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"CONTROL THE MAGIC, CONTROL THE WORLD In the Raverran Empire, magic is scarce and those born with power are strictly controlled -- taken as children and conscripted into the Falcon Army. Zaira has lived her life on the streets to avoid this fate, hiding her mage-mark and thieving to survive. But hers is a rare and dangerous magic, one that threatens the entire empire. Lady Amalia Cornaro was never meant to be a Falconer. Heiress and scholar, she was born into a treacherous world of political show more machinations. But fate has bound the heir and the mage. And as war looms on the horizon, a single spark could turn their city into a pyre. The Tethered Mage is the first novel in a spellbinding new fantasy series"-- show lessTags
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Member Reviews
I enjoyed this a lot. It's fun adventure fantasy, of the political rather than questy nature, with a whole lotta great lady characters. The stand-out strength, for me, was the depth of consideration. The world and plot really dig into the inequalities and prejudices and othering of magic-powered characters. The characters really dig into hard choices and compromises forced by the various weights upon them. And the political shenanigans engage well with the questions of appearance and trust that matter so much. (Being innocent isn't enough, if you don't look it.)
I particularly enjoyed the main character duo. I loved Amalia, our narrator heroine, with her intimidating (but loving) mother and her weight of expectations and her coming to show more terms with what she could and couldn't do. Her arc was all sorts of satisfying: never too easy, but holding firmly to hope. And Zaira, the understandably brittle-and-brutal street-tough fire warlock, was an uncompromising delight, never letting the privileged get off easy, and heaps of fun in her unflinching honesty and raucous bisexuality.
Really, my only sadness about this book is while it feeds nicely into a series, this is quite stand-alone-ish, which means the politics isn't quite as twisty and convoluted as it could be. Still great fun, and I'm looking forward to reading onwards! show less
I particularly enjoyed the main character duo. I loved Amalia, our narrator heroine, with her intimidating (but loving) mother and her weight of expectations and her coming to show more terms with what she could and couldn't do. Her arc was all sorts of satisfying: never too easy, but holding firmly to hope. And Zaira, the understandably brittle-and-brutal street-tough fire warlock, was an uncompromising delight, never letting the privileged get off easy, and heaps of fun in her unflinching honesty and raucous bisexuality.
Really, my only sadness about this book is while it feeds nicely into a series, this is quite stand-alone-ish, which means the politics isn't quite as twisty and convoluted as it could be. Still great fun, and I'm looking forward to reading onwards! show less
I could forgive this book for not being what I wanted it to be. I was capable of enjoying it for what it was — the classic YA story of the girl finding her place in the world. But, wow, I cannot easily forgive it for being such utterly predictable court intrigue. I come to this kind of story hoping for Byzantine machinations, and instead I got — well. If you don’t want every detail of your plot easily anticipated by every reader on the planet, do not:
1. Use a plot that is, shall we say, heavily cultivated. In particular, avoid one that among many other appearances in literature and the visual arts, featured in the major motion pictureZootopia .
2. Give personalities to so few characters that it’s easy to figure out who is the bad show more guy, even if you haven’t seen the major motion picture mentioned above, simply by eliminating everyone it can’t be and assuming it’s everyone who is left.(It is.)
So, you know, I read this, but mostly to rewrite it in my own head. I won’t be reading the next one. show less
1. Use a plot that is, shall we say, heavily cultivated. In particular, avoid one that among many other appearances in literature and the visual arts, featured in the major motion picture
2. Give personalities to so few characters that it’s easy to figure out who is the bad show more guy, even if you haven’t seen the major motion picture mentioned above, simply by eliminating everyone it can’t be and assuming it’s everyone who is left.
So, you know, I read this, but mostly to rewrite it in my own head. I won’t be reading the next one. show less
My only regret about The Tethered Mage is that I didn't read it sooner, so I didn't nominate it for a Subjective Chaos Kind of Award. On the other hand, this has dramatically reduced the amount of time I had to wait to read the sequel!
This is instantly one of my favourite fantasies. Alt-fantasy Venice is always a draw for me, and Caruso has a fine touch for character and politics that makes this a joy. This is a book I wish I'd read when I was a teen inundated with fantasies of chosen one farmer boys, where women were flighty love interests or wicked villains; in The Tethered Mage they are independent, nuanced, competent and vibrant - without taking anything away from the men around them (even Ruven is chilling, if a bit of a pantomime show more villain). Throw in a page-turning plot, and I struggled to put it down.
What a delight.
Full review
A reread has been pure joy from start to finish. Lady Amalia Cornaro is now one of my favourite fantasy heroines and I find myself absurdly proud of her as I read. A triumphant debut. show less
This is instantly one of my favourite fantasies. Alt-fantasy Venice is always a draw for me, and Caruso has a fine touch for character and politics that makes this a joy. This is a book I wish I'd read when I was a teen inundated with fantasies of chosen one farmer boys, where women were flighty love interests or wicked villains; in The Tethered Mage they are independent, nuanced, competent and vibrant - without taking anything away from the men around them (even Ruven is chilling, if a bit of a pantomime show more villain). Throw in a page-turning plot, and I struggled to put it down.
What a delight.
Full review
A reread has been pure joy from start to finish. Lady Amalia Cornaro is now one of my favourite fantasy heroines and I find myself absurdly proud of her as I read. A triumphant debut. show less
My only regret about The Tethered Mage is that I didn't read it sooner, so I didn't nominate it for a Subjective Chaos Kind of Award. On the other hand, this has dramatically reduced the amount of time I had to wait to read the sequel!
This is instantly one of my favourite fantasies. Alt-fantasy Venice is always a draw for me, and Caruso has a fine touch for character and politics that makes this a joy. This is a book I wish I'd read when I was a teen inundated with fantasies of chosen one farmer boys, where women were flighty love interests or wicked villains; in The Tethered Mage they are independent, nuanced, competent and vibrant - without taking anything away from the men around them (even Ruven is chilling, if a bit of a pantomime show more villain). Throw in a page-turning plot, and I struggled to put it down.
What a delight.
Full review
A reread has been pure joy from start to finish. Lady Amalia Cornaro is now one of my favourite fantasy heroines and I find myself absurdly proud of her as I read. A triumphant debut. show less
This is instantly one of my favourite fantasies. Alt-fantasy Venice is always a draw for me, and Caruso has a fine touch for character and politics that makes this a joy. This is a book I wish I'd read when I was a teen inundated with fantasies of chosen one farmer boys, where women were flighty love interests or wicked villains; in The Tethered Mage they are independent, nuanced, competent and vibrant - without taking anything away from the men around them (even Ruven is chilling, if a bit of a pantomime show more villain). Throw in a page-turning plot, and I struggled to put it down.
What a delight.
Full review
A reread has been pure joy from start to finish. Lady Amalia Cornaro is now one of my favourite fantasy heroines and I find myself absurdly proud of her as I read. A triumphant debut. show less
I received this novel from Orbit Books through NetGalley, in exchange for an honest review: my thanks to both of them for this opportunity.
Lately I have been particularly lucky when choosing debut novels to read, and The Tethered Mage was one such great find: the story is set in what looks like an alternate version of 18th Century Venice, with the city of Raverra and its canals and waterways as the playing field; my past visits to the real Venice helped me to see the city being described here, adding to the enjoyment of a well-painted background. Raverra has extended its influence over the surrounding countries, particularly the neighboring city of Ardence, whose restless nobility feels the ever-increasing need for more independence, show more the fires of freedom further kindled by the powerful realm of Vaskandar whose ambitions are equal only to its ruthlessness. Raverra, however, has been able to maintain its standing thanks to the strong politics of its Council and ruling Doge and to its ability to exploit the magic of gifted individuals.
And it’s indeed with the magic system that this novel forges an interesting path, because the rare and precious mages that are Raverra’s strength and deterrent are carefully screened since infancy for the tell-tale colored ring around their irises, and once discovered are corralled to the island enclave of the Mews, where their powers are harnessed through a bracelet called jess. The jess tethers each mage (or Falcon) to their handler the Falconer, in a partnership that only death can dissolve: according to a person’s point of view, such an arrangement can be seen either as slavery or symbiosis and that is one of the story’s main themes, the ethics of channeling useful or potentially dangerous abilities by effectively placing a gifted person under life-long tutelage.
Zaira is a formidable and quite unique fire mage, the most dangerous kind, and she’s been able to move under the Falconers’ radar for a long time until she’s forced to unleash her powers in self-defense: that’s when Falconer captain Verdi enrolls the help of a young woman to put a jess on Zaira, not knowing that his improvised assistant is Amalia Cornaro, heir to the most powerful woman in the Raverran council. Amalia finds herself saddled with the responsibilities of a Falconer, a duty that clashes with those imposed on her status as The Contessa’s daughter, and what’s more her Falcon deeply resents her both as a Falconer and as a representative of the pampered ruling class.
The dichotomy between these two young women, so very different in origins and character, is one of the supporting themes in The Tethered Mage and makes for a very interesting journey in which both of them have a great deal to discover by getting to know each other, overcoming diffidence and prejudices: the trope of very different people thrown together by fate and having to learn how to cooperate is one I’ve always found interesting, and in this case I appreciated it even more because it avoided the clichéd pitfall of the man/woman pairing that turns from hate to love. By linking these two girls and having them cooperate through a crisis, we learn more about the society they live in and at the same time we get to know and like them as characters – with the added bonus that the increased understanding of each other does not change who they basically are but more simply the way they perceive their counterpart.
I found Zaira to be the most fascinating of the two – not least because there is so much about her that is barely glimpsed, leaving a great deal of mystery about her past: she’s strongly independent, although the choice of keeping apart from others stems from some dark, dramatic roots, and she’s also brash and outspoken, and quite proud of that – to the point that contact with the higher strata of society fails to compel her to soften that approach, with quite amusing results. On the other hand Amalia, despite being the first-person narrator, comes across as slightly less interesting because of the shades of predictability that weigh on her character: if I liked the fact that she’s what we would nowadays call a “nerd”, due to her preference to magical and technical studies over politics or fancy parties, I felt that part of her journey was overshadowed by the required romantic entanglement and her role as the problem-solving heroine.
What makes Amalia stand out, however, is the relationship with her formidable mother: the two women are often in disagreement over Amalia’s life choices and her mother’s need to groom her as a successor, but instead of taking the path of all-out conflict they bridge their differences through mutual respect and a deep love that comes across quite strongly even if it remains mostly unexpressed. If anything, this novel is a showcase for strong female characters that know how to work with difficult situations and overcome many obstacles: as I said, Amalia is less effective in this field if compared with her mother or Zaira (or the Contessa’s right-hand helper Ciardha, a character I hope will get more narrative space in the next novels, because she’s beyond intriguing), but her willingness to put herself to the test and not give up, even in the face of unsurmountable odds, more than makes up for that.
Apart from the characters’ journey, The Tethered Mage is enriched by the fascinating power plays that constitute its backbone, a complicated dance of political expediency, back-room plotting and outright betrayals that speed up the pace in the second half of the novel and that kept me glued to the pages until I reached the resolution. And if the “bad guys” sometimes feel a little over the top (especially when they tend to explain their dastardly plot to a soon-to-be-killed-captive, as in the oldest narrative tradition), or if their identity is too easily gleaned, the story is so exciting that it’s not difficult to put the Inner Critic to sleep so that we can lay back and enjoy the adventure, one that I will be happy to follow in the next installments.
Originally posted at SPACE AND SORCERY BLOG show less
Lately I have been particularly lucky when choosing debut novels to read, and The Tethered Mage was one such great find: the story is set in what looks like an alternate version of 18th Century Venice, with the city of Raverra and its canals and waterways as the playing field; my past visits to the real Venice helped me to see the city being described here, adding to the enjoyment of a well-painted background. Raverra has extended its influence over the surrounding countries, particularly the neighboring city of Ardence, whose restless nobility feels the ever-increasing need for more independence, show more the fires of freedom further kindled by the powerful realm of Vaskandar whose ambitions are equal only to its ruthlessness. Raverra, however, has been able to maintain its standing thanks to the strong politics of its Council and ruling Doge and to its ability to exploit the magic of gifted individuals.
And it’s indeed with the magic system that this novel forges an interesting path, because the rare and precious mages that are Raverra’s strength and deterrent are carefully screened since infancy for the tell-tale colored ring around their irises, and once discovered are corralled to the island enclave of the Mews, where their powers are harnessed through a bracelet called jess. The jess tethers each mage (or Falcon) to their handler the Falconer, in a partnership that only death can dissolve: according to a person’s point of view, such an arrangement can be seen either as slavery or symbiosis and that is one of the story’s main themes, the ethics of channeling useful or potentially dangerous abilities by effectively placing a gifted person under life-long tutelage.
Zaira is a formidable and quite unique fire mage, the most dangerous kind, and she’s been able to move under the Falconers’ radar for a long time until she’s forced to unleash her powers in self-defense: that’s when Falconer captain Verdi enrolls the help of a young woman to put a jess on Zaira, not knowing that his improvised assistant is Amalia Cornaro, heir to the most powerful woman in the Raverran council. Amalia finds herself saddled with the responsibilities of a Falconer, a duty that clashes with those imposed on her status as The Contessa’s daughter, and what’s more her Falcon deeply resents her both as a Falconer and as a representative of the pampered ruling class.
The dichotomy between these two young women, so very different in origins and character, is one of the supporting themes in The Tethered Mage and makes for a very interesting journey in which both of them have a great deal to discover by getting to know each other, overcoming diffidence and prejudices: the trope of very different people thrown together by fate and having to learn how to cooperate is one I’ve always found interesting, and in this case I appreciated it even more because it avoided the clichéd pitfall of the man/woman pairing that turns from hate to love. By linking these two girls and having them cooperate through a crisis, we learn more about the society they live in and at the same time we get to know and like them as characters – with the added bonus that the increased understanding of each other does not change who they basically are but more simply the way they perceive their counterpart.
I found Zaira to be the most fascinating of the two – not least because there is so much about her that is barely glimpsed, leaving a great deal of mystery about her past: she’s strongly independent, although the choice of keeping apart from others stems from some dark, dramatic roots, and she’s also brash and outspoken, and quite proud of that – to the point that contact with the higher strata of society fails to compel her to soften that approach, with quite amusing results. On the other hand Amalia, despite being the first-person narrator, comes across as slightly less interesting because of the shades of predictability that weigh on her character: if I liked the fact that she’s what we would nowadays call a “nerd”, due to her preference to magical and technical studies over politics or fancy parties, I felt that part of her journey was overshadowed by the required romantic entanglement and her role as the problem-solving heroine.
What makes Amalia stand out, however, is the relationship with her formidable mother: the two women are often in disagreement over Amalia’s life choices and her mother’s need to groom her as a successor, but instead of taking the path of all-out conflict they bridge their differences through mutual respect and a deep love that comes across quite strongly even if it remains mostly unexpressed. If anything, this novel is a showcase for strong female characters that know how to work with difficult situations and overcome many obstacles: as I said, Amalia is less effective in this field if compared with her mother or Zaira (or the Contessa’s right-hand helper Ciardha, a character I hope will get more narrative space in the next novels, because she’s beyond intriguing), but her willingness to put herself to the test and not give up, even in the face of unsurmountable odds, more than makes up for that.
Apart from the characters’ journey, The Tethered Mage is enriched by the fascinating power plays that constitute its backbone, a complicated dance of political expediency, back-room plotting and outright betrayals that speed up the pace in the second half of the novel and that kept me glued to the pages until I reached the resolution. And if the “bad guys” sometimes feel a little over the top (especially when they tend to explain their dastardly plot to a soon-to-be-killed-captive, as in the oldest narrative tradition), or if their identity is too easily gleaned, the story is so exciting that it’s not difficult to put the Inner Critic to sleep so that we can lay back and enjoy the adventure, one that I will be happy to follow in the next installments.
Originally posted at SPACE AND SORCERY BLOG show less
Amalia Cornaro is heir to a great family name, wealth, and untold political influence within the Raverran Empire. However, she has been content to leave most of the political machinations to her brilliant and ruthless mother, and concentrate on her studies of arcane magic. However, when a powerful fire warlock threatens the city of Raverra, Amalia finds herself drafted into containing the warlock’s magic, and in so doing inadvertently becomes a “Falconer”, tethered to the fire warlock and responsible for controlling her powers. Thrown into the middle of a political firestorm (couldn’t help myself), Amalia must use everything her mother ever taught her to prevent a civil war within the empire she loves.
This was an enormously fun show more fantasy novel, and is the first in the new series. Surprisingly, this is also Melissa Caruso’s debut novel. The story, while ostensibly YA, manages to avoid the pitfalls so common in the genre, and delivers an entertaining and suspenseful read. Caruso has built up an interesting and complex world, and her characters are lovingly crafted and more complex than one usually sees in the Young Adult genre. The book reminded me very much of Dragon Age, the Bioware RPG game (which from me is a huge compliment). I especially enjoyed the way magic is dealt with in Caruso’s world, and the push and pull between Amalia, and her “Falcon”, Zaira.
Fans of YA or the fantasy genre looking for a bright new talent should definitely pick up this book.
An advance copy of this book was provided by the publisher via NetGalley in exchange for an honest review. show less
This was an enormously fun show more fantasy novel, and is the first in the new series. Surprisingly, this is also Melissa Caruso’s debut novel. The story, while ostensibly YA, manages to avoid the pitfalls so common in the genre, and delivers an entertaining and suspenseful read. Caruso has built up an interesting and complex world, and her characters are lovingly crafted and more complex than one usually sees in the Young Adult genre. The book reminded me very much of Dragon Age, the Bioware RPG game (which from me is a huge compliment). I especially enjoyed the way magic is dealt with in Caruso’s world, and the push and pull between Amalia, and her “Falcon”, Zaira.
Fans of YA or the fantasy genre looking for a bright new talent should definitely pick up this book.
An advance copy of this book was provided by the publisher via NetGalley in exchange for an honest review. show less
A pleasant change in predictability. As many of us know, quite a few YA fantasies follow the same "blueprint" resulting in a collective groan from the bored readers. While not being earth shatteringly different, Tethered Mage is different enough to keep me intrigued and wrong on most of my guesses.
I liked the main character grew up knowing she the heir to her mother's political power but wasn't vapid or power hungry. She is bookish, curious about the world around her, and actually wants very little to with politics. I also liked the girl with the magical power didn't instantly let her guard and become MC's bff just because MC wanted her to. Mc had to work and work at it.
Overall a good solid book and I'll definitely be reading the next show more book. show less
I liked the main character grew up knowing she the heir to her mother's political power but wasn't vapid or power hungry. She is bookish, curious about the world around her, and actually wants very little to with politics. I also liked the girl with the magical power didn't instantly let her guard and become MC's bff just because MC wanted her to. Mc had to work and work at it.
Overall a good solid book and I'll definitely be reading the next show more book. show less
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- Canonical title
- The Tethered Mage
- Original publication date
- 2017
- People/Characters
- Amalia Cornaro
- Dedication
- To Dad, for always believing I could do it, and to Mom, for showing me how to get it done.
- First words
- "Here, my lady? Are you sure?"
- Last words
- (Click to show. Warning: May contain spoilers.)We walked into the Mews side by side.
- Blurbers
- Spark, Anna Smith; Islington, James; Durst, Sarah Beth; Eves, Rosalyn; Cogman, Genevieve
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- 604
- Popularity
- 48,443
- Reviews
- 28
- Rating
- (3.66)
- Languages
- English, French
- Media
- Paper, Audiobook, Ebook
- ISBNs
- 10
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- 4






























































