The Birth of a Grandfather
by May Sarton
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May Sarton's 7th novel is about marriage, family, life's cycles, and the regeneration of love Frances and Sprig Wyeth have come to the old Wyeth house in Maine for the summer. In a house filled with lively members of her husband's extended family, Frances feels alienated from everyone, including Sprig. A night of passion breaks down the growing barriers between them, yet Frances feels it is more a "desperate moment of possession" than the true "flowing together of two deeply joined selves." show more And although she's the mother of two grown children, in many ways she still feels like a child, waiting to mature into adulthood. Sprig adores his wife. But now, at 50, he both wants her and wants her to leave. He longs for freedom and is haunted by memories of his youth. His son, Caleb, is hosti≤ his unmarried daughter, Betsy, is pregnant. Sprig feels as if he is "walking in the dark," and has begun to doubt himself as a husband, father, and friend. The Birth of a Grandfather is the story of a marriage and a family, of friendship and the love that reminds us that we are alive and that we matter. It's about the small domestic moments and the defining events that make up a life. show lessTags
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A novel about family relationships with parents in their middle years (ours) with the tension of grown-up children living under the same roof (ours) and all the attendant clashes and misunderstandings that do not stem from a real hatred or dislike, but rather from the tensions and passions of clashing approaches to life and changes. The book is really about changes: Sprig Wyeth (great name) is independently wealthy and to the outside observer would have an ideal life: perfect family, intellectual pursuits, member of various boards and charities, a few close friends, etc. But inside, his relationship with his wife has changed through neglect and his inability to recognize/deal with that; his relationship with his son is most tempestuous, show more again through the change of having to deal with a maturing young adult who just doesn't quite fit the mould that Sprig thinks he should; change within himself as he goes through a mid-life crisis of wanting to return to the halcyon, carefree days of his youth when he spent a year footloose in Japan; change when one of his best friends dies of lung cancer; change when he has to put his irascible father into an seniors home; and change when his daughter marries and then gets pregnant, presenting Sprig with the very unwelcome prospect of becoming a Grandfather. And there is change in Frances, his wife: frustrated with the inattention and lack of consideration from Sprig; also not welcoming of the prospects of grandparenthood; change when her best friend and best personal confidant goes through divorce because her husband marries his secretary; change when a beloved elderly aunt dies gently at a bonfire at a family picnic.
The death of the friend becomes the catalyst and key for Sprig to realize that change does not have to be threatening, that it can be positive, but also that relationships require work and do not flourish and take care of themselves. Sprig finally realizes, with respect to his son, that "...the guilt of unconsciousness was the only unforgivable sin", i.e., the inability or the unwillingness to consider and feel an issue from another person's perspective. And the death of his friend--doomed, but fighting to squeeze every ounce of life left to him, alive in a way that Sprig never felt himself to be--throws into relief and realization, for Sprig, the value of the life and the loves that he does have. As Sprig realizes in the end, after he has been "born" as a Grandfather and revels in it: "'Love, love' he murmured aloud. It meant to him a long struggling birth, which would perhaps never be finished. And that, too, seemed good. The unfinishedness. The sense of all the years ahead". show less
The death of the friend becomes the catalyst and key for Sprig to realize that change does not have to be threatening, that it can be positive, but also that relationships require work and do not flourish and take care of themselves. Sprig finally realizes, with respect to his son, that "...the guilt of unconsciousness was the only unforgivable sin", i.e., the inability or the unwillingness to consider and feel an issue from another person's perspective. And the death of his friend--doomed, but fighting to squeeze every ounce of life left to him, alive in a way that Sprig never felt himself to be--throws into relief and realization, for Sprig, the value of the life and the loves that he does have. As Sprig realizes in the end, after he has been "born" as a Grandfather and revels in it: "'Love, love' he murmured aloud. It meant to him a long struggling birth, which would perhaps never be finished. And that, too, seemed good. The unfinishedness. The sense of all the years ahead". show less
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National Book Award Finalists - Fiction
377 works; 12 members
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- Canonical title
- The Birth of a Grandfather
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- Genres
- Fiction and Literature, General Fiction, Suspense & Thriller
- DDC/MDS
- 813.52 — Literature & rhetoric American literature in English American fiction in English 1900-1999 1900-1945
- LCC
- PS3537 .A832 .B57 — Language and Literature American literature American literature Individual authors 1900-1960
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- English
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- Paper, Ebook
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- 3
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