The Wandering
by Intan Paramaditha
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Description
You've grown roots, you're gathering moss. You're desperate to escape your boring life teaching English in Jakarta, to go out and see the world. So you make a Faustian pact with a devil, who gives you a gift, and a warning. A pair of red shoes to take you wherever you want to go. You're forever wandering, everywhere and nowhere, but where is your home? And where will you choose to go? To New York, to follow your dreams? To Berlin or Amsterdam? Lima or Tijuana? Or onto a train that will never show more stop? The choices you make about which pages to turn to may mean you'll become a tourist or an undocumented migrant, a mother or a murderer, and you will meet many travellers with their own stories to tell. As your paths cross and intertwine, you'll soon realise that no story is ever new. show lessTags
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Member Reviews
My boys were into those Choose Your Own Adventure books last year, although that interest faded away surprisingly sooner than I expected. I remember liking those quite a bit when I was a kid. Then again, the variety in children's literature nowadays is so much better, maybe the Choose Your Own Adventure books no longer hold kids in thrall these days?
Or maybe I am just still a kid at heart, for I was tickled with delight when I reached that moment in The Wandering where I got to pick between two choices. Do I go with (choice one) and turn to this page, or do I go with (choice two) and turn to this other page? What would be a wiser choice? Or really, what would be a more thrilling choice?
When you get to pick, would you pick something you show more personally would have gone with or would you pick the one which make for a more exciting story?
We begin with the devil. And you are his lover. He worships you and courts you with gifts of chocolate and flowers. But soon, you tire of his gifts. You ask him to grant you a wish - to get away from Jakarta, Indonesia, not to be a tourist, but to live in places far away, places you've never been to. The next day, you wake to find a pair of glittering red shoes by your bed and a contract. The contract says, if you return home, you will lose everything, your home will not be what it was. To accept the contract, you wear the shoes.
And find yourself in a taxi, heading to the airport, ready to leave New York. But as you leave the taxi, you realise one red shoe is missing. And here you are given the first choice - return to New York, report your loss to the police, or continue on your journey to Berlin.
It is a wander through the world, through self-discovery, through mythology and Indonesian folklore as well as popular culture.
And as I finished one version of the story, I immediately went back for a different version. Until I finally read through all the different storylines. In the end, it wasn't really about the plot lines, but like the title, it was a wandering between alternate possibilities, a meandering through different countries (although admittedly, fewer than I was hoping), different stories, via the decisions the reader takes.
The Wandering is an especially interesting book to read during these times (it was originally published in Indonesian in 2017 and then in English in 2020) - when border crossings are restricted, when flights have dwindled to just a handful a day, newspaper articles about families separated for months because of illness, immigration issues, visa problems. Personally, I have often wondered (and more often since the way the mangled way the US has handled the pandemic), what if we had returned to Singapore, instead of staying on here? What would our lives have been like? show less
Or maybe I am just still a kid at heart, for I was tickled with delight when I reached that moment in The Wandering where I got to pick between two choices. Do I go with (choice one) and turn to this page, or do I go with (choice two) and turn to this other page? What would be a wiser choice? Or really, what would be a more thrilling choice?
When you get to pick, would you pick something you show more personally would have gone with or would you pick the one which make for a more exciting story?
We begin with the devil. And you are his lover. He worships you and courts you with gifts of chocolate and flowers. But soon, you tire of his gifts. You ask him to grant you a wish - to get away from Jakarta, Indonesia, not to be a tourist, but to live in places far away, places you've never been to. The next day, you wake to find a pair of glittering red shoes by your bed and a contract. The contract says, if you return home, you will lose everything, your home will not be what it was. To accept the contract, you wear the shoes.
And find yourself in a taxi, heading to the airport, ready to leave New York. But as you leave the taxi, you realise one red shoe is missing. And here you are given the first choice - return to New York, report your loss to the police, or continue on your journey to Berlin.
It is a wander through the world, through self-discovery, through mythology and Indonesian folklore as well as popular culture.
And as I finished one version of the story, I immediately went back for a different version. Until I finally read through all the different storylines. In the end, it wasn't really about the plot lines, but like the title, it was a wandering between alternate possibilities, a meandering through different countries (although admittedly, fewer than I was hoping), different stories, via the decisions the reader takes.
The Wandering is an especially interesting book to read during these times (it was originally published in Indonesian in 2017 and then in English in 2020) - when border crossings are restricted, when flights have dwindled to just a handful a day, newspaper articles about families separated for months because of illness, immigration issues, visa problems. Personally, I have often wondered (and more often since the way the mangled way the US has handled the pandemic), what if we had returned to Singapore, instead of staying on here? What would our lives have been like? show less
This works better in some storylines than others & there were a few blips in continuity (depending on the track you took) but overall I found it interesting (& intriguing enough to flip back, find somewhere the story branched, then choose a different branch... repeatedly). It doesn't feel heavy-handed but various themes do come into play including the cachet some passports carry over others, freedom, loneliness, alienation, visas/immigration status, expats, the stateless, the undocumented, wandering, doing anything/selling your soul in order to travel, etc. There's a strong vibe of "you can never go home again" throughout. Authors, books, folktales, & movies get a nod in different storylines, including (of course) The Wizard of Oz (see show more the shiny red shoes on the cover). Depending on the track you take, you can end up with various "happy" endings (depending on how you define that) & others that may be nebulous or unhappy. Sometimes you have choices (adventurous or safer/tamer), sometimes not. Even though I'd put the writing at 3 or 3.5 stars (along with the few glitchy points), I am giving it 4 stars because it was a fairly interesting viewpoint & an examination of travel & the Faustian bargains you make when you undertake travel -- will you face adventure or adversity? show less
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- Indonesia
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- Genres
- Fiction and Literature, General Fiction
- DDC/MDS
- 899.22133 — Literature & rhetoric Literatures of other languages Literatures of non-Austronesian languages of Oceania, of Austronesian languages, of miscellaneous languages Malay and Austronesian languages Indonesian languages Indonesian (Bahasa Indonesia) Indonesian fiction 2000–
- LCC
- PL5089 .P2473 .G413 — Language and Literature Languages and literatures of Eastern Asia, Africa, Oceania Languages of Eastern Asia, Africa, Oceania Languages of Oceania Malayan (Indonesian) languages
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- (3.75)
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