Malice Domestic 07: An Anthology of Original Traditional Mystery Stories
by Sharyn McCrumb (Editor), Elizabeth Foxwell (Editor)
Simon Kirby-Jones (0.5 incl. in anthology), Malice Domestic (7)
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A collection of befuddling mysteries includes the contributions of Stephanie Barron, Dean James, Amy Myers, and Michael Bond.Tags
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[Malice Domestic 7] is maybe the first collection of murder mystery short stories I have read. This collection of 13 stories plus the editor's intro featured a range of authors and settings in the USA, UK, and Australia, from the early nineteenth century to present day (well, at least to 1998, the publication year). It felt like speed dating--just enough to get a sense of the author's style and an introduction to their protagonists if they happen to have a series in progress (more than half of these stories featured their main characters in a little one-off situation).
I have discovered these are not for me. I enjoy the mystery genre quite a bit, mostly historical but some contemporary. The problem with short stories is lack of space. show more Presenting the protagonist, the context, the murder, the potential suspects, and the solution in 7500 words or less doesn't really allow for much development of character, plot, the accumulation of clues, or narrative arc. What I found in these stories was pretty much the protagonist, the murder, and the solution, with maybe a clue or two thrown in. Often presented as the narrator witnessing the death, engaging in some serious cogitation, solving it, and that's it.--or maybe it's a past murder brought to light and resolved in present day with no action to be taken as a result. No process of discovery, no hints or red herrings, no exploration of the various possibilities. Just jump from crime to solution with not much in between. Sometimes it starts with the body, and sometimes ends with it. Sometimes the narrator decided whether to tell someone what happened. Or the story is the context and the murder and its consequences from the murderer's perspective.
I've learned to enjoy speculative fiction short stories and have amassed quite a few anthologies, but I just don't see that happening for mysteries. Yet clearly it works for plenty of other readers. After all, this is the seventh installment in the series. And I have greatly enjoyed every book from Sharyn McCrumb that I've read. I expect it was her name as editor that inspired to pick up this book in the first place. My ultimate reaction: meh. Another book that's not a keeper. show less
I have discovered these are not for me. I enjoy the mystery genre quite a bit, mostly historical but some contemporary. The problem with short stories is lack of space. show more Presenting the protagonist, the context, the murder, the potential suspects, and the solution in 7500 words or less doesn't really allow for much development of character, plot, the accumulation of clues, or narrative arc. What I found in these stories was pretty much the protagonist, the murder, and the solution, with maybe a clue or two thrown in. Often presented as the narrator witnessing the death, engaging in some serious cogitation, solving it, and that's it.--or maybe it's a past murder brought to light and resolved in present day with no action to be taken as a result. No process of discovery, no hints or red herrings, no exploration of the various possibilities. Just jump from crime to solution with not much in between. Sometimes it starts with the body, and sometimes ends with it. Sometimes the narrator decided whether to tell someone what happened. Or the story is the context and the murder and its consequences from the murderer's perspective.
I've learned to enjoy speculative fiction short stories and have amassed quite a few anthologies, but I just don't see that happening for mysteries. Yet clearly it works for plenty of other readers. After all, this is the seventh installment in the series. And I have greatly enjoyed every book from Sharyn McCrumb that I've read. I expect it was her name as editor that inspired to pick up this book in the first place. My ultimate reaction: meh. Another book that's not a keeper. show less
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Sharyn McCrumb was born in Wilmington, North Carolina on February 26, 1948. She graduated from the University of North Carolina at Chapel Hill and received an M.A. in English from Virginia Tech. Her novels include the Elizabeth MacPherson series and the Ballad series. St. Dale won a 2006 Library of Virginia Award and the Appalachian Writers show more Association Book of the Year Award. Ghost Riders won the Wilma Dykeman Award for Literature and the Audie Award for Best Recorded Book. She has received numerous awards for her work including the Sherwood Anderson Short Story Award, the Perry F. Kendig Award for Achievement in Literary Arts, the Chaffin Award for Southern Literature, and the Plattner Award for Short Story. In 2014, she received the Mary Frances Hobson Prize for Southern Literature by North Carolina's Chowan University. (Bowker Author Biography) show less
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- Canonical title
- Malice Domestic 07: An Anthology of Original Traditional Mystery Stories
- Original title
- Sharyn McCrumb Presents Malice Domestic 7: An Anthology of Original Traditional Mystery Stories
Classifications
- Genres
- Fiction and Literature, Mystery
- DDC/MDS
- 813.087208 — Literature & rhetoric American literature in English American fiction in English By type Genre fiction Adventure fiction Mystery fiction Collections
- LCC
- PS648 .D4 .M34 — Language and Literature American literature American literature Collections of American literature Prose (General)
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- English
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- Paper, Audiobook
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- 3























































