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In what the New York Times's A.O. Scott called a "suave, scholarly tour de force," J. Hoberman delivers a brilliant and witty look at the decade when politics and pop culture became one. This was the era of the Missile Gap and the Space Race, the Black and Sexual Revolutions, the Vietnam War and Watergate--as well as the tele-saturation of the American market and the advent of Pop art. In "elegant, epigrammatic prose," as Scott put it, Hoberman moves from the political histories of movies to show more the theater of wars, national political campaigns, and pop culture events. With entertaining reinterpretations of key Hollywood movies (such as Bonnie and Clyde, The Wild Bunch, and Shampoo), and meditations on personages from Che Guevara, John Wayne, and Patty Hearst to Jane Fonda, Ronald Reagan, and Dirty Harry, Hoberman reconstructs the hidden political history of 1960s cinema and the formation of America's mass-mediated politics. show lessTags
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The Sixties through the eyes of a Village Voice movie critic. Although the book is too narrowly focused on New York, Washington, and Hollywood, its thesis still seems inescapable: that the "dream life" on the silver screen merged with and swallowed the country's political life until fantasy became more real than the issues or the news. Hoberman is right; our first movie star president wasn't Ronald Reagan. It was JFK.
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- Nonfiction, History, General Nonfiction, Politics and Government
- DDC/MDS
- 791.43 — Arts & recreation Recreation, sports, and performing arts Public performances Motion pictures, radio, television, podcasting Motion pictures
- LCC
- PN1993.5 .U6 .H56 — Language and Literature Literature (General) Literature (General) Drama Motion pictures
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- English
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