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"A picture book based on a true story about a young First Nations girl who was sent to a residential school. When eight-year-old Irene is removed from her First Nations family to live in a residential school she is confused, frightened, and terribly homesick. She tries to remember who she is and where she came from despite the efforts of the nuns to force her to do otherwise. Based on the life of Jenny Kay Dupuis' own grandmother, I Am Not a Number brings a terrible part of Canada's history show more to light in a way that children can learn from and relate to"-- show less

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Jenny Kay Dupuis writes in the voice of her grandmother as a child, telling how (in 1928) little Irene, aged eight, and her two young brothers were taken from their home on the Nipissing First Nation Reserve, just west of North Bay, Ontario. Their father was threatened with jail if he didn’t hand over the children to the Indian agent. Resigned and grieved, he and the children’s mother watched as the government representative drove off with them. It would have been a long ride west (along what is now known as highway 17) to Spanish, Ontario where the imposing Catholic-run residential school stood. There Irene would be separated from her brothers. She’d be assigned a number (Indian kids were deprived of names at the school), ordered show more to “scrub the brown off”, and her beautiful hair would be cut (a ritual the Anishinaabe perform when grieving a loved one, and one which Irene saw as peculiarly fitting in this terrible place—given the losses she was experiencing). Irene’s essential kindness—her sharing a biscuit with another child at breakfast, a transaction which involved the use of Nippissing words (the “devil’s language”, according to the worst of the nuns)—was punished. Sister Mary made the little girl hold a bedpan full of hot coals. The child’s hands were badly burned.

Irene’s story has a happier ending than many other survivor accounts of these residential schools. Irene and her siblings were sent home for the summer. Slowly, the stories of the deprivation and abuse they endured at the Indian School leaked out. Irene’s father resolved and succeeded in heroically hiding the children when the Indian agent returned for them in the fall. He told the government man he didn’t care about his threats. He refused to send the kids back.

An afterword notes that in the course of a century approximately 150,000 First Nations, Inuit, and Métis children were removed from their families and taken to residential schools, places of horror and mistreatment. Jenny Kay Dupuis’s account, accompanied by spare, subdued paintings, is a very accessible one. It gives a good idea of the abuse and the sadness without overwhelming young readers with too many terrible details. Presenting Irene’s story in a two-language (Nipissing and English) text is a powerful statement. The language (like the Nipissing people from which it comes) has endured.

Recommended for children ages 8-12, this is another book I’d love to see on the Ontario Library Association’s Silver Birch Express Readers’ Choice Awards list this fall.
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In an afterword by Jenny Kay Dupuis we learn:

I Am Not a Number is based on the true story of my granny, Irene Couchie Dupuis, an Anishinaabe woman who was born into a First Nation community that stretched along the shores of Lake Nipissing in Northern Ontario. Granny’s father was chief of the community, and her mother looked after their fourteen children.”

In 1928, when Irene was eight years old, an Indian Agent came to their house and demanded that her father hand over the children for the residential school: “They are wards of the government, now. They belong to us.” When her father objected, he was told that otherwise he would be fined and sent to jail. It was the law, and they had to go.

The stories taken from Irene’s show more memories of the school are pretty horrific. She was given a number and not allowed to use her name. Irene became "759." She was not permitted any regular contact with her parents. She was told to “scrub all the brown off” her body when she washed. The food was awful, and she and the other children were always hungry. They were beaten if they were heard using any words in their own language - “the devil’s language” according to the nuns.

When they attended mass (every morning and twice on Sundays) she recalled that she “secretly begged God to let me return to my family.”

After a year, she was allowed to return home for the summer. She loved being home, but had nightmares about the school every night. She begged her parents not to make her go back. Her parents decided to hide her and her brothers in the father’s taxidermy shop. The Indian Agent searched everywhere, including the shop, but didn’t find them. Her father claimed the children went up north and he didn’t know when they would be back. Finally the agent left, and they came out laughing and crying and shaking:

“We were safe. I was Irene Couchie, daughter of Ernest and Mary Ann Couchie. And I was home.”

An Author’s Note reports that Irene was among approximately 150,000 children - some as young as four - who were were removed from their homes and sent to live at residential schools across Canada. [There was a similar system in the United States.] She writes:

“Of the over 80,000 students who either returned home or relocated to cities and towns across Canada, many felt they didn’t belong anywhere and strugged all their lives.”

The last residential school did not close until 1996. In 2008, the Prime Minister of Canada issued a statement of apology.

There is an afterward by Jenny Kay Dupuis, the granddaughter of Irene Couchie Dupuis. She says her granny rarely would speak about what happened to her.

Illustrator Gillian Newland, using watercolor, ink, and pencils, manages to convey the hurt and fear and sorrow of the children in the schools with her spare lines and colors.

Evaluation: This is a story that should be known by all North Americans. What happened to Native Americans in both Canada and the United States is a sorrowful and shameful chapter of North American history. While the subject matter is difficult, it will help children develop empathy and understanding of the situation of others. Kids need alternate perspectives. There is no moralizing in the story; readers will have to think about what happened and draw their own conclusions.

In an interview, Jenny Kay Dupuis said:

"Co-writing I Am Not a Number with Kathy Kacer gave me the opportunity to reflect on the value of literature for young people and how educators and families can make use of picture books to start conversations about critical, real-world issues."
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The cover says it all: A dismayed Native American child — or First Nations child, as they’re called in Canada — submits to having her hair cut in what’s clearly a highly institutionalized setting.

Author Jenny Kay Dupuis tells the story of her own grandmother: 8-year-old Irene Couchie in 1928 was forced from her Nipissing family into a cruel nun-run residential school in Ontario that attempted to “civilize” Indian children by denying them names (giving them numbers instead!), stripping them of their Ojibway language, and trying to turn them into “real” Canadians. Irene was one of 150,000 First Nations, Inuit and Métis children forced into horror-filled residential schools, where they were worked hard, barely fed and show more poorly educated. Children as young as 4 were shipped far from home for more than a century to schools run by different religious denominations.

When Irene is renamed 759, she silently vows: “I am not a number. I am Irene Couchie, daughter of Ernest and Mary Ann Couchie. I will never forget who I am.”

Irene and her two brothers were lucky enough to be saved after a year, but most others spent years in institutions where burning a child was considered appropriate punishment.

Beautiful prose — in both English and Nipissing — from Dupuis and her co-author Kathy Kacer accompany austere illustrations from Gillian Newland to create a book that’s eye-opening enough for adults, while not overwhelming its target audience of first- through third-graders.

In the interest of full disclosure, I received this book from NetGalley and Second Story Press in exchange for an honest review.
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This book tore at my heart. The residential schools were a black mark on Canadian History as well as the Christian Church. To tear children away from their families and force them to live a life that is completely unfamiliar to them is awful enough, but to tell them their language, life, beliefs etc. were evil is devastating. I cried as I read this story about young Irene Couchie and her brothers. The way she was treated was despicable. It is no wonder so many Native Canadians had/have mental health issues. The threats to her parents of arresting them if they did not turn over their children was extortion at best. Kudos to Irene for sharing this story with her granddaughter to publish. The way it is written is wonderful for children to show more learn about this shameful time in Canadian History without them dealing with trauma. It is sad, but I know there is so much more that could have been added that would have been too much for children to hear. A definite must for all Canadian History classes in elementary schools.

I received a copy of this book in exchange for an honest review.
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"When the Indian agent comes for Irene and her brothers, their parents reluctantly give them up to be taken to one of Canada’s infamous residential schools.

At the school, Irene is separated from her brothers, scrubbed, shorn, and assigned a number: 759. When she and another girl exchange words in Ojibwa, a nun punishes Irene for speaking “the devil’s language.” The punishment is horrifying: she is made to hold a bedpan filled with hot coals. The year passes slowly, chapel preferable to chores and lessons, especially as she can see her brothers there. At home the next summer, Irene tells her father, the community’s chief, about the “lessons” taught at “that horrible place”—and when the Indian agent comes again in the show more fall, the children hide while he tells the agent, “You will NEVER. TAKE MY CHILDREN. AWAY. AGAIN!” By the time readers get to this place in the story, they will have gotten past the stiff beginning and occasional overwriting and will be as relieved as Irene at their rescue. Newland’s watercolors capture the warmth of this Anishinaabe family and the austerity of the boarding school; the scene in which Irene’s father stares down the agent will have children cheering. Dupuis and Kacer base the story on the experiences of Dupuis’ grandmother, and they provide further information on the residential schools in an author’s note.

A moving glimpse into a not-very-long-past injustice. (Picture book. 7-11)" From Kirkus Reviews, www.kirkusreviews.com
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Picture book sized story about the author's granny being abducted and forced into residential school. Grim story, but a history that needs to be spoken, and this one is well done, with a bit of hope at the end.
This is the story of the author's grandmother, Irene Couchie Dupuis, an Anishinaabe woman who was taken, along with two of her brothers, to a residential school where First Nations children were separated from their families (even siblings, if they were different sexes) and usually mistreated: underfed, not receiving proper medical treatment, suffering harsh punishments, and forced to speak English instead of their native languages. Their hair was cut and they were given numbers instead of names. After one year of this, Irene and her brothers returned home; when they told their parents the truth of the conditions at the school, their parents hid them when the "Indian agent" returned for them in the fall.

Back matter includes additional show more information on the residential school system and an afterword by the author, including a family photo.

This took place in Canada, where these schools existed for a century; there is no mention of similar schools in the U.S. but they existed as well. An important, disturbing, and heart-wrenching book.

See also: Write to Me: letters from Japanese American children to the librarian they left behind, by Cynthia Grady
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Kathy Kacer travels widely talking about the importance of remembering our history. The daughter of Holocaust survivors, she has written many award-winning books including To Hope arid Back: The Journey of the St. Louis and The Secret of Gabi's Dresser Kathy created this project with educators Karen Krasny, Alan Gotlib, Susan Gordin, and show more Shawntelle Nesbitt in order to demonstrate that young people cab feel a meaningful connection to the Holocaust. show less

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Newland, Gillian (Illustrator)

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Canonical title
I Am Not a Number
People/Characters
Irene Couchie Dupuis

Classifications

Genre
Children's Books
DDC/MDS
813.6Literature & rhetoricAmerican literature in EnglishAmerican fiction in English2000-
LCC
PZ7.1 .D87 .ILanguage and LiteratureFiction and juvenile belles lettresFiction and juvenile belles lettresJuvenile belles lettres
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361
Popularity
86,730
Reviews
15
Rating
½ (4.55)
Languages
English, French
Media
Paper, Ebook
ISBNs
7
ASINs
1