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The third volume of "one of the most remarkable diaries in the history of letters" ( Los Angeles Times ). This candid volume from the renowned diarist covers her years of struggle, and eventual triumph, as an author in America during World War II. "Transcending mere self-revelation... the diary examines human personality with a depth and understanding seldom surpassed since Proust... dream and fact are balanced and... in their joining lie the elements of masterpiece." - The Washington Post show more "Just one page of Nin's extraordinary diaries contains more sex, melodrama, fantasies, confessions, and observations than most novels, and reflects much about the human psyche we strive to repress." - Booklist Edited and with a preface by Gunther Stuhlmann show lessTags
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WWII has broken out, Nin has fled to the US where she continues her artistic pursuits and meets an assortment of fellow artists, a list which reads like a Who's Who of the 40s American creative scene.
The pressure on her to be the relatively wealthy benefactor to her parasitic hanger-on artiste pals is finally getting to her. She finally acknowledges why she allows them to often leave her penniless and for her to have to scrounge for her own day to day living. For example, Miller is gallivanting around the US and telling her that he needs her to send him ten bucks so he can buy someone a birthday present (or something to that effect; reading his letter made my eyes glaze over in darkness and rage at his entitlement).
I really enjoyed show more reading the section where she bought (ostensibly for Gonzalo) a printing press and is printing Winter of Artifice herself. I loved her description of the mechanics and how the process of typesetting made her even more ruthlessly self-edit. Interestingly, Nin references her husband in these sections but never as her husband and only by his artistic pseudonym Ian Hugo who does the beautiful plates for her books. Perhaps some day I'll read the unexpurgated diaries so I can find out what Hugh was up to.
Of all her intense friendships so far, my favourite is Frances Brown. I couldn't find any information about her online but her story (as told - in her own words or paraphrased by Nin? - in the diary) is some real romanticised impoverished childhood like A Tree Grows in Brooklyn. But somehow she is mentally and monetarily more healthy and less parasitic than Nin's other friendships.
Two characters I need to know more about: Seon Gibben who Nin said can do higher mathematics, and Frances Steloff whose documentary Memoirs of a Bookseller I'd love to watch. show less
The pressure on her to be the relatively wealthy benefactor to her parasitic hanger-on artiste pals is finally getting to her. She finally acknowledges why she allows them to often leave her penniless and for her to have to scrounge for her own day to day living. For example, Miller is gallivanting around the US and telling her that he needs her to send him ten bucks so he can buy someone a birthday present (or something to that effect; reading his letter made my eyes glaze over in darkness and rage at his entitlement).
I really enjoyed show more reading the section where she bought (ostensibly for Gonzalo) a printing press and is printing Winter of Artifice herself. I loved her description of the mechanics and how the process of typesetting made her even more ruthlessly self-edit. Interestingly, Nin references her husband in these sections but never as her husband and only by his artistic pseudonym Ian Hugo who does the beautiful plates for her books. Perhaps some day I'll read the unexpurgated diaries so I can find out what Hugh was up to.
Of all her intense friendships so far, my favourite is Frances Brown. I couldn't find any information about her online but her story (as told - in her own words or paraphrased by Nin? - in the diary) is some real romanticised impoverished childhood like A Tree Grows in Brooklyn. But somehow she is mentally and monetarily more healthy and less parasitic than Nin's other friendships.
Two characters I need to know more about: Seon Gibben who Nin said can do higher mathematics, and Frances Steloff whose documentary Memoirs of a Bookseller I'd love to watch. show less
I started reading Nin's diaries at a much younger age...30s 40s, when she spoke more to my own experiences...feelings...not at 81 I am going back (almost discarded it)....One diary writet to another, thank you Anias
Her erotic appetite compares to no other... for such a dainty bird.
Shocking when I first read it.
gorgeous and illuminating as usual.
Interessant als tijdsdocument en als persoonlijk getuigenis. Een vrijgevochten vrouw die worstelt met het nieuwe milieu waarin ze terecht komt in de Verenigde Staten. Doorweven met de erotische verhalen die ze om den brode schrijft.
Feb 13, 2010Dutch
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Anaïs Nin 1903-1977 Writer and diarist Anaïs Nin was born February 21, 1903 in Neuilly, France to a Catalan father and a Danish mother. She spent many of her childhood years with her Cuban relatives. Later, she became a naturalized American citizen. Nin is best known for her journals,"The Diary of Anais Nin, Vols. I-VII" and her erotic fiction. show more In fact, Nin was one of the raliest writers of erotica for women. She also wrote the book Henry and June, which was made into a movie of the same name in 1990. In 1973 Anaïs Nin received an honorary doctorate from the Philadelphia College of Art. She was elected to the United States National Institute of Arts and Letters in 1974. She died of cancer in Los Angeles, California, on January 14, 1977. (Bowker Author Biography) show less
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- Canonical title
- The Diary of Anaïs Nin, Volume 3: 1939–1944
- People/Characters
- Robert Duncan; Anaïs Nin
- Important events
- World War II; World War II, German Occupation of France; 1930s; 1940s (1939-1944)
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