Madame Zero: 9 Stories

‘’The morning is clear, a few high clouds banking on the horizon. Dawn has come and gone, but it still feels fresh and damp and clean. You cycle through the hospital grounds, past the crematorium and across a small park, then along the river. The field is empty. The grass glistens under the wheels of your bike. When you look up there is a long dark vee of birds in the sky, migrating south.’’

A woman is transformed into a fox, leaving her husband struggling to understand and survive. A child is rescued from a strange commune to tragic repercussions. In a dystopian society, the right of women to choose has been taken away and a doctor is forced to help them in a world in a state where abortion and medication is illegal. It sounds show more frighteningly similar to the society that Trump and his fanatic followers dream of creating...A new mother meets a former lover in the lido and contemplates on all the ‘’ might-have-been’’. A young girl visits the mortuary, searching for answers caused by a terrible incident. A haunting letter from a man who exposes the inability of the government to stop a deadly virus and loses everything in the process. A married woman finds her personality altered, resembling an uncontrollable animal.

In London, Whitby, Brighton, Hall creates darkness. Pure and unholy darkness. In exemplary prose, she presents an intricate, dubious depiction of womanhood, mostly seen through the eyes of men who seem torn between mythologizing, worshipping and destroying the female identity. Making use of the concepts of love and death, the driving forces of the universe, the primal instincts that confuse us and define us. These are intense, dark, disturbing to the point of making you feel uncomfortable stories. Transformation, motherhood, fulfillment are either means to a bitter end or nowhere to be found.

This is an excellent, demanding collection with the exception of the last story, ‘’Evie’’, which I simply couldn’t stomach. It went against my literary preferences and above all, against my personal code of morality and decency. Hence, the 4-star rating for an overall brilliant reading experience.

‘’The one who loves less is always loved more.’’

My reviews can also be found on https://theopinionatedreaderblog.wordpress.com show less

This is a dizzyingly literary collection of dark, sometimes dystopian, female-focused short stories. I really liked most of them and really did not like the first and last stories in the book, both of which were told from the perspective of a husband whose wife starts acting oddly (one turns into a fox, the other becomes uncharacteristically hedonistic -- one of these transformations is explained and the other isn't, but both the husband and wife in each are equally frustrating). The other stories have wildly different subjects but all cling to a similar sense of impending dread and unexplained disconnection: the case notes of a social worker as she helps a child recently rescued from an unusual commune; a British woman on an unnerving show more hike with her new boyfriend and his childhood best friend in South Africa; a new mother who runs into a former lover walking home from her "me time" at the neighborhood pool; and (one of my favorites) a young man who has learned to survive in a world where the wind won't stop blowing and almost everyone else has died (but who just wants to have a nice Christmas). Even though I didn't like every story, they were all compelling, unique, and hard to put down. Worth a check-out for a well-rounded contemporary short story fix. show less

I'm a fan of John Cheever, and before Cheever, Ernest Hemingway, and before Hemingway, Emile Zola--and what all these writers did was to tell a story that in some discernible sense TOLD A STORY. Their stories had beginnings and middles and ends. And Sarah Hall does nothing of the kind. Nevertheless these 'short stories' are fully formed. They aren't fragments. They aren't even 'experimental' in the sense that the term is usually used. Her short fiction published here left me changed for having read it. Even though they don't follow any tradition of linear storytelling, I was never bored--I was rapt.

"What can be decided in a few moments that will not be questioned for a lifetime?"

Sarah Hall's MADAME ZERO is a wildly original and imaginative collection. The stories are dark and unsettling, and often very funny indeed. You're never comfortable reading these stories, and I value that.

I'd previously read the two award-winning stories that bookend the collection: "Mrs. Fox" and "Evie." Otherwise this was my first experience with Hall's short fiction.

Not all of the stories were entirely successful for me, but each one had strong writing and an unexpected delight or two. Oddly, perhaps, given her reputation, I was surprised to find that the high-concept and fabulist stories were the ones that didn't work as well for me. Some of them felt show more contrived and perhaps too clever by half.

I preferred her stories that dealt with the awkwardness and sadness of everyday life, with characters that were fully realized and deeply human. "Luxury Hour" is a terrific story in which a recent first-time mother has a chance encounter with a former lover. And the heartbreaking and funny "Goodnight Nobody" walks us through a young girl's unusual family life. Give me these "normal" stories from Hall every time over her overtly shocking and bizarre ones. But maybe that's just me.

All in all, I enjoyed this fine collection very much, and I won't forget some of these stories any time soon. Strongly recommended. show less

Collection of sensuous, erotic, suspenseful stories with the Sarah Hall trademark style. I’m not a great fan of short stories, mainly because one needs time and effort to get invested in the flow of the narrative and its characters before really enjoying the read.

In the case of short stories that means once you are finally into it, it is over. And one needs to sink the next investment in the next story. And this is certainly the case with the first story on a lover whose wife converts into a fox that raises a litter of foxes. The man basically fails to adjust his life initially, only gradually accepts and even appreciates her new shape, but keeps mourning for her all his life, hoping for her re-appearance in human form.

The second show more story ends abruptly when a wasted boy from a commune dies abruptly the moment his shrink starts to understand the (weird) ideas that shaped the boy (no sense of material ownership, no sense of ego) and seemingly manages to entice him to accept the pillars of our capitalist, self-centred society. When the latter happens, the boy kills himself, leaving an uncomprehending psychologist. Excellent story. Other remarkable stories are ‘Wilderness’ and ‘Later, his ghost’. show less

In the short story collection "Madame Zero", writer Sarah Hall has produced nine stories which explore the nature of being human and individual. In both the first and last stories a woman changes beyond recognition and the husband choses how to respond. In the first story when the wife is transformed into a fox the husband clings desperately to his love for her and the hope for a reversal. In the last story, the wife suffers a complete change in personality and the husband eagerly indulges in the new, alarming and aggressively sexualized persona without giving much thought to any underlying cause. Another story relates the case history of a child who has been raised in a chaotic commune setting and has awareness of neither his own show more individuality nor boundaries between self and others. In "Later, His Ghost" a man battles alone through continuous gale-force winds after a climatic disaster, scavenging for food and remnants that can remind him of what means to be human. It feels as if each story is challenging the reader to consider how they might respond in similar situations - would they prove to be human or something less? show less

(I waited for aLibraryThing Early Reviewers copy that never arrived so finally found a copy in the public library to read.) This is a strong collection of short stories with 3 or 4 standouts. Many are set in dystopian or surreal surroundings and are exploring feminine topics. Wives, mothers, girls, pregnant or transfigured, are impacted in various ways by a relationship, nature, illness, or disaster. I thought the first and last stories were the most memorable and reflect the striking, unmistakable talent of Sarah Hall.