The Last Days of John Lennon
by James Patterson
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Description
"John Lennon was one of the world's most influential people. Mark David Chapman was one of the most invisible. By the end of 1980, the Beatles had been broken up for a decade -- a decade John Lennon had spent in search of his true identity: singer, songwriter, activist, burn out. "It's the perfect time to be coming back," he declared. Except that Lennon was a marked man. As early as the Beatles' controversial 1966 American tour, the band had feared for their safety. "You might as well put a show more target on me," Lennon said, and the Nixon administration complied by opening an FBI file. If only the agents hadn't been so intently focused on the star himself, they might have detected Mark David Chapman's powerful, ever-growing obsession with his onetime idol. Chapman, himself a tragic nowhere man, ultimately achieved the notoriety he craved by actualizing the target on Lennon -- single-handedly wounding the spirit of a generation."--Publisher's description. show lessTags
Recommendations
Member Reviews
If there's anything that really pisses me off when reading, it's wasting my time. James Patterson and team wasted my time.
As I noted in my status update, the book starts with a dedication, and the very first sentence contains a factual error. Lennon recorded Give Peace a Chance in Montreal, not Toronto.
From there, the authors proceed to do two things, and neither of them very well. The first is to create a menacing character for Lennon's shooter—whom I refuse to name because he shouldn't be given any recognition—by giving us an almost minute by minute account of his time from his arrival, through the shooting of Lennon, to his ultimate home in prison. And yes, he gets the last word in this book. I know that's a stylistic choice to show more make him the ultimate villain of the piece, but seriously, fuck him. The book has Lennon's name in the title, not that dickhead's so why give him the final scene?
Second, instead of the promised "last days" of Lennon, we're given a protracted, yet also truncated history of Lennon almost from birth, through a few brief highlights leading up to the Beatles, a year-by-year history of the Beatles, and then brief highlights through the 70s and leading to Dec 8, 1980. And why? Why did we, for example, need to read about Lennon's friendship with the doomed Stu Sutcliffe who would die almost two decades before Lennon and play no significant part in the rest of the story? I think the writers (or Patterson, who knows?) decided to include all that history just so they could stop at times and point to any mention of guns, such as the highlighting of Lennon's Happiness is a Warm Gun song on the White Album, or to wallow in any aspect of the "bigger than Jesus" blow up. Any aspect of Lennon and impending death, or perceived doom is gleefully highlighted and exploited as much as possible.
Of course, the standard Patterson stamp is all over the book: the stupidly short chapters, the quick offering of anecdotal facts, while skipping over truly important stuff, the blatant portrayal of Lennon's killer in the most menacing light possible, and the incorporation of as many Beatles/Lennon lyrics into his thoughts and dialogue as possible (he meets Sean Lennon and tells the nanny he's a "Beautiful Boy"...just one example of many). At the same time, we're treated to all of his demented thoughts, schemes and machinations, that I sincerely doubt anyone but that death-dealing asshole would be privy to.
But...we know Lennon's killer is evil. That doesn't need to be sold to the reader. Anybody reading this book very likely knows 99% of the history of Lennon provided. So that doesn't need to be sold to the reader.
What, exactly was I looking for in this book? I guess I'm not totally sure, but I was hoping that Patterson and writing team might attempt a nuanced look at the last days, or weeks, or even the last year of Lennon, and give us some insight into the man as he staged his comeback to the world.
But hey, this has James Patterson's name stamped all over it, who's aim seems to be to have his name imprinted on as many book covers as possible, and it was produced by Jerry Rivers...erm, I mean Geraldo Rivera, who is a self-marketing freak, so really, I'm not surprised that the outcome was so pathetic.
I just assumed there might be something of worth here, instead of the total waste of time I got instead. show less
As I noted in my status update, the book starts with a dedication, and the very first sentence contains a factual error. Lennon recorded Give Peace a Chance in Montreal, not Toronto.
From there, the authors proceed to do two things, and neither of them very well. The first is to create a menacing character for Lennon's shooter—whom I refuse to name because he shouldn't be given any recognition—by giving us an almost minute by minute account of his time from his arrival, through the shooting of Lennon, to his ultimate home in prison. And yes, he gets the last word in this book. I know that's a stylistic choice to show more make him the ultimate villain of the piece, but seriously, fuck him. The book has Lennon's name in the title, not that dickhead's so why give him the final scene?
Second, instead of the promised "last days" of Lennon, we're given a protracted, yet also truncated history of Lennon almost from birth, through a few brief highlights leading up to the Beatles, a year-by-year history of the Beatles, and then brief highlights through the 70s and leading to Dec 8, 1980. And why? Why did we, for example, need to read about Lennon's friendship with the doomed Stu Sutcliffe who would die almost two decades before Lennon and play no significant part in the rest of the story? I think the writers (or Patterson, who knows?) decided to include all that history just so they could stop at times and point to any mention of guns, such as the highlighting of Lennon's Happiness is a Warm Gun song on the White Album, or to wallow in any aspect of the "bigger than Jesus" blow up. Any aspect of Lennon and impending death, or perceived doom is gleefully highlighted and exploited as much as possible.
Of course, the standard Patterson stamp is all over the book: the stupidly short chapters, the quick offering of anecdotal facts, while skipping over truly important stuff, the blatant portrayal of Lennon's killer in the most menacing light possible, and the incorporation of as many Beatles/Lennon lyrics into his thoughts and dialogue as possible (he meets Sean Lennon and tells the nanny he's a "Beautiful Boy"...just one example of many). At the same time, we're treated to all of his demented thoughts, schemes and machinations, that I sincerely doubt anyone but that death-dealing asshole would be privy to.
But...we know Lennon's killer is evil. That doesn't need to be sold to the reader. Anybody reading this book very likely knows 99% of the history of Lennon provided. So that doesn't need to be sold to the reader.
What, exactly was I looking for in this book? I guess I'm not totally sure, but I was hoping that Patterson and writing team might attempt a nuanced look at the last days, or weeks, or even the last year of Lennon, and give us some insight into the man as he staged his comeback to the world.
But hey, this has James Patterson's name stamped all over it, who's aim seems to be to have his name imprinted on as many book covers as possible, and it was produced by Jerry Rivers...erm, I mean Geraldo Rivera, who is a self-marketing freak, so really, I'm not surprised that the outcome was so pathetic.
I just assumed there might be something of worth here, instead of the total waste of time I got instead. show less
I have always been aware of the Beatles and I remember toasting John Lennon's 40th birthday in the high school cafeteria. And then the unbelievable news of his death so shortly afterwards. His genius and impact on the world still resonate and can easily eclipse his life story.
James Patterson continues to be one of my favorite author with his Alex Cross series, so when I saw this book at a chain bookstore I decided, sure, why not? Patterson writes about crimes and solving them, and this book is no exception.
Yes, we all know how he died. There were conspiracies throughout the 1980's about Mark David Chapman being affiliated with the CIA, or FBI, or just simply a deranged fan. Patterson examines the latter probability as the most likely show more and begins the book with Chapman's plane trip from Hawaii with his loaded gun in his luggage.
There is also ample room given to Lennon's childhood and early bands, culminating in his partnership with McCartney that grew into The Beatles. The details in these sections were well done, fleshing out otherwise quick mentions in newspapers or magazines, especially Pete Best and other early band members' names. And the German club scene - what incredible endurance the Beatles and every other band hired must have had in order to play for 12 hours at a time.
This book is also well-organized, so that one lives in the world of Lennon and the Beatles for a good bit, including their camaraderie, break-up, and John's struggles as Julian's dad. Lennon's activism is also detailed and put into chronological order. Chapman begins to take more space as 1980 draws to a close. Much of the thoughts and words in these pages are taken from interviews Chapman has given over the years, giving this part an authenticity and not just speculation.
In addition, Patterson gives pages of end notes at the end of the book to provide documentation for what he's written. I rather prefer this method, in case there is a section or quote without the bother of seeing a footnote throughout this volume. show less
James Patterson continues to be one of my favorite author with his Alex Cross series, so when I saw this book at a chain bookstore I decided, sure, why not? Patterson writes about crimes and solving them, and this book is no exception.
Yes, we all know how he died. There were conspiracies throughout the 1980's about Mark David Chapman being affiliated with the CIA, or FBI, or just simply a deranged fan. Patterson examines the latter probability as the most likely show more and begins the book with Chapman's plane trip from Hawaii with his loaded gun in his luggage.
There is also ample room given to Lennon's childhood and early bands, culminating in his partnership with McCartney that grew into The Beatles. The details in these sections were well done, fleshing out otherwise quick mentions in newspapers or magazines, especially Pete Best and other early band members' names. And the German club scene - what incredible endurance the Beatles and every other band hired must have had in order to play for 12 hours at a time.
This book is also well-organized, so that one lives in the world of Lennon and the Beatles for a good bit, including their camaraderie, break-up, and John's struggles as Julian's dad. Lennon's activism is also detailed and put into chronological order. Chapman begins to take more space as 1980 draws to a close. Much of the thoughts and words in these pages are taken from interviews Chapman has given over the years, giving this part an authenticity and not just speculation.
In addition, Patterson gives pages of end notes at the end of the book to provide documentation for what he's written. I rather prefer this method, in case there is a section or quote without the bother of seeing a footnote throughout this volume. show less
Our Costco magazine had an article about this new release that piqued my interest. I was pleased to see my library offered it as an ebook upon release. John Lennon died, was assassinated, murdered, killed, taken from the world 40 years ago on December 8, 1980. Not coincidently I am sure this book was published December 7, 2020.
The opening of this story packs a punch. I have never had a desire to look inside the head of a killer. It is unsettling how the author reconstructs thoughts and actions.
I lived through the times of The Beatles, I've read a bit about the Beatles, seen numerous films including Ron Howard's recent one and 'Backbeat', the story of the early days with Stu Sutcliffe, so I was familiar with much of the story and show more Patterson gives the reader a compressed view of how Lennon and McCartney came together, and their early life.
Despite the title, this is more or less a bio of John from 1957 onward and his interactions with the other Beatles and the world. For a mini view it seems to have been done well enough, but as I read through the book it should have resonated and plucked all those nostalgia chords ... but it didn't. There's a strange vibe to this, an emphasis on the unstable genius of Lennon and almost a putdown of the other Beatles, and I'm guessing here, but it seems the authors are trying to set this up as some sort of predestination thing. The storytelling is too often disjointed, dropping things in and coming back to them later as if trying to create 'Aha!" moments, or whatever.
There are some nice pictures tacked on at the end of the ebook. I learned some things about John's later life. Surprisingly, much of the latter part of the book is uninteresting. A few good bits, but otherwise this book is a disappointment and quite skippable if you already know the Beatles story. show less
The opening of this story packs a punch. I have never had a desire to look inside the head of a killer. It is unsettling how the author reconstructs thoughts and actions.
I lived through the times of The Beatles, I've read a bit about the Beatles, seen numerous films including Ron Howard's recent one and 'Backbeat', the story of the early days with Stu Sutcliffe, so I was familiar with much of the story and show more Patterson gives the reader a compressed view of how Lennon and McCartney came together, and their early life.
Despite the title, this is more or less a bio of John from 1957 onward and his interactions with the other Beatles and the world. For a mini view it seems to have been done well enough, but as I read through the book it should have resonated and plucked all those nostalgia chords ... but it didn't. There's a strange vibe to this, an emphasis on the unstable genius of Lennon and almost a putdown of the other Beatles, and I'm guessing here, but it seems the authors are trying to set this up as some sort of predestination thing. The storytelling is too often disjointed, dropping things in and coming back to them later as if trying to create 'Aha!" moments, or whatever.
There are some nice pictures tacked on at the end of the ebook. I learned some things about John's later life. Surprisingly, much of the latter part of the book is uninteresting. A few good bits, but otherwise this book is a disappointment and quite skippable if you already know the Beatles story. show less
What I liked: I enjoyed reading about the formation of the group and John's younger days in Liverpool and his attitudes toward their sudden super stardom. It was also very interesting to read about his life after the breakup of the band. Also there is information from interviews with several popular artists of the time which I found very informative.
What I didn't like: There wasn't much new in this book - it was mostly a regurgitation of previous articles over the last 50 years. I also didn't like the way that Mark David Chapman (the man who murdered John) was humanized often in a sympathetic way. Plain and simple, he was a killer and there is nothing sympathetic about what he did.
Overall, if you are a Beatles fan or a John Lennon fan, show more this is a great book to read to bring back the memories of the group that changed music during a simpler time in our world. show less
What I didn't like: There wasn't much new in this book - it was mostly a regurgitation of previous articles over the last 50 years. I also didn't like the way that Mark David Chapman (the man who murdered John) was humanized often in a sympathetic way. Plain and simple, he was a killer and there is nothing sympathetic about what he did.
Overall, if you are a Beatles fan or a John Lennon fan, show more this is a great book to read to bring back the memories of the group that changed music during a simpler time in our world. show less
I am a Beatles fan so reading about John and as a whole the Beatles this book was awesome. The book is more about the Beatles and John than about his last days.
John-centric chronological storytelling of the Beatles, written in Pattersons fast paced style.
If you are a fan I think it's a must-read, if you're not a fan then you can probably skip it.
https://amzn.to/3CqCa9k
John-centric chronological storytelling of the Beatles, written in Pattersons fast paced style.
If you are a fan I think it's a must-read, if you're not a fan then you can probably skip it.
https://amzn.to/3CqCa9k
I was not a big fan of John Lennon or head over heels for the Beatles, but this was interesting how the group evolved and their relationships with each other. Lots of number one songs.
Not rating this because it was not great writing, just pasted together from other publications, and has a misleading title.
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James Patterson was born in Newburgh, New York, on March 22, 1947. He graduated from Manhattan College in 1969 and received a M. A. from Vanderbilt University in 1970. His first novel, The Thomas Berryman Number, was written while he was working in a mental institution and was rejected by 26 publishers before being published and winning the Edgar show more Award for Best First Mystery. He is best known as the creator of Alex Cross, the police psychologist hero of such novels as Along Came a Spider and Kiss the Girls. Cross has been portrayed on the silver screen by Morgan Freeman. He has had eleven on his books made into movies and ranks as number 3 on the Hollywood Reporter's '25 Most Powerful Authors' 2016 list. He also writes the Women's Murder Club series, the Michael Bennett series, the Maximum Ride series, Daniel X series, the Witch and Wizard series, BookShots series, Private series, NYPD Red series, and the Middle School series for children. He has won numerous awards including the BCA Mystery Guild's Thriller of the Year, the International Thriller of the Year award, and the Reader's Digest Reader's Choice Award. James Patterson introduced the Bookshots Series in 2016 which is advertised as All Thriller No Filler. The first book in the series, Cross Kill, made the New York Times Bestseller list in June 2016. The third and fourth books, The Trial, and Little Black Dress, made the New York Times Bestseller list in July 2016. The next books in the series include, $10,000,000 Marriage Proposal, French Kiss, Hidden: A Mitchum Story (co-authored with James O. Born). and The House Husband (co-authored Duane Swierczynski). Patterson's novel, co-authored with Maxine Paetro, Woman of God, became a New York Times bestseller in 2016. Patterson co-authored with John Connoly and Tim Malloy the true crime expose Filthy Rich about billionaire convicted sex offender Jeffrey Eppstein. In January 2017, he co-authored with Ashwin Sanghi the bestseller Private Delhi. And in August 2017, he co-authored with Richard Dilallo, The Store. The Black Book is a stand-alone thriller, co-authored by James Patterson and David Ellis. In April 2018, he co-authored Texas Ranger with Andrew Bourelle. In May 2018, he co-authored Private Princess with Rees Jones. In August 2018 he co-authored Fifty Fifty with Candice Fox. (Bowker Author Biography) James Patterson is the author of seven major national bestsellers in a row. These include "Along Came a Spider", "Kiss the Girls", "Jack & Jill", "Cat & Mouse", "When the Wind Blows", "Pop Goes the Weasel", &, in paperback, "The Midnight Club". A past winner of the prestigious Edgar Award, Patterson lives in Florida. (Publisher Provided) show less
Common Knowledge
- Original title
- The Last Days of John Lennon
- Original publication date
- 2020
- People/Characters
- John Lennon; Paul McCartney; Ringo Starr; Peter Best; Stuart Sutcliffe; Julia (show all 23); Mark David Chapman; Brian Epstein; Jim McCartney; Cynthia Lennon; Bob Dylan; Yoko Ono; Jane Asher; Linda Eastman; Phil Spector; George Harrison; Harry Nilsson; Peter Lawford; Alice Cooper; May Pang; Tommy Smothers; Elton John; Mick Jagger
- Important places
- Liverpool, England, UK; Germany; London, England, UK; New York, New York, USA; Hollywood, Los Angeles, California, USA; Hollywood Bowl, Hollywood, Los Angeles, California, USA (show all 9); Cincinnati, Ohio, USA; Memphis, Tennessee, USA; Philadelphia, Pennsylvania, USA
- Epigraph
- Isn't he a bit like you and me? --"Nowhere Man"
Wont you join together with the band? --"Join Together"
Help me get my feet back on the ground --"Help!"
I was so much older then I'm younger than that now. --My Back Pages
When I cannot sing my heart I can only speak my mind... Julia (John's mother)
There's something happening here. --"For What Its Worth" (show all 69)
There is something Happening here.--"For What It's Worth"
What can a poor boy do 'Cept to sing for rock 'n roll band?--"Street Fighting Man"
When I left my home and my family I was no more than a boy... --"The Boxer"
Man, I was mean but I'm changing my scene... --"Getting Better"
So you wanna be a rock 'n' roll star? --"So You Wanna Be a Rock "n" Roll Star"
Different strokes for different folks. -- "Everyday People"
Got to pay your dues if you wanna sing the blues... --"It Don't Come Easy"
Life is very short...--"We Can Work It Out"
It's only rock 'n roll but I like it.--"It's Only Rock 'n' Rock (But I Like It)"
You've got to hide your love away.--'You've Got to Hide Your Love Away"
I can' t do what ten people tell me to do...--"(Sittin' on) The Dock of the Bay"
We all want to change the world--"Revolution"
I should have known better...--"I Should Have Known Better"
Climb in the back with your head in the clouds...--"Lucy in the Sky with Diamonds"
How does it feel to be one of the beautiful people? -- "Baby, You're a Rich Man"
So glad we mad it--"Gimme Some Lovin'"
We can climb so high I never want to die.--"Born to Be Wild"
I hope I die before I get old--"My Generation''
Hello darkness my old friend--"The Sound of Silence"
I know what it is like to be dead.--"She said She Said"
A working class hero is something to be--"Working Class Hero"
Ah, you don't believe we're on the eve of destruction.--"Eve of Destruction"
Turn off your mind and relax and float downstream.--Tomorrow Never Knows"
Guess I got what I deserve.--"Baby Blue"
Every way you look at it you lose.--"Mrs. Robinson"
Nobody told me there would be days like this.--"Nobody Told Me"
Love and hope and sex and dreams...--"Shattered"
I'm not feelin' too good myself--Feelin' Alright?"
What's so funny 'bout peace love and understanding. "(What's so Funny'Bout) Peace, Love and Understanding"
And while Lennon read a book on Marx...--"American Pie"
I need to fight to prove I'm right.--Baba O'Riley
Let's stay together.--"Let's Together"
Keep me searching for a heart of gold... --"Heart of Gold"
A time to be born, a time to die...--"Turn! Turn! Turn!"
Johnny's in the basement mixing up the medicine. -- "Subterranean Homesick Blues"
Has anybody seen my old friend John? --"Abraham, Martin and John"
That'll be the day when I die. --"That'll Be the Day"
I think I am falling In love too fast.--"Help Me"
Who on earth d'you think you are? A superstar? -- "Instant Karma"
I might not give the answer that you want me to. --"Oh Well"
We gotta get out of this place If it's the last thing we ever do.--"We Gotta Get Out of This Place"
I can't live. If living is without you.--"Without You"
It's better to burn out Than to fade away.--"My My, Hey Hey (Out of the Blue)"
Light of the love that I found...--"Fool in the Rain"
Gotta be rock and roll music If you want dance with me.--"Rock and Roll Music"
Shake it up, baby, now...--"Twist and Shout"
A splendid time is guaranteed for all. --"Being for the Benefit of Mr. Kite!"
People say I am crazy Doing what I am doing. --"Watching the Wheels"
Go Johnny go!--"Johnny B. Goode"
It's been a long time since I rock and rolled.--"Rock and Roll"
Our life together Is so precious together.--"(Just Like) Starting Over"
Life is what happens to you while you're busy making other plans. -- "Beautiful Boy (Darling Boy)"
Fame, What you get is no tomorrow.--"Fame"
Still I look back to find a reason to believe.--"Reason to Believe"
I've been waiting so long to be where I'm going...--"Sunshine of Your Love"
I've looked at life from both sides now...---"Both Sides Now"
It's just a shot away.--"Gimme Shelter"
You stole my heart and that's what really hurts.--"Maggie May"
Tomorrow I'll miss you.--"All My Loving"
I know a man ain't suppose to cry...-- "I Heard It Through the Grapevine"
All I want is the truth.--"Gimme Some Truth"
The love you take Is equal to the love you make.--"The End"
Hey, kid, rock and roll Rock on.--"Rock On" - Dedication
- On June 1, 1969, John Lennon gathered with some friends at a hotel in Toronto to record a song called "Give Peace a Chance". " Sing along," he told the members of the chorus as he launched into the opening line, "Everybody'... (show all)s talking about..."
To this day, people are still talking--and singing--about John.
Thank you for your words...
Harry Benson, David Bowie, Bob Dylan, Dr. David Halleran, Mick Jagger, Billy Joel, Elton John, Ken Mansfield. Paul McCartney, Keith Richards, Geraldo Rivera - Original language
- English
Classifications
- Genres
- Music, Nonfiction, Biography & Memoir
- DDC/MDS
- 782.42166092 — Arts & recreation Music Vocal music Secular forms of vocal music Songs General principles and musical forms Traditions of secular songs {genres} Rock songs modified standard subdivisions History, geographic treatment, biography Biography
- LCC
- ML420 .L38 .P38 — Music Literature on music Literature on music History and criticism Biography
- BISAC
Statistics
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- 83,657
- Reviews
- 7
- Rating
- (3.54)
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- ISBNs
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- ASINs
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