Why Didn't They Ask Evans?

by Agatha Christie

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A dying man’s bewildering last words pull an inquisitive young man and his beautiful companion into a dangerous web of lethal secrets in Agatha Christie’s classic mystery, Why Didn’t They Ask Evans?While playing an erratic round of golf, Bobby Jones slices his ball over the edge of a cliff. His ball is lost, but on the rocks below he finds the crumpled body of a dying man. The man opens his eyes and with his last breath says, "Why didn't they ask Evans?"Haunted by those words, Bobby show more and his vivacious companion, Frankie, set out to solve a mystery that will bring them into mortal danger. . . show less

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82 reviews
Another very enjoyable Agatha Christie read -- this was the perfect thing for reading by the pool over my vacation. When vicar's son Bobby Jones is out golfing with a doctor friend, he comes across a man who has fallen (or has he???) over a cliff. They rush down to help but the doctor sees that the man, while still alive, is not going to make it. Bobby stays with the mystery man while the doctor goes for help, and just before dying, the man opens his eyes and says "Why didn't they ask Evans?" A series of events lead Bobby and his good friend, the aristocratic Frankie (aka Lady Frances) to suspect foul play and take on the job of amateur sleuths. They are a smart and charming couple with a will-they-or-won't they vibe (enhanced by their show more class differences), and the mystery is just complicated enough to be extremely satisfying. I had figured out the who before the end of the book, but not the why, and Christie satisfyingly ties everything together by the end of the book. My copy had a truly amazing 70s cover that I still love even though the only connection I can find to the book is a pair of pince nez glasses. Recommended regardless of which cover you snag! show less
½
Early, and delightfully, funny Christie. Bobby Jones, 4th son of a Welsh vicar, ex navy, and indifferent golfer comes across a dying man during a round of golf. What at first appears as an accident (fall from a cliff path) soon becomes a suspicious death - and Bobby, along with his childhood friend Lady Frances Derwent (Frankie, a bored bright young thing) are soon on the trail of criminals that prove to be more than equal to the criminals found in their beloved thrillers. Not to be taken seriously but vastly entertaining!
The closest that Agatha Christie comes to P.G. Wodehouse. This almost-comedy features striking characters enacting a plot lifted straight from Wilkie Collins. Thoroughly entertaining and as light as they come.
½
One of Christie's most implausible, with a plot that turns on morphine addiction, a local rehab that may keep patients prisoner and a minor character who swoops in like Errol Flynn to save Bobby and Frankie at the last minute, then disappears again. These may sound like criticisms but they aren't- this is a mystery done at break-neck speed and Christie is having fun throwing in every unlikely plot twist she can think of.
A fun Christie, and I like Frankie and Bobby quite a bit as protagonists— very much in the line of Tommy and Tuppence, or Bundle Brent.

Of course the plot is a real mess, all sorts of impersonations and conspiracies and stuff, but it’s the tone that carries it, and (as always) Emilia Fox’s excellent narration.
'The Boomerang Clue' is an alternative title for the novel, ‘Why didn’t they ask Evans?’ This phrase is uttered by a dying man, and triggers a long and convoluted investigation by two young people: Bobby, the Vicar’s son, and Frankie, a close friend of his.

As with most of Christie’s novels there are false clues everywhere. Bobby and Frankie set out on many trails, some more useful than others. They ask questions, leap to conclusions, aren’t sure who to trust… and only after an exciting finale do they gradually work out the truth.

The plot is complex, not one I could have worked out myself. But I liked the friendship between Bobby and Frankie and was content to go along with their reasoning, albeit with my own suspicions. I show more thought the two main protagonists were better drawn than typical for Christie's books, and some of the minor characters were interesting too.

Believable dialogue for the mid-20th century upper and upper-middle classes, and a nicely crafted plot that was difficult to put down. Definitely recommended to anyone who likes light crime fiction.
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Why Didn't They Ask Evans? is vintage 1934 Christie, and so much fun. I recalled the story vaguely from my early days of reading Agatha Christie. I'd binge on four or five of her novels over a weekend and emerge rather confusedly, with various machinations and motives all mixed up in my head. That reading habit didn't make for great plot retention, but despite the fuzziness I remembered this title as being a particularly good one. I listened to the audiobook version read by Emilia Fox and thoroughly enjoyed it.

"Why didn't they ask Evans?" These are the last words of a dying man, who fell from a cliff near Bobby Jones's home. Bobby, a young ex-Naval officer, attaches no importance to the words until an attempt is made on his own life. show more By that time, Lady Frances Derwent—or, as we shall call her, Frankie—has decided that the man called Alex Pritchard didn't fall from the cliff. He was pushed. But why? And who is the mysterious Evans?

Yes, there are several farfetched plot devices (multiple impersonations, the hero's astonishing recovery after being poisoned, the deus ex machina also known as Badger Beadon, etc.). But the ride is so much fun, you just don't care. Frankie and Bobby are utterly appealing protagonists whose relationships and characters are drawn sparingly and believably. And the dialogue is splendidly amusing. I suspect Emilia Fox's reading gave it an extra edge.

Fox's narration is excellent, though I did have to get used to the slightly gravelly quality of her voice. She does wonderful character voices and I especially enjoyed the way she portrays Frankie.

Christie is generally one of my favorite mystery authors, having introduced me to the genre, and I'm finding her stories are even more enjoyable on audiobook. Good stuff.
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Author Information

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2,150+ Works 439,796 Members
One of the most successful and beloved writer of mystery stories, Agatha Mary Clarissa Christie was born in 1890 in Torquay, County Devon, England. She wrote her first novel, The Mysterious Affair at Styles, in 1920, launching a literary career that spanned decades. In her lifetime, she authored 79 crime novels and a short story collection, 19 show more plays, and six novels written under the name of Mary Westmacott. Her books have sold over a billion copies in the English language with another billion in 44 foreign languages. Some of her most famous titles include Murder on the Orient Express, Mystery of the Blue Train, And Then There Were None, 13 at Dinner and The Sittaford Mystery. Noted for clever and surprising twists of plot, many of Christie's mysteries feature two unconventional fictional detectives named Hercule Poirot and Miss Jane Marple. Poirot, in particular, plays the hero of many of her works, including the classic, The Murder of Roger Ackroyd (1926), and Curtain (1975), one of her last works in which the famed detective dies. Over the years, her travels took her to the Middle East where she met noted English archaeologist Sir Max Mallowan. They married in 1930. Christie accompanied Mallowan on annual expeditions to Iraq and Syria, which served as material for Murder in Mesopotamia (1930), Death on the Nile (1937), and Appointment with Death (1938). Christie's credits also include the plays, The Mousetrap and Witness for the Prosecution (1953; film 1957). Christie received the New York Drama Critics' Circle Award for 1954-1955 for Witness. She was also named Dame Commander of the Order of the British Empire in 1971. Christie died in 1976. (Bowker Author Biography) show less

Some Editions

Fox, Emilia (Narrator)
Havrevold, Gunvor (Translator)
Kattelus, Kirsti (Translator)
Vallvé, Manuel (Translator)

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Common Knowledge

Canonical title
Why Didn't They Ask Evans?
Original title
Why Didn't They Ask Evans?
Alternate titles
The Boomerang Clue
Original publication date
1934-09-01
People/Characters
Bobby Jones; Lady Frances Derwent; The Rev. Mr. Jones; Roger Bassington-ffrench; Sylvia Bassington-ffrench; Henry Bassington-ffrench (show all 9); Dr. Jasper Nicholson; Moira Nicholson; Badger Beadon
Important places
Marchbolt, Wales, UK (fictional); London, England, UK; Staverley, Hampshire, England, UK
Related movies
Why Didn't They Ask Evans? (1980 | IMDb); Marple: Why Didn't They Ask Evans? (2009 | IMDb); Why Didn't They Ask Evans? (2022 | IMDb)
Dedication
To Christopher Mallock in memory of Hinds
First words
Bobby Jones teed up his ball, gave a short preliminary waggle, took the club back slowly, then brought it down and through with the rapidity of lightning.
Quotations
"Isn't it odd," she said. "We seem somehow to have got in between the covers of a book. We're in the middle of someone else's story. It's a frightfully queer feeling."
Last words
(Click to show. Warning: May contain spoilers.)In an hour's time the news was all over Marchbolt.
Original language
English
Canonical DDC/MDS
823.912
Disambiguation notice
Why Didn't They Ask Evans was published in the US as The Boomerang Clue.

The Collins English Readers edition is abridged and should not be combined with the unabridged work.

Classifications

Genres
Fiction and Literature, Mystery
DDC/MDS
823.912Literature & rhetoricEnglish & Old English literaturesEnglish fiction1900-1901-19991901-1945
LCC
PR6005 .H66 .W48Language and LiteratureEnglishEnglish Literature1900-1960
BISAC

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