Wouldn't Take Nothing for My Journey Now
by Maya Angelou
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Maya Angelou, one of the best-loved authors of our time, shares the wisdom of a remarkable life in this best-selling spiritual classic. This is Maya Angelou talking from the heart, down to earth and real, but also inspiring. This is a book to treasured, a book about being in all ways a woman, about living well, about the power of the word, and about the power spirituality to move and shape your life. Passionate, lively, and lyrical, Maya Angelou's latest unforgettable work offers a gem of show more truth on every page. show lessTags
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Member Reviews
More than wit, Angelou writes with warm good humor about events of the years it took her to get where she is. One doesn't have to adopt for oneself all Angelou's life conclusions to appreciate how she came to them. While all human beings are equal, some are more equal than others, as Orwell would say, and Maya Angelou's talent is definitely in the class of more equal. Major complaint: There just wasn't enough of it.
I understand that Maya Angelou is a word smith. I understand that she writes good poetry, witty prose, and insightful observations.
I understand all this. But I don’t like what she produces.
In Wouldn’t Take Nothing for My Journey Now, Maya Angelou writes several essays. Some are reflections from her youth, others experiences from recent memory, and others observations of the world as a whole.
While I have absolutely no experience being a single, black mother trying to make ends meet in an era before civil rights were considered rights, and as such, cannot possibly understand the toil and hardship one goes through in that pursuit, I feel that some of the observations she makes are either ill conceived or totally wrong.
In one essay, she show more wonders why modern comedians resort to “gross” humor, and why television depicts families as dysfunctional in order to get a laugh. While I have no proof that she’s referencing The Simpsons, which features a family as she’s described, I can’t help but note, with a sense of irony in my thoughts, that she herself was a celebrity guest voice on that show. The essay, disregarding what show or shows in particular she meant, seems narrow-minded or just ill conceived. The shows that show us a dysfunctional family are funny because everybody has a dysfunctional family. If we don’t laugh about it, what are we to do?
Another essay that bugged me was one in which she was talking to a well-off white guy who accidentally let slip words indicating that there were black American soldiers, and “our boys”--the white ones. Angelou accused him of subconscious racism, and then wanted to talk about it in a nonthreatening manner. While I agree that people tend to have issues that may seem “racist,” I’m no surprised that her attempts to talk to this man about it were met by embarrassment, shame, and eventually never speaking to her again. If somebody accused me of being racist, or otherwise prejudiced, based on a slip of the tongue, and then wanted to talk about it, I’d feel terrible myself, as I’m not a racist, nor am I prejudiced against anybody for circumstances that are beyond their control, and to call me otherwise would be off putting, and make me feel that future interactions with that person would require me to tread lightly, so as to not have them think I’m racists, etc.
While Angelou has done much more living than I have, in Wouldn’t Take Nothing, she comes off as one of those annoying people who believes that everything they believe is right, and to disagree is to be wrong. This may not be what she actually believes, and it’s beyond my authority to make such a claim. However, this book left a bad feeling in my literary mouth, turning me off of any future sessions with Angelou. show less
I understand all this. But I don’t like what she produces.
In Wouldn’t Take Nothing for My Journey Now, Maya Angelou writes several essays. Some are reflections from her youth, others experiences from recent memory, and others observations of the world as a whole.
While I have absolutely no experience being a single, black mother trying to make ends meet in an era before civil rights were considered rights, and as such, cannot possibly understand the toil and hardship one goes through in that pursuit, I feel that some of the observations she makes are either ill conceived or totally wrong.
In one essay, she show more wonders why modern comedians resort to “gross” humor, and why television depicts families as dysfunctional in order to get a laugh. While I have no proof that she’s referencing The Simpsons, which features a family as she’s described, I can’t help but note, with a sense of irony in my thoughts, that she herself was a celebrity guest voice on that show. The essay, disregarding what show or shows in particular she meant, seems narrow-minded or just ill conceived. The shows that show us a dysfunctional family are funny because everybody has a dysfunctional family. If we don’t laugh about it, what are we to do?
Another essay that bugged me was one in which she was talking to a well-off white guy who accidentally let slip words indicating that there were black American soldiers, and “our boys”--the white ones. Angelou accused him of subconscious racism, and then wanted to talk about it in a nonthreatening manner. While I agree that people tend to have issues that may seem “racist,” I’m no surprised that her attempts to talk to this man about it were met by embarrassment, shame, and eventually never speaking to her again. If somebody accused me of being racist, or otherwise prejudiced, based on a slip of the tongue, and then wanted to talk about it, I’d feel terrible myself, as I’m not a racist, nor am I prejudiced against anybody for circumstances that are beyond their control, and to call me otherwise would be off putting, and make me feel that future interactions with that person would require me to tread lightly, so as to not have them think I’m racists, etc.
While Angelou has done much more living than I have, in Wouldn’t Take Nothing, she comes off as one of those annoying people who believes that everything they believe is right, and to disagree is to be wrong. This may not be what she actually believes, and it’s beyond my authority to make such a claim. However, this book left a bad feeling in my literary mouth, turning me off of any future sessions with Angelou. show less
This review was written for LibraryThing Member Giveaways.
Review of the abridged audio book: In the abridged audio version, this 1993 work consists of a single 90 minute cassette. I enjoyed driving while listening to the warm and melodious voice of Ms. Angelou. She is a woman of great humanity who has lived long and richly, and who has accumulated the perspective and wisdom of someone who has experienced decades of enormous social change. I found her grandmotherly advice to be heartwarming... sometimes quaint and dated, but sprinkled with gems worth remembering. Indeed, I shall seek a written unabridged copy
This book of essays is small, but powerful. Topics range from women to racism, from spirituality to relationships.
I got more out of this little book than I've taken away from many a tome. I know it is cliché to say that Dr. Angelou is wise, but it is true. This book is filled with warmth and wisdom, and there is not a single superfluous word in it.
I got more out of this little book than I've taken away from many a tome. I know it is cliché to say that Dr. Angelou is wise, but it is true. This book is filled with warmth and wisdom, and there is not a single superfluous word in it.
This is a very short book (139 pages) of very short musings (2 or 3 pages). In addition, there are lots of blank pages and white space as well as title pages for each essay. The result is that it can be read very quickly and that none of the themes are very developed.
Neverthless, it's a good introduction to some of Maya's philosophy on such topics as whining, racism and lessons her mother and grandmother taught her.
"Many things continue to amaze me, even well into the sixth decade of my life. I'm startled or taken aback when people walk up to me and tell me they are Christians. My first response is the question 'Already?' It seems to me a lifelong endeavor to try to live the life of a Christian. I believe that is also true for the show more Buddhist, for the Muslim, for the Jainist, for the Jew and for the Taoist who try to live their beliefs."
3.5 stars mostly due to the extreme brevity of this book. show less
Neverthless, it's a good introduction to some of Maya's philosophy on such topics as whining, racism and lessons her mother and grandmother taught her.
"Many things continue to amaze me, even well into the sixth decade of my life. I'm startled or taken aback when people walk up to me and tell me they are Christians. My first response is the question 'Already?' It seems to me a lifelong endeavor to try to live the life of a Christian. I believe that is also true for the show more Buddhist, for the Muslim, for the Jainist, for the Jew and for the Taoist who try to live their beliefs."
3.5 stars mostly due to the extreme brevity of this book. show less
Many short stories which touch on life. We read this for book club and it was amazing how long we discussed some of these short works. It seemed that everyone had a lot to say about one of the stories or another. Quite thought provoking.
A series of very short rules to live by. The few that are more observations are enlightening but most are so often routed that they're almost cliches. Doesn't mean they're not true but merely too obvious to be inspiring.
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These quietly inspirational pieces convey her sense of life as an ongoing adventure.
added by msbransom
Author Information

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Maya Angelou was born Marguerite Annie Johnson on April 4, 1928 in Saint Louis, Missouri. At the age of 16, she became not only the first black streetcar conductor in San Francisco but the first woman conductor. In the mid-1950s, she toured Europe with a production of the opera Porgy and Bess. In 1957, she recorded her first album, Calypso Lady. show more In 1958, she became a part of the Harlem Writers Guild in New York and played a queen in The Blacks, an off-Broadway production by French dramatist Jean Genet. In 1960, she moved to Cairo, where she edited The Arab Observer, an English-language weekly newspaper. The following year, she went to Ghana where she was features editor of The African Review and taught music and drama at the University of Ghana. In 1964, she moved back to the U.S. to become a civil rights activist by helping Malcolm X build his new coalition, the Organization of African American Unity, and became the northern coordinator of the Southern Christian Leadership Conference. Even though she never went to college, she taught American studies for years at Wake Forest University in Winston-Salem. In 1993, she became only the second poet in United States history to write and recite an original poem at a Presidential Inauguration when she read On the Pulse of Morning at President Bill Clinton's Inauguration Ceremony. She wrote numerous books during her lifetime including: I Know Why the Caged Bird Sings, Just Give Me a Cool Drink of Water 'Fore I Die, All God's Children Need Traveling Shoes, Wouldn't Take Nothing for My Journey Now, and Mom and Me and Mom. In 2011, President Barack Obama gave her the Medal of Freedom, the country's highest civilian honor, for her collected works of poetry, fiction and nonfiction. She appeared in the movie Roots and was nominated for Best Supporting Actress in 1977 for her role in the movie. She also played a part in the movie, How to Make an American Quilt and wrote and produced Afro-Americans in the Arts, a PBS special for which she received a Golden Eagle Award. She was a three-time Grammy winner. She died on May 28, 2014 at the age of 86. (Bowker Author Biography) show less
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- Canonical title
- Wouldn't Take Nothing for My Journey Now
- Original publication date
- 1993
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- 2,187
- Popularity
- 9,242
- Reviews
- 19
- Rating
- (3.92)
- Languages
- Dutch, English
- Media
- Paper, Audiobook, Ebook
- ISBNs
- 21
- UPCs
- 1
- ASINs
- 11


















































