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Presents a collection of fifteen stories of murder, mayhem, and mystery in seventh-century Ireland, featuring the fictional crime-solving character, Sister Fidelma.Tags
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In this second collection of short stories in the Sister Fidelma series (Hemlock at Vespers is the first), we get three original stories, and the rest have appeared elsewhere. This can be frustrating for the already-initiated. I'd love to have a "dossier" or bio of Fidelma in the beginning -- she's a dalaigh, qualified to the level of anruth, etc, etc. so that these details could be left out of every story. But, I get it -- most short story collections are like this, but when they all involve the same character, it can feel tedious to go through it each time, in each story. I understand it in the books--that way they can be read out of sequence.
That aside, Fidelma fans may appreciate the appearance of characters such as Abbot Laisran, show more Fidelma's distant cousin/friend (not sure? varying descriptions), who appears in three different stories in the collection (see also "A Canticle for Wulfstan" in Hemlock at Vespers). Abbot Colmán, too, appears elsewhere in the Fidelmaverse. One of the more interesting stories for those wanting more of Fidelma's backstory is "The Blemish"--it is a bit of slog unless you love socratic debate, but it is nice to see Fidelma as a young law student in examination with THE Brehon Morann (of whom we hear in almost every book). Eadulf only makes one appearance in the last story, "The Lost Eagle" (and strangely, he doesn't speak). I enjoyed "The Banshee" because one of the most interesting aspects of Fildema's character is how she has to negotiate Christianity and the old religion, without dismissing the latter wholly as "superstition" and acknowledging the powertripping aspects of the former. "The Fosterer", new to the collection, is particularly sad, as no one really "wins" at the end.
The collection would work well for someone not that familiar with the series--it definitely stands alone, and readers who follow the chronology of the series might not appreciate the disruption. It is interesting to see all the different contexts, however, and amusing to see that the stories have previous appeared volumes ranging from Great Irish Drinking Stories to The Mammoth Book of Ancient Roman Whodunits. show less
That aside, Fidelma fans may appreciate the appearance of characters such as Abbot Laisran, show more Fidelma's distant cousin/friend (not sure? varying descriptions), who appears in three different stories in the collection (see also "A Canticle for Wulfstan" in Hemlock at Vespers). Abbot Colmán, too, appears elsewhere in the Fidelmaverse. One of the more interesting stories for those wanting more of Fidelma's backstory is "The Blemish"--it is a bit of slog unless you love socratic debate, but it is nice to see Fidelma as a young law student in examination with THE Brehon Morann (of whom we hear in almost every book). Eadulf only makes one appearance in the last story, "The Lost Eagle" (and strangely, he doesn't speak). I enjoyed "The Banshee" because one of the most interesting aspects of Fildema's character is how she has to negotiate Christianity and the old religion, without dismissing the latter wholly as "superstition" and acknowledging the powertripping aspects of the former. "The Fosterer", new to the collection, is particularly sad, as no one really "wins" at the end.
The collection would work well for someone not that familiar with the series--it definitely stands alone, and readers who follow the chronology of the series might not appreciate the disruption. It is interesting to see all the different contexts, however, and amusing to see that the stories have previous appeared volumes ranging from Great Irish Drinking Stories to The Mammoth Book of Ancient Roman Whodunits. show less
Early days for Sister Fidelma but a quite good collection. We learn some of her history and meet one of her early influencers, Abbot Laisran. brother Eadulf gets a mention in "the Lost Eagle" but is otherwise absent from these stories.
The number of stars is mainly because I'm not a big fan of the short story format. I much prefer the full-length novels.
Vijftien verhalen met Sister Fidelma in de hoofdrol. Altijd op zoek naar de waarheid in gevallen van moord en bedrog. En steeds weer blijken de motieven van toen heel veel op die van nu.
Apr 29, 2020Dutch
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148+ Works 14,974 Members
Peter Tremayne is the fiction writing pseudonym of the Celtic scholar and author Peter Berresford Ellis, who was born in Coventry, Warwickshire, England on March 10, 1943. Even though he received a BA and an MA in Celtic Studies, he decided to become a journalist and worked at numerous weekly newspapers throughout England and Ireland. In 1968, he show more published is first book, Wales: A Nation Again, about the Welsh struggle for political independence. He became a full-time writer in 1975 and has published over 90 books under his own name and the pseudonyms Peter Tremayne and Peter MacAlan. One of his best known works under his real name is The Cornish Language and its Literature, which is considered the definitive history of the language. In 1988, he received an Irish Post Award in recognition of his services to Irish historical studies. Under the pseudonym Peter Tremayne, he writes the Sister Fidelma Mystery series. He received the French Prix Historia for the best historical mystery novel of 2010 for Le Concile des Maudits (The Council of the Cursed). (Bowker Author Biography) show less
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Common Knowledge
- Canonical title
- Whispers of the Dead
- Original publication date
- 2004-05 (Headline Book Publishing|London) (Headline Book Publishing | London)
- People/Characters
- Sister Fidelma
- Important places
- Ireland
- Disambiguation notice
- This is the short story collection Whispers of the Dead. It contains the short story of the same name, but should not be combined with it.
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- ISBNs
- 13
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