Imaginary Worlds

by Lin Carter

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History and literary criticism of works of fantasy, chiefly of fantasies written for adults. Includes techniques for fantasy writers.

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5 reviews
This is very much a book of two halves. The first half, an overview of the early writers who helped to shape the modern fantasy genre, is pretty gripping stuff. Carter nails precisely what makes writers like Dunsany and Eddison so pivotal to the genre, as well as superb writers in their own right, and does so in a humorous and pithy style that clearly shows his great love and respect of the field overall.

The second half of the book, unfortunately, loses its way big time. Carter spends a couple of chapters on world building while berating various writers like Howard and Brackett for their inappropriate nomenclature, as well as well as writers like Tolkien for their 'lack of a religious element' in their works. While some of his points show more ring true (Howard _was_ a notoriously sloppy world builder, IMO) Carter more often than not fundamentally misses the point many of his examples were aiming for with their respective works, or chooses to criticise them on the most petty and quibbling aspects of their work.

More egregiously, he then proceeds to lecture the reader on effective world building, using his own execrable Thongor series as a main example (Ssaa! floaters! Herpes Zoster!). These chapters are nigh on worthless at best, and potentially harmful at worst (if one were to actually follow his advice, which seems unlikely), though they do provide quite a few belly laughs at Carter's expense.
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This is very much a book of two halves. The first half, an overview of the early writers who helped to shape the modern fantasy genre, is pretty gripping stuff. Carter nails precisely what makes writers like Dunsany and Eddison so pivotal to the genre, as well as superb writers in their own right, and does so in a humorous and pithy style that clearly shows his great love and respect of the field overall.

The second half of the book, unfortunately, loses its way big time. Carter spends a couple of chapters on world building while berating various writers like Howard and Brackett for their inappropriate nomenclature, as well as well as writers like Tolkien for their 'lack of a religious element' in their works. While some of his points show more ring true (Howard _was_ a notoriously sloppy world builder, IMO) Carter more often than not fundamentally misses the point many of his examples were aiming for with their respective works, or chooses to criticise them on the most petty and quibbling aspects of their work.

More egregiously, he then proceeds to lecture the reader on effective world building, using his own execrable Thongor series as a main example (Ssaa! floaters! Herpes Zoster!). These chapters are nigh on worthless at best, and potentially harmful at worst (if one were to actually follow his advice, which seems unlikely), though they do provide quite a few belly laughs at Carter's expense.
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Lin Carter's best book by far is not surprisingly not one of his own works of fiction. 'Imaginary Worlds' is Carter's telling of the history of imaginary world fiction from its beginnings in the Middle East, the subcontinent and the Mediterranean through to the post-Tolkien era.
Engagingly told, the book is essential for any serious afficionado of the fantasy genre as it will point the way to a host of authors you may not otherwise have considered.
Over 40 years old now it still holds up and sadly Carter is not around to update it but an essential reference nonetheless.
½
Valuable guide for readers and authors of fantasy fiction. Especially useful for those wishing to explore the history of the genre.
Another book about fantasy writers and legends in the Tolkien tradition. Pretty good.

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Original title
Imaginary Worlds - The Art of Fantasy
Original publication date
1973
Epigraph
. . . Some of us awake in the night with strange phantasms of enchanted hills and gardens, of fountains that sing in the sun, of golden cliffs overhanging murmuring seas, of plains that stretch down to cities of bronze and st... (show all)one, and of shadowy companies of heroes that ride caparisoned white horses along edges of thick forests; and then we know that we have looked back through the ivory gates into that world of wonder which was ours before we were wise and unhappy.
      —H. P. Lovecraft: Celephais
Dedication
In enjoy dedicating my books to my friends and fellow-writers, and I usually strive to match the book to the man. Since this book is a history of fantasy, it seems to me fitting that I dedicate it to the fantasy writers of to... (show all)morrow, to those men and women not yet born, whom I shall never know, whose books I shall not live to read, but whose dreams I have shared and whose visions would not be strange or alien to me. — Lin Carter
First words
Why do we love fantasy and read it with such delight and gusto, returning to it again and again over the years as to a source of entertainment that is inexhaustible? • • Introduction — The Empire of Imagination... (show all)

To term fantasy a major province of literature is, perhaps, to be guilty of understatement. • • 1 - From Uruk to Utterbol: William Morris and the First Fantasy Novels
Last words
(Click to show. Warning: May contain spoilers.)Each age is a dream that is dying,
Or one that is coming to birth.
— "Ode" - Arthur O'Shaughnessy • • 11 - The Tricks of the Trade
Original language
English

Classifications

Genres
Literature Studies and Criticism, Fantasy, Fiction and Literature
DDC/MDS
808.831Literature & rhetoricLiterature, rhetoric & criticismCompositionLiterature CollectionsCollections of fictionShort stories
LCC
PN56 .I45 .C32Language and LiteratureLiterature (General)Literature (General)Theory. Philosophy. Esthetics
BISAC

Statistics

Members
189
Popularity
172,710
Reviews
5
Rating
(3.91)
Languages
English
Media
Paper
ISBNs
2
ASINs
2