The House Gun
by Nadine Gordimer
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Nadine Gordimer's novel is a passionate narrative of the complex manifestations of that final test of human relations we call love. It moves with the restless pace of living itself; if it is a parable of present violence, it is also an affirmation of the will to reconciliation that starts where it must, between individual men and women.Tags
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I felt like I was holding my breath throughout the whole book, expecting something earthshaking to happen. But a third into it, I was still waiting ... halfway into it, still waiting... and when the moment arrived, arrrrggghhh, is that IT?Not exactly a page-turner, but an incisive look into the psychology of parents to their child. How well do you really know your child? If your son were accused of murder, would you feel obligated to believe him as innocent? To what lengths would you protect your son?
It also examines to a lesser degree white-black relations and power play in South Africa.
Very thought provoking on several levels, this is the story of a respectable, moral, middle-class South African couple whose son commits a terrible crime. The effect of his crime on his parents, their anguish and incomprehension are very real. I think this is one of Gordimer's finest novels.
In modern day South Africa, the architect son of a white professional couple (she doctor, he company director) is arrested and charged with the murder of a house mate. He is manifestly responsible for the shooting. His parents engage a smart black defence lawyer.
Nadine Gordimer’s novel was interesting more than enjoyable. In fact I didn’t like it much at all, even though some of the writing is of high quality.
The son, the murderer, remains an enigma throughout. He says next to nothing in his own defence and makes no effort to “explain” his act. Parents and lawyer are left to exercise their minds on this question, to formulate plausible mitigation and to find their own peace with the son’s fateful deed.
And exercise their minds show more they do - oh yes! - repetitiously, tediously retracing the sequence of events leading to the murder, In this there may be verisimilitude, but it lends the novel a dull, static quality. There is no unfolding, no revelation. We know as much but no more at the end than we did at the beginning.
There is also no light relief in the narrative, no jokes, little irony. Rather an intense intellectual earnestness about the entire work. It was this aspect that I found interesting, perhaps typical of South African writers. For conscientious citizens trapped in the bizarre unreality of the apartheid era, turning inward for solutions must have been a commonplace response. As reader, one can feel the neurosis, the constant nervous strain of it all. show less
Nadine Gordimer’s novel was interesting more than enjoyable. In fact I didn’t like it much at all, even though some of the writing is of high quality.
The son, the murderer, remains an enigma throughout. He says next to nothing in his own defence and makes no effort to “explain” his act. Parents and lawyer are left to exercise their minds on this question, to formulate plausible mitigation and to find their own peace with the son’s fateful deed.
And exercise their minds show more they do - oh yes! - repetitiously, tediously retracing the sequence of events leading to the murder, In this there may be verisimilitude, but it lends the novel a dull, static quality. There is no unfolding, no revelation. We know as much but no more at the end than we did at the beginning.
There is also no light relief in the narrative, no jokes, little irony. Rather an intense intellectual earnestness about the entire work. It was this aspect that I found interesting, perhaps typical of South African writers. For conscientious citizens trapped in the bizarre unreality of the apartheid era, turning inward for solutions must have been a commonplace response. As reader, one can feel the neurosis, the constant nervous strain of it all. show less
This is a brilliantly crafted book focusing on the interaction betweeen the parents and their son's lawyer. It includes courtroom action.
bellissimo
Una sera di gennaio del 1996, bussano alla porta di Harald e Claudia Lindgard per annunciare che Duncan, il loro unico figlio, architetto, di ventisette anni, è stato arrestato con l'accusa di omicidio: avrebbe ucciso un amico sorpreso a letto con la sua ragazza. L'arma utilizzata è quella di casa, una pistola comprata e tenuta a disposizione contro eventuali malintenzionati. Messi dinanzi all'inimmaginabile, i genitori sono costretti a rivedere il rapporto con il figlio e la lealtà che gli devono, a mettere in conto i propri errori, a scoprire, seguendo giorno dopo giorno il processo, tratti a loro ignoti di Duncan. Un'arma in casa esplora gli aspetti più profondi dei legami familiari e descrive il caotico itinerario attraverso cui show more i genitori tentano di riappropriarsi in qualche misura del destino del figlio, mentre sullo sfondo viene evocato il contesto sudafricano dove per lungo tempo si è ucciso per nulla e dove la morte è tuttora parte indissolubile della routine quotidiana. In quello che, ben più che un giallo, è uno dei libri più coinvolgenti del premio Nobel sudafricano, vengono svelate le infinite contraddizioni dell'animo umano di fronte alla storia, alla razza, all'identità sessuale, all'universo di valori sociali ed etici che muta continuamente secondo modalità spesso imprevedibili. show less
Feb 6, 2020Italian
La vida de los Lingord, un matrimonio liberal de Suráfrica, sufre un vuelco cuando su hijo Duncan mata a uno de sus compañeros de piso. El joven ha confesado su autoría, pero no el motivo del crimen. Para afrontar el proceso, los Lingord recurren a un abogado negro recién regresado del exilio, una elección arriesgada en un país donde sólo formalmente se ha puesto fin a la discriminación racial.
Dec 5, 2010Spanish
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Nadine Gordimer was born in Gauteng, South Africa on November 20, 1923. She attended the University of Witwatersrand, Johannesburg, South Africa for one year. She is a novelist and short-story writer whose major theme is exile and alienation. Her first short story collection, The Soft Voice of the Serpent, was published in 1952 and her first show more novel, The Lying Days, was published in 1953. Her other short story collections include Jump, Why Haven't You Written: Selected Stories 1950-1972, and Loot. Her other novels include A World of Strangers, A Guest of Honour, Burger's Daughter, July's People, A Sport of Nature, My Son's Story, None to Accompany Me, The Pickup, and Get a Life. She has received numerous awards including the Booker Prize for The Conservationist in 1974, the Nobel Prize for Literature in 1991, and the French Legion of Honour in 2007. She died on July 13, 2014 at the age of 90. (Bowker Author Biography) Nadine Gordimer was awarded the Nobel Prize in Literature in 1991. (Publisher Provided) show less
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Common Knowledge
- Canonical title
- The House Gun
- Original title
- The house gun
- Original publication date
- 1998
- People/Characters*
- Harald Lindgard; Claudia Lindgard
- Important places
- South Africa
- Epigraph
- The crime is the punishment. - Amos Oz, Fima
- Dedication
- For Oriane and Hugo
- First words
- Something terrible happened.
- Last words
- (Click to show. Warning: May contain spoilers.)I've had to find a way to bring death and life together.
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.
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- Reviews
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- Media
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- ISBNs
- 41
- ASINs
- 8



























































