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Early Irish Myths and Sagas (1981)

by Jeffrey Gantz (Editor)

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1,036816,717 (3.7)16
These early Irish stories, probably first written down around the eighth century A.D., represent the oral tradition of the Iron Age Celts who flourished in Europe during the seven centuries before Christ. Building the economic, social and artistic foundations of the continent as they did, their myths and tales can be said to be the earliest voices from the dawn of Western civilisation. Later, with the growth of the Roman and Viking empires, their influence died except in Ireland. There, less exposed to new traditions, their original culture is preserved in these stories. Written in beautiful, elusive language, the main tension is between reality and fantasy, and the themes foreshadow those which preoccupied Yeats, Synge and Joyce. Throughout, the energy and pride of reality is allied powerfully with the magic of fantasy, creating a world where men mingle freely with the gods and where the afterworld is an extension of this heroic, romantic and idealistic picture.… (more)
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» See also 16 mentions

Showing 1-5 of 8 (next | show all)
Even for a selection of tales, the quality here is very spotty. Some of the tales I just didn't like at all. But when it's good, it's good.

Highlights: Cattle Raid of Fróech, Boyhood Deeds of Cú Chulaind, Macc Da Thó's Pig, Intoxication of the Ulaid, Bricriu's Feast ( )
  conchobhar | Aug 31, 2022 |
This is a really good translation and telling of the early Irish myths and sagas. I’ve always enjoyed the Celtic myths, and I highly recommend this as a read! ( )
  historybookreads | Jul 26, 2021 |
While definitely interesting, this was light on the supporting material, and made heavy going for someone new to the subject. ( )
  RJ_Stevenson | Aug 19, 2020 |
This is a fun collection of Irish pagan Celtic tales translated from the original. Readers unfamiliar with this type of material will probably be struck by the lack of care for modern narrative rules. Those who have read similar tales elsewhere will be familiar with the differing conventions, such as lengthy genealogies, lists and descriptions of warriors and supernatural and magical encounters. There's a nice Introduction to All Things Pagan Celtic and brief individual introductions for each story. ( )
  Arbieroo | Jul 17, 2020 |
Early Irish Myths and Sagas is a translation by Jeffrey Gantz of much of the Ulster Cycle. In that sense it isn't exactly the earliest of Irish mythos and the stories it tells are part of a tradition long since established. However, Gantz has recounted the words of the chroniclers of the Ulster Cycle to tell a set of tales that speak of those people and their time and place. The tales cover a range of Ulster Cycle heroes including King Conchubar and the seemingly unstoppable hero Cú Chulaind as well as a host of other people of the Ulaid, rival Connachta, and a variety of mortals and faerie folk.

The translation of the Ulster Cycle throughout generally seems strong. The stories are coherent even if much of the rhythm from the verse segments is lost entirely. There is one strange line that appears to be a mis-translation where a suggestion that two of the heroes might fit like children does not fit. Perhaps the translation is of fighting like siblings with an inference of young brothers fighting. With that one exception, the work seems to flow well. The translations appear to be generally drawn from the Lebor na huidre and the Book of Leinster.

Gantz provides good notes and summaries in his work - something all too often forgotten by compilers of ancient epic translations. Gantz provides good context up front in the form of a lengthy introduction. This introduction sets the historical scene as well as the literature context. Gantz provides an introduction to the themes and concepts the various tales tell. Ahead of each individual tale in the cycle, Gantz offers a brief and very welcome introduction. His introductions help to explain what is to come and make understanding of the stories themselves much easier.

Occasionally the interpretation Gantz provides for the tales does not seem to mesh with the story itself. The clearest example is in the Intoxication of the Ulaid. Gantz describes Intoxication as being a parody because it has the warriors of the Ulaid marching across Ireland in an entirely unrealistic set of directions. This seems to be an overly simple reading of the meaning of Intoxication. An alternative reading might be that the authors of this particular tale chose not to overplay the Ulaid's aggressive expansion into the territory of others and so had them arrive at a destination more by coincidence than by invasive design. In that case, it is much more reasonable for the Ulaid to make demands of their hosts than would have been the case for an invading force.

Intoxication is one of a few of the tales to feature Cú Chulaind strongly. He is not the typical heroic figure in that he is never described as being overly massive. Heroes in most mythos stand out in part because of their size. Cú Chulaind does not but he is unmatched in a series of different challenges. Bricriu's Feast provides a list of these challenges to almost comical proportions as Cú Chulaind continually defeats rivals Conall Cernach and Lóegaire Búadach through a series of contests including one that sees Cú Chulaind overcome his own apparent death.

Cú Chulaind's stories are told from his very youngest days and he defeats rivals from a very early age. It is historically very interesting that he takes his training from Scáthach, a name clearly associated with the Isle of Skye. The links between Dal Riada and the Ulaid are clearly very much part of the world of the Ulster Cycle. Cú Chulaind's involvement in the Cycle does include a truly heartbreaking moment with the death of Connla. Perhaps this story was a depiction of battle with the son attempting to usurp his elders but in any case it is a truly depressing moment in the Cycle and is very haunting.

The Cycle also speaks of the relationship between men and women in a decidedly non-modern way. The Wooing of Étaín is perhaps a romance. It is certainly fascinating. Étaín was the most beautiful woman in Ireland and something of a prize to be won, whether that be through armed force or wit at the Fidchell board. The various characters seem to be related to each other in one way or another so the romance between them carries the additional layer of familial bonds. The Wooing of Étaín casts her as a very sympathetic character, very much at the mercy of the cruelty of others including a jealous female rival.

The Wooing of Étaín also travels into the underworld. The various síds are home to the faery folk that speak to a time older than the Ulster Cycle. The mythological origins of the Irish are not delved into in this work but instead are referenced occasionally in the form of giants and underworld beings. They do not play a huge part in this work but crop up occasionally and are a reminder of a more ancient belief system.

While there are some great narratives within Early Irish Myths, not all of the tales are gripping and some of the concepts are a little simplistic. This is not the most sparkling ancient narrative to have survived. While the various genealogies and king-lists are reasonable, the heroes (especially Cú Chulaind) thwart danger by simply being super-human all the time. Victories are won by overwhelming personal abilities such as the ability to cheat death or the ability to leap enormous distances in a chariot. They are not often won by skill or by word. The overly exaggerated abilities are hyperbole that does the tales quite a dis-service. These are fascinating and interesting characters, as involved as others from northern European mythos. They are not all served well by the surviving texts.

However, What is perhaps most fascinating of all about the tales contained in Early Irish Myths and Sagas is the interaction of the people involved with their environment, with their beliefs, and with one another. The values they hold must have been the values held dear by those around at the time. The people so extensively chronicled most likely have some basis in fact. The customs and traditions they observe including surrounding combat and honour provide a glimpse into a long lost way of life. Jeffrey Gantz has produced a good work that combines the characters of the Ulster Cycle well and sets out the stories we have of them in a very effective style. This work is not enough to build a full picture of Irish mythology but it is a good contribution to that picture. ( )
2 vote Malarchy | May 7, 2012 |
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Early Irish Myths and Sagas

One day, in winter, Derdriu's foster-father was outside, in the snow, flaying a weaned calf for her.
The Wooing of Étain

There was over Ériu a famous king from the Túatha Dé Danand, and Echu Ollathir was his name.
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These early Irish stories, probably first written down around the eighth century A.D., represent the oral tradition of the Iron Age Celts who flourished in Europe during the seven centuries before Christ. Building the economic, social and artistic foundations of the continent as they did, their myths and tales can be said to be the earliest voices from the dawn of Western civilisation. Later, with the growth of the Roman and Viking empires, their influence died except in Ireland. There, less exposed to new traditions, their original culture is preserved in these stories. Written in beautiful, elusive language, the main tension is between reality and fantasy, and the themes foreshadow those which preoccupied Yeats, Synge and Joyce. Throughout, the energy and pride of reality is allied powerfully with the magic of fantasy, creating a world where men mingle freely with the gods and where the afterworld is an extension of this heroic, romantic and idealistic picture.

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Penguin Australia

An edition of this book was published by Penguin Australia.

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