The Ghost of Thomas Kempe
by Penelope Lively, Jean-Marc Pariselle (Author)
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The ghost of a seventeenth-century sorcerer emerges as a poltergeist and attempts to make young James his apprentice.Tags
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Member Reviews
This is a conventional ghost story because it is about a boy being haunted by a ghost. It is an unconventional ghost story because it is not scary, nor is it trying to be. The boy is never scared, just irritated and put out. He only really starts to get scared when something terrible nearly happens to someone else.
James Harrison is being haunted by the ghost of Thomas Kempe, a sorcerer who lived in his house hundreds of years before. Now as a ghost he wishes to reestablish himself as a sorcerer, with James as his apprentice. Leaving messages for James, committing odd acts of vandalism in the town and making a poltergeisty nuisance of himself around the house, he gets James in worse and worse trouble. James needs to get rid of Thomas show more Kempe, and soon.
This is a very funny book, and most of the humour comes from James: imaginative, self-centred but utterly prosaic and completely sure of himself. James is difficult in terms of creating messes and trouble and getting into scrapes, but he isn't mean, except perhaps a little to his sister. He's a sort of slightly less Williamy Just William, but Williamy enough to cause headaches. What happens over the course of the book, particularly after James discovers the journal of a woman and her nephew similarly haunted, is an odd, subtle growth. James' prodigious but self-absorbed imagination begins the process of transformation into empathy and awareness. It's sweet and touching as James forms a curious bond with two people long dead and begins to see the people around him as more than they appear.
A subtle, witty book, sharply written, and the combination of sharp subtle wit is irresistible. Its exploration of a young boy awakening to the world around him, the world of other people who are at first almost like supernatural things from another time, is warm and wonderful and wise. show less
James Harrison is being haunted by the ghost of Thomas Kempe, a sorcerer who lived in his house hundreds of years before. Now as a ghost he wishes to reestablish himself as a sorcerer, with James as his apprentice. Leaving messages for James, committing odd acts of vandalism in the town and making a poltergeisty nuisance of himself around the house, he gets James in worse and worse trouble. James needs to get rid of Thomas show more Kempe, and soon.
This is a very funny book, and most of the humour comes from James: imaginative, self-centred but utterly prosaic and completely sure of himself. James is difficult in terms of creating messes and trouble and getting into scrapes, but he isn't mean, except perhaps a little to his sister. He's a sort of slightly less Williamy Just William, but Williamy enough to cause headaches. What happens over the course of the book, particularly after James discovers the journal of a woman and her nephew similarly haunted, is an odd, subtle growth. James' prodigious but self-absorbed imagination begins the process of transformation into empathy and awareness. It's sweet and touching as James forms a curious bond with two people long dead and begins to see the people around him as more than they appear.
A subtle, witty book, sharply written, and the combination of sharp subtle wit is irresistible. Its exploration of a young boy awakening to the world around him, the world of other people who are at first almost like supernatural things from another time, is warm and wonderful and wise. show less
I loved this delightful, charming book about a boy and his ghost. I bought it as a gift but could not stop reading once I had started. Lively's prose is, well, lively (sorry), and the book is shot through with generosity of spirit, wit, humour, and warmth. This was light without being trite. It's how a children's book should be. It also makes me want to seek out more of Lively's writing.
What a delightful, fun ghost story. What I really enjoyed about this story is not so much the ghost aspect - which was still fun - but the great way that Lively captures the wonderment of being a young boy and living with his parents and sister in an old cottage in a small Oxfordshire town. Its a quaint, more simplistic life than is presented on the pages than the hustle and bustle of today and I can see why this book would be a popular one for children young and old..... I consider myself one the old ones. ;-)
As for the writing style, I love that Lively does not dumb down or talk down to her reading audience, which give the story such a great audience age range. It also has a somewhat timeless quality to it. Even the small town of show more Ledsham is going through its growing pains, with the older center of town finding itself being surrounding by newer housing communities, leaving James' sister Helen pining to live in one of the newer houses like her friends do and not the centuries old East End Cottage her family now calls home.
Overall, a quick and rather enjoyable read. show less
As for the writing style, I love that Lively does not dumb down or talk down to her reading audience, which give the story such a great audience age range. It also has a somewhat timeless quality to it. Even the small town of show more Ledsham is going through its growing pains, with the older center of town finding itself being surrounding by newer housing communities, leaving James' sister Helen pining to live in one of the newer houses like her friends do and not the centuries old East End Cottage her family now calls home.
Overall, a quick and rather enjoyable read. show less
James and his family move into an old cottage, in which James gets the attic for his bedroom. It's been closed off for years, and when the workers open it up to renovate, they unwittingly let loose the spirit of a sorcerer, Thomas Kemp, from the 1660s. The spirit is moody and demanding, and tries to get James to help him re-establish his business in the village. When James resists, Thomas gets testy and starts breaking things, for which James gets blamed by his parents. He finds a local carpenter who is also a bit of an expert on spirits on the side, and together they try to put the ghost to rest.
This is a great ghost story for kids - it's fun and well-written, and the characters are interesting and easy to become friends with, plus the show more story isn't scary really at all. Definitely recommended. show less
This is a great ghost story for kids - it's fun and well-written, and the characters are interesting and easy to become friends with, plus the show more story isn't scary really at all. Definitely recommended. show less
Another childhood favourite. Not scary at all but a warm, sweet evocation of childhood. The relationship beween the young protagonist and the annoying, opinionated medieval spirit that attaches itself to him is fraught with embarrassment and difficulty, causing him nothing but trouble yet we feel great sympathy for the ghost, as does James, when the spirit confides he is tired of the modern world and wants to rest. The ending, with the ghost released from his earthly confines through bell, book and candle with the assistance of a local blue-collar exorcist, is deftly handled and very moving. This is simply a superb book for children of all ages and all who fondly remember their childhoods
The charming story of an intelligent, sensitive boy with a vivid imagination, and a rather cantankerous, disillusioned ghost. In many ways it reminded me of my childhood, with the puddings and country lanes, the way we were before computers and multimedia. A lavishly illustrated edition.
Wonderful language! Poor kid, this is a true tale of injustice. The central character has to endure punishments for the actions of a ghost and no one believes in ghosts. A great story and terrific writing.
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Author Information

73+ Works 14,580 Members
Penelope Lively has written over 18 books for children, and over 15 titles for adults, distinguishing herself on both levels. Among the awards she has received are the coveted Booker Prize for the adult novel "Moon Tiger" (1987) and the Carnegie Medal for the highly acclaimed juvenile work, "The Ghost of Thomas Kempe" (1973). In Lively's writing, show more for both adults and children, the recurrent theme is interpreting the past through exploring the function of memory. "My particular preoccupation as a writer is with memory. Both with memory in the historical sense and memory in the personal sense." Beginning her writing career in the early 1970's, Lively wrote exclusively for children for over a decade. Because children have limited memories, devices were used to explore their perceptions of the past, such as ghosts in "Uninvited Ghosts and Other Stories" (1985), and a sampler in "A Stitch in Time' (1976). Lively's first adult novel, "The Road to Lichfield" (1977) was the result of turning to an older audience when she felt inspiration running out. Her adult novels include "Passing On" (1995), the story of a mother's legacy to her children and 'Oleander, Jacarandi: A Childhood Perceived' (1994) which is a memoir of Lively's childhood. Penelope (Low) Lively, born March 17, 1933 in Cairo, Egypt, had a most unusual childhood. She grew up in Cairo with no formal education until age 12, when her family put her in boarding school in England. After earning a B.A. in history at Oxford in 1955, she married Jack Lively, a university professor, whom she calls her most useful critic. They have a son and a daughter, Adam and Josephine. (Bowker Author Biography) show less
Some Editions
Awards and Honors
Awards
Series
Belongs to Publisher Series
New Windmill Series (204)
Common Knowledge
- Canonical title
- The Ghost of Thomas Kempe
- Original publication date
- 1973
- People/Characters
- James Harrison; Thomas Kempe
- Important places
- Ledsham, England, UK (fictional)
- Related movies
- ABC Weekend Specials: The Ghost of Thomas Kempe (1977 | s3e3 | IMDb)
- First words
- "What's this, then?"
- Last words
- (Click to show. Warning: May contain spoilers.)And somewhere in the middle there was James, walking home for tea, his head full of confused but agreeable thoughts, hungry and a little tired, but content.
Classifications
- Genres
- Fiction and Literature, Children's Books, Fantasy
- DDC/MDS
- 823.914 — Literature & rhetoric English & Old English literatures English fiction 1900- 1901-1999 1945-1999
- LCC
- PZ7 .L7397 .G — Language and Literature Fiction and juvenile belles lettres Fiction and juvenile belles lettres Juvenile belles lettres
- BISAC
Statistics
- Members
- 556
- Popularity
- 53,552
- Reviews
- 10
- Rating
- (3.74)
- Languages
- 8 — Catalan, Dutch, English, Finnish, French, German, Italian, Norwegian (Bokmål)
- Media
- Paper, Audiobook
- ISBNs
- 37
- ASINs
- 14



































































