The Body of the Soul: Stories

by Ludmila Ulitskaya

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A new collection of stories by the acclaimed Ludmila Ulitskaya, masterfully translated into English "[A] magnificent collection . . . [by] a writer of boundless tenderness."-Geneviève Brisac, Le Monde "Centrifugal, pensive, often elusive stories by one of the greatest living Russian writers (and leading anti-Putinist). . . . The stories are marvels of economy and the unexpected twist, each a memorable tour de force. . . . A welcome introduction to the short fiction of an essential show more writer."-Kirkus Reviews (starred review) While we can feel, know, and study the body, the soul refuses definition. Where does it begin and end? What does the soul have to do with love? Does it exist at all, and if so, does it outlast the body? Or are the soul and body really one and the same? These are questions posed by the characters who inhabit this book of stories by the award-winning Russian writer Ludmila Ulitskaya. A woman believes that the best way to control her life is to control her death. A landscape photographer wonders if the beauty he has witnessed can triumph over decay. A coroner dedicated to science is confronted by a startling physical anomaly, a lonely widow experiences an extraordinary transformation, a woman whose life is devoted to language finds words slipping away from her. In these eleven stories, artfully rendered into English by Richard Pevear and Larissa Volokhonsky, Ulitskaya maps the edges of our lives, tracing a delicate geography of the soul. show less

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I’d never heard of the Russian writer Ludmila Ulitskaya’s until her short story “The Autopsy” was recommended to me. Although you can find the story in the New Yorker, August 13 2023, I decided to buy the book where it is one of a collection of eleven stories. The very title intrigued me. I was also interested in the writer’s background. She’s a Russian writer, but didn’t become a writer until she lost her job as geneticist in 1970 because of her activities distributing unpublished books, and translating Exodus into English.

The book is divided into two parts. Part 1, “Girlfriends” consists of a a number of short stories about …. girlfriends. Part 2 shares its title with the book, The Body of a Soul, and consists of a show more number of short stories about specific instances of individual’s life and death. I was disappointed with Part 1, although it starts quite beautifully with the short story “I Need No Others”.

My Girlfriends. How beautiful they all are, the curly ones, their braids, one like crowns and the ones with head shaven, their skulls like shining ivory balls, or disheveled with dreadlocks, or with soft hyacinths-like curls. They are light-footed one toe-dancing, one is skipping, another in a wheelchair and her friend follows with a three-legged cane after her stroke

Ulitskaya’s writing is perhaps the most magical when she describes things of beauty. But is can also describe the grotesque as it does in some of the stories in Part 2.

As with the person who recommended Ludmila Ulitskaya’s to me, I was more interested in Part 2 because it deals with the soul and what happens after death.The short story “Slaughtered Souls” is groteaque. Set in an abattoir Ulitskaya describes in vivid detail a woman slaughtering pigs. I’m almost a vegetarian already but this as well as Peter Singer’s Animal Liberation almost pushes me to vegetarianism.

“The Autopsy” is another of the darker stories, though it end on a high (pun intended) note and will appeal to the religious reader. As with “Slaughtered Souls” Ulitskaya’s first career as geneticist shines through Ike steel.

Perhaps my favorite of the Part 2 stories was “Woof Woof”, the story of a toy dog over several generations of children. The story touches on the question of where souls originate. Something I had not thougt about, though it’s pretty obvious that they must come from somewhere. If they exist.

“Serpentine Road” is about an elderly librarian’s losing her words as she gradually descends into Alzheimer’s, and mirrors the thoughts of all of us who have forgotten why we walked into the kitchen.

“A Man in a Mountainous Landscape” interested me as I’m in lover of photography, and the description of seeing the world through frames somehow brought back memories of how we look back at photos that frame our memories.

Overall, I enjoyed A Body of a Soul and recommend it to anyone who likes ruminating on life after death, and on the beauty of this world. I end. With this excerpt from Ludmila Ulitskaya’s introduction to Part 1, It’s a great summary for the collection. The beauty of life ending with death.

My girlfriend‘s young and old, in varied-colored boots, colored boots, galoshes, sandals, barefoot, in a chain-dance, singing, carefree, tram-like noisy, sometimes shrieky , all spinning leaping and dancing. Some a twist some a quadrille. The world’s dancing is sacred and their singing such that it heals the sick, puts children to sleep yet it cannot bring back the dead.
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87+ Works 2,517 Members
Ludmila Ulitskaya was born in Russia and trained as a geneticist, she turned to writing after she had been stripped of her scientific credentials in the 1970's for translating a banned novel - Leon Uris's Exodus - into Russian. She lives in Moscow.

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Harper, Kate (Narrator)
Pevear, Richard (Translator)

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The Body of the Soul: Stories

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Genres
General Fiction, Fiction and Literature
DDC/MDS
891.735Literature & rhetoricLiteratures of other languagesEast Indo-European and Celtic literaturesRussian and East Slavic languagesRussian fiction1991–
LCC
PG3283 .U458Language and LiteratureSlavic languages and literatures. Baltic languages. Albanian languageSlavic. Baltic. AlbanianRussian literatureCollectionsProse
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ISBNs
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