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The buildings grow, and the city expands. And the people of the land are starting to behave abnormally, or perhaps they've always behaved that way, and it's normality that's at fault. Our hero, close to retirement, finds that the world she has always known is nothing like she always believed it to be. There are dark forces... wait, not dark. There are uncanny forces... no, not uncanny either. There are forces, anyway - mostly slightly odd ones - and they appear to be acting in myserious show more ways. It's about town planning, it's about talking cats, and it's about the nature of reality. show less

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10 reviews
I picked up this Tor.com novella (though I think it must be a novel by actual word count) because it was by Eddie Robson, one of my favorite Doctor Who writers, one of those whose senses of tone, character, and world are generally strong enough that I could imagine him succeeding at original science fiction, which is not a thing I believe of most tie-in writers.

For its first half this is very strong. It has a weird setting: a city where everything is made of wood, ruled by a king with a talking cat, where the imperative is to just build build build. The parallel narratives follow the king and the chief architect, both of whom are beginning to suspect that their world doesn't entirely make sense. (What is... concrete?) The story is told show more with a dry, factual narrative voice that works well to highlight its absurdities.

About halfway through, though, the novel explains what's going on, and at that point, I was like, "This is just a Doctor Who story!" And indeed, when I flipped to the Acknowledgements page, I found Hearts of Oak was based on something Robson originally pitched to Alan Barnes, former script editor of Big Finish's Doctor Who range. At that point, the story becomes much less interesting; what's really happening is much less striking than what went before, and the disconnected style works against the narrative from then on, too, as to be interesting what comes next, we would need to be invested in the characters as people more.

That said, I like Robson in general and the first half of this novel in particular enough that I would give his original work another chance; I see that this is actually his second novel, so I'll have to seek out his first and see how it is.
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I picked this up because I liked Robson’s more recent book; this one is substantially less polished, no pun intended. Ianthe teaches architecture and designs buildings, both important tasks in the city, which is constantly growing despite mostly being able to use only wood in construction. Funny thing is, Ianthe can’t remember quite how long she’s been doing this … It’s probably too slight to handle the big questions it gestures at about identity and doing the right thing under conditions of futility.
This is a weird little book that starts off like a fantasy novel. There is a king in a tower, with a talking cat who advises him, and he is overseeing the building of his kingdom. There is an architect named Iona who has been a prominent architect for so long that she has trouble remembering just how many buildings she has built. At the beginning, the story has an almost fairy-tale quality... but then things start to get strange. Iona notices things that are out of place. Some events happen that don't quite fit with how things are supposed to happen. I can't describe the plot any more without spoilers, but it continues to get more strange.

This is an intriguing and quick read. Once it becomes clear what is happening, the world-building show more leaves a lot to be desired. The end felt a little rushed. show less
Clever and satisfying book. Hard to do this without spoilers, but I'll try. The narration is level, almost flat, and that gives you a chance to see the anomalies. You and the characters navigate the new information together. This book is put together with a very sure hand without feeling controlled or forced.

I'm eager to read more by Eddie Robson.
An intriguing plot. The characters are not terribly interesting, but they aren't the focus of the story. At its core, this is a mystery built in layers. Each time a layer is peeled back, you find out something new that deepens the mystery.
Series Info/Source: This is a stand alone book that I got as an eGalley through NetGalley to review.

Story (4/5): This was a very unique book with lots of twists and turns. It' s pretty fast read and an intriguing one. I enjoyed it because it was so different from other books I have read. It reminded me a bit of a Dr. Who episode and is hard to talk about without spoiling the story. Suffice to say the story is the strong point of this book.

Characters (3/5): The characters are okay. We switch between The King and Iona (a master architect). Neither is very personable but are more devices to move the story forward. The side characters have very little depth. I felt like the characters were the weakest aspect of this story.

Setting (4/5): Set show more in a mysterious walled city that keeps growing and growing as more and more buildings are constructed, I enjoyed this mysterious setting. The twists and turns revealed as the book continues reveal more and more about the setting. Again, this is a great aspect to the story.

Writing Style (4/5): The writing style came across as pretty stark and simplistic to me but it works well for the story. The POV changes also worked well in this story.

Summary (4/5): Overall this was a fun little read, that was quirky and different with lots of surprising little twists. It’s a pretty quick read and I enjoyed it for its uniqueness.
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I'm not sure what to think after this one. Short, odd, a bit disconcerting. I feel like I'd like to talk with someone about this one, basically to compare notes as I'm not sure I picked up on everything.

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Brief in page-count and quiet in voice, the book is a gleaming gem of offbeat weirdness and oddball humor, a work that blends fantasy and science fiction more cleverly than almost anything in recent memory. But underneath that quirky whimsicality beats a deeply thoughtful, even melancholy pulse....Here's what it's safe to say: The book takes place in an unnamed city, one constructed mostly of show more wood, that feels vaguely familiar and somewhat fairytale-esque, but is impossible to place....The book packs in oodles of dry wit and droll self-mockery, the sort of profound and lacerating laughter that Robson's countrymen Douglas Adams and Terry Pratchett perfected....the shift that Robson drops in the middle of Hearts of Oak is seismic. In a sense, it feels like two very different novel-fragments glued together, with a pivot between them that's downright mind-blowing. It's a testament to Robson's swift storytelling, endearing characters, and deftly controlled world-building that the book not only works on both ends but succeeds wildly. Are we the shapers or the products of our surroundings? Is society a mechanical apparatus or an organic one?... Robson satisfyingly stirs up an entire trilogy's worth of wacky and wise philosophy in the span of a couple hundred pages. Hearts of Oak may be small in stature, but it packs a fat, speculative wallop. show less
Jason Heller, NPR
Mar 22, 2020
added by Lemeritus
The deep sense of puzzling oddness in the beginning of this book is totally captivating. The surface-level mildness and niceness of this world underscore the sense of mystery and offer plenty of opportunities for comedy. Once the reason for all the oddness is revealed, the story does lose some of its drive. But Robson (Tomorrow Never Knows, 2015) manages to rekindle the suspense for its final show more push. Strange, charming, unpredictable, and full of unusual images, this is an off-the-wall delight. show less
Jan 12, 2020
added by Lemeritus
Robson (Welcome to Our Village, Please Invade Carefully) is a master of the gradual release of information, ratcheting up the tension by degrees as both readers and characters learn the truth of his intricately constructed universe. The clipped, measured, and deceptively simple prose echoes the unnatural calm of the monotonous city and serves as a surprisingly effective vehicle as Powers show more raises questions about the nature of complacency and of humanity itself. Clever, emotional, and thematically rich, this is sure to please fans of classic science fiction. show less
Dec 16, 2019
added by Lemeritus

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26 works; 1 member

Author Information

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77+ Works 1,527 Members

Awards and Honors

Common Knowledge

Original publication date
2020
Dedication
For Catherine, Gabriel, and Jago
First words
The king glanced across his chambers and saw his morning letter had arrived.
Blurbers
Cornell, Paul
Original language
English
Canonical DDC/MDS
823.92
Canonical LCC
PR6118.O275

Classifications

Genres
Fiction and Literature, Science Fiction
DDC/MDS
823.92Literature & rhetoricEnglish & Old English literaturesEnglish fiction1900-2000-
LCC
PR6118 .O275Language and LiteratureEnglishEnglish Literature2001-
BISAC

Statistics

Members
132
Popularity
248,197
Reviews
9
Rating
(3.75)
Languages
English
Media
Paper, Ebook
ISBNs
2
ASINs
1