Little Boy: A Novel
by Lawrence Ferlinghetti
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The novel, titled "Little Boy," fuses elements of autobiography, literary criticism, poetry and philosophy, in a headlong, often stream-of-consciousness style. "It's not a memoir, it's an imaginary me," Mr. Ferlinghetti said in a phone interview. "It's an experimental novel, let's put it that way." -- In this unapologetically unclassifiable work Lawrence Ferlinghetti lets loose an exhilarating rush of language to craft what might be termed a closing statement about his highly significant show more and productive 99 years on this planet. The "Little Boy" of the title is Ferlinghetti himself as a child, shuffled from his overburdened mother to his French aunt to foster childhood with a rich Bronxville family. Service in World War Two (including the D-Day landing), graduate work, and a scholar gypsy's vagabond life in Paris followed. These biographical reminiscences are interweaved with Allen Ginsberg-esque high energy bursts of raw emotion, rumination, reflection, reminiscence and prognostication on what we may face as a species on Planet Earth in the future. show lessTags
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The publisher calls it "A novelistic memoir by famed poet and publisher Lawrence Ferlinghetti.”
I say it’s a rich stew of words, a stream of consciousness poem in one long sentence filled with allusions both literary and historic, surreal, sharp, ironic, and a joy to read covering a century of the poet’s life written a year before his death.
Ferlinghetti, himself writes: "And I am just waking in the vortex of past time, as it were a kind of Noctrama, a structure for animals that are awake only at night, or the vortex of time thus becomes a poem with an invisible subject like a novel that has no plot but wanders around, in which its characters wander around through life in what would appear to be an aimless fashion, or at least the show more author has no idea where his back is headed or will end up, just like life itself… " show less
I say it’s a rich stew of words, a stream of consciousness poem in one long sentence filled with allusions both literary and historic, surreal, sharp, ironic, and a joy to read covering a century of the poet’s life written a year before his death.
Ferlinghetti, himself writes: "And I am just waking in the vortex of past time, as it were a kind of Noctrama, a structure for animals that are awake only at night, or the vortex of time thus becomes a poem with an invisible subject like a novel that has no plot but wanders around, in which its characters wander around through life in what would appear to be an aimless fashion, or at least the show more author has no idea where his back is headed or will end up, just like life itself… " show less
Lawrence Ferlinghetti is an American poet, painter, socialist activist, and the co-founder of City Lights Booksellers & Publishers. At 99 he is one of the last survivors of the Beat generation of poets and writers. Little Boy is semiautobiographical and begins with his childhood shuffling between guardians, service in World War II, and Paris. A long life blends the old and the new. An excellent mix of Google and Barney Google. Facebook gains mention along with the World Wide Web early on in the book. It is an unexpected mixture of ages but rather plain. The reader falls into a routine the begetting in Chronicles. Suddenly the text explodes into a Ginsbergesque rant. He calls on the poets of the past as one would call on the saints. He show more has anger:
We’re the victors we set the exchange rates the laws the
treaties not worth the paper they are printed on ha-ha we’ll tell you
how to breathe all you fuckers trying to destroy us bombing the Twin
Towers you little creeps with your pajama clothes and weird religions
and who the hell was Mohammed Zoroaster Sufi Buddha-boy Omar
Khayyam Rumi smoking hookahs and kicking back we’ll take care of
you buddy after Twin Towers we’ll generate this huge national
paranoia allowing our guv to abolish liberty in the land of the free with
panic legislation
The words flow smoothly, sometimes violently, but always with meaning and life. The words seem alive. Here is a man, on in his years, not calmly telling his life and experience to grandchildren, but raging refusing to go gently into the night. Here is a man who saw the remains of Nagasaki and wants to remind us it can happen again. Powerful, moving, a lifetime recorded on a hundred pages. show less
A masterpiece of autobiography and breathless poetic free-form babbling. Thank you Monsieur Ferlinghetti for the wildest ride of philosophical and artistic musings I have encountered in 2020. A joy to read. A line runs from Emerson, to Thoreau, to Whitman to Ferlinghetti - they are not 'poets of loss' they are the great Yea-sayers.
Happy 100 years on the blue and green orb to an elder statesman of American letters!
Happy 100 years on the blue and green orb to an elder statesman of American letters!
Little Boy
by:Lawrence Ferlinghetti
2019
Doubleday
4.0 / 5.0
This book was written and published when Ferlinghetti was 99 years old. His writing style, stream of consciousness, either endears him to you, or turns you off. I love his use of this style, and is a perfect representation of him as a person; constantly doing, thinking, learning, evolving. Its Ferlinghetti in words.
This is a fast and intense book. Autobiographical. Beat Rants. Philosophical. I enjoyed this quick one. What an amazing mind.
by:Lawrence Ferlinghetti
2019
Doubleday
4.0 / 5.0
This book was written and published when Ferlinghetti was 99 years old. His writing style, stream of consciousness, either endears him to you, or turns you off. I love his use of this style, and is a perfect representation of him as a person; constantly doing, thinking, learning, evolving. Its Ferlinghetti in words.
This is a fast and intense book. Autobiographical. Beat Rants. Philosophical. I enjoyed this quick one. What an amazing mind.
I loved this book. I am sure it will not be to everyone's taste. It is classic beat stream of consciousness prose. It helps to have read widely as he has many direct and indirect references.
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Lawrence Ferlinghetti was born Lawrence Monsanto Ferling in Yonkers, New York on March 24, 1919. He received a B. A. from the University of North Carolina, a M. A. from Columbia University, and a Ph.D from the Sorbonne. During World War II, he served in the U. S. Naval Reserve and was sent to Nagasaki shortly after it was bombed. In 1953, he and show more Peter Martin began to publish City Lights magazine. They also opened the City Lights Books Shop in San Francisco to help support the magazine. In 1955, they launched City Light Publishing, which became known as the heart of the "Beat" movement. Ferlinghetti is the author of more than thirty books of poetry including Time of Useful Consciousness, Poetry as Insurgent Art, How to Paint Sunlight, A Far Rockaway of the Heart, Over All the Obscene Boundaries: European Poems and Transitions, Who Are We Now?, The Secret Meaning of Things, and A Coney Island of the Mind. He is also the author of more than eight plays and of the novels Love in the Days of Rage and Her. He has translated the work of a number of poets including Nicanor Parra, Jacques Prevert, and Pier Paolo Pasolini. He received the lifetime achievement award from the National Book Critics Circle in 2000, the Frost Medal in 2003, and the Literarian Award in 2005, presented for "outstanding service to the American literary community." He was named the first poet laureate of San Francisco in 1998. He writes a weekly column for the San Francisco Chronicle. (Bowker Author Biography) show less
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