambivalent gods. Jocasta is also a strikingly effective contemplation of an older world order where the human mind is still struggling to show more understand itself and the nature of the world around it. show less

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2 reviews
https://fromtheheartofeurope.eu/jocasta-by-brian-aldiss/

This was one of the books I got Brian Aldiss to autograph in Forbidden Planet in 2015, a year before he died, published in 2004. It’s a retelling of the Theban Plays, but told largely from the point of view of Jocasta, Oedipus’s wife and mother, as her family and her world disintegrate. It also includes a short story relating the Antigone narrative to political oppression today.

I really enjoyed both parts. The Jocasta story is particularly strong, the title character dealing with supernatural creatures loose in the palace, her aged grandmother communing with the old powers, her teenage children being brats, appearances from Sophocles and other voices from the future, and the show more claws of destiny slowly closing around her husband. Long long ago I saw Pasolini’s Edipo Re (a very unsuccessful first date), and I’m sure that Aldiss was familiar with it too, as I am sure I detected echoes of it. The Antigone postscript takes a different approach with mixed timelines, but I enjoyed it too. show less
As Sophocles spoke about Oedipus so Aldiss speaks of Jocasta, the mother and wife of Oedipus, and make her the protagonist of her own destiny. Makes her speak and vibrating whyle Oedipus is a slave of his male mind so, because of his inability to be flexible, easy prey of events. The final part of the novel, which concerns Antigone, however, is perhaps the most amazing and authentically science fictional part of the entire novel.
So what, Aldiss is Aldiss, nothing can rely on his writing and his ability to handle the narrative material.
Thanks to HarperCollins UK, and Netgalley for giving me a free copy in exchange for an honest review.

Come Sofocle parlò di Edipo così Aldiss parla di Giocasta, madre e moglie di Edipo, e la rende show more protagonista del suo destino. La fa parlare e vibrare laddove Edipo è schiavo della sua mente maschile e quindi facile, a causa della sua incapacità di essere flessibile, preda degli eventi. La parte finale del romanzo, che riguarda Antigone, è forse però la parte più sorprendente e autenticamente fantascientifica dell'intero romanzo.
Che dire, Aldiss è Aldiss, nulla si può eccepire sulla sua scrittura e sulla sua capacità di maneggiare la materia narrativa.
Grazie a HarperCollins UK, e Netgalley per avermi concesso una copia gratuita in cambio di una recensione onesta.
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564+ Works 27,431 Members
Brian W. Aldiss was born in Dereham, United Kingdom on August 18, 1925. In 1943, he joined the Royal Signals regiment, and saw action in Burma. After World War II, he worked as a bookseller at Oxford University. His first book, The Brightfount Diaries, was published in 1955. His first science fiction novel, Non-Stop (Starship in the United show more States), was published in 1958. He wrote more than 80 books including Hothouse, Greybeard, The Helliconia Trilogy, The Squire Quartet, Frankenstein Unbound, The Malacia Tapestry, Walcot, and Mortal Morning. His short story Super-Toys Last All Summer Long was the basis for the film A.I. Artificial Intelligence. He has received numerous awards for his work including two Hugo Awards, the Nebula Award, the John W. Campbell Memorial Award, and an OBE for services to literature. He was also an anthologist and an artist. He was the editor of 40 anthologies including Introducing SF, The Penguin Science Fiction Omnibus, Space Opera, Space Odysseys, Galactic Empires, Evil Earths, and Perilous Planets. He was an abstract artist and his first solo exhibition, The Other Hemisphere, was held in Oxford in August-September 2010. He died on August 19, 2017 at the age of 92. (Bowker Author Biography) show less

Classifications

Genres
Fiction and Literature, General Fiction, Historical Fiction, Science Fiction
DDC/MDS
823.9Literature & rhetoricEnglish & Old English literaturesEnglish fiction1900-
LCC
PR6051 .L3 .J63Language and LiteratureEnglishEnglish Literature1961-2000
BISAC

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