Beowulf: The Monsters and the Critics

by J. R. R. Tolkien

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A writer of fantasies, Tolkien, a professor of language and literature at Oxford University, was always intrigued by early English and the imaginative use of language. In his greatest story, the trilogy The Lord of the Rings (1954--56), Tolkien invented a language with vocabulary, grammar, syntax, even poetry of its own. Though readers have show more created various possible allegorical interpretations, Tolkien has said: "It is not about anything but itself. (Certainly it has no allegorical intentions, general, particular or topical, moral, religious or political.)" In The Adventures of Tom Bombadil (1962), Tolkien tells the story of the "master of wood, water, and hill," a jolly teller of tales and singer of songs, one of the multitude of characters in his romance, saga, epic, or fairy tales about his country of the Hobbits. Tolkien was also a formidable medieval scholar, as evidenced by his work, Beowulf: The Monster and the Critics (1936) and his edition of Anciene Wisse: English Text of the Anciene Riwle. Among his works published posthumously, are The Legend of Sigurd and Gudrún and The Fall of Arthur, which was edited by his son, Christopher. In 2013, his title, TheHobbit (Movie Tie-In) made The New York Times Best Seller List. (Bowker Author Biography) show less

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Canonical title
Beowulf: The Monsters and the Critics
Disambiguation notice
This entry is for editions of Tolkien's essay "Beowulf: The Monsters and the Critics" published as a separate work. DO NOT COMBINE with The Monsters and the Critics and other essays or with Michael Drout's analysis o... (show all)f essays Beowulf and the Critics

Classifications

Genres
Literature Studies and Criticism, Fiction and Literature, Fantasy
DDC/MDS
829.3Literature & rhetoricEnglish & Old English literaturesOld English (Anglo-Saxon) literatureBeowulf
LCC
PR1585 .T6Language and LiteratureEnglishEnglish LiteratureAnglo-Saxon literature

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