Pro and Contra Wagner
by Thomas Mann 
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This volume brings together Thomas Mann's reflections of a lifetime on the composer to whom he felt closest. The novelist's admiration for Wagner was, however, by no means uncritical. Following Nietzsche, Mann knew that one had a duty to be both 'pro and contra Wagner'--hence the title of this collection. Its centrepiece, 'The Sorrows and Grandeur of Richard Wagner', is one of the most revealing essays on the composer ever written. Delivered as a lecture in Munich within two weeks of Hitler show more having become Chancellor, Mann's blasphemous view of Wagner's art as 'dilettantism raised to the level of genius', was the immediate cause of his long exile from German soil. This and the other major essay in the book (on the Ring) have long been out of print. They are presented here in wholly new translations which capture more faithfully than previous renderings the tone and literary distinction of the original texts. The forty-four other items, written between 1902 and 1951, include many which have never before been available in English. As Erich Heller says in his introduction, these incomparable writings are 'an essential fragment of the novelist's intellectual autobiography.' show lessTags
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Thomas Mann was born into a well-to-do upper class family in Lubeck, Germany. His mother was a talented musician and his father a successful merchant. From this background, Mann derived one of his dominant themes, the clash of views between the artist and the merchant. Mann's novel, Buddenbrooks (1901), traces the declining fortunes of a merchant show more family much like his own as it gradually loses interest in business but gains an increasing artistic awareness. Mann was only 26 years old when this novel made him one of Germany's leading writers. Mann went on to write The Magic Mountain (1924), in which he studies the isolated world of the tuberculosis sanitarium. The novel was based on his wife's confinement in such an institution. Doctor Faustus (1947), his masterpiece, describes the life of a composer who sells his soul to the devil as a price for musical genius. Mann is also well known for Death in Venice (1912) and Mario the Magician (1930), both of which portray the tensions and disturbances in the lives of artists. His last unfinished work is The Confessions of Felix Krull, Confidence Man (1954), a brilliantly ironic story about a nineteenth-century swindler. An avowed anti-Nazi, Mann left Germany and lived in the United States during World War II. He returned to Switzerland after the war and became a celebrated literary figure in both East and West Germany. In 1929 he was awarded the Nobel Prize for literature. (Bowker Author Biography) show less
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Common Knowledge
- Canonical title
- Pro and Contra Wagner
- Original title
- Wagner und unsere Zeit
- Original language
- German
Classifications
- Genres
- Music, Nonfiction, Biography & Memoir
- DDC/MDS
- 782.1 — Arts & recreation Music Vocal music [formerly: Dramatic music and production of musical drama] Operas and related dramatic vocal forms; concert versions
- LCC
- ML410 .W1 .M253 — Music Literature on music Literature on music History and criticism Biography
- BISAC
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- 52
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- 581,216
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- (4.50)
- Languages
- English, French, German, Swedish
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- Paper
- ISBNs
- 8


























































