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Loading... Aguirre: The Wrath of God [1972 film]by Werner Herzog (Director), Werner Herzog (Screenwriter)
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As Aguirre, Klaus Kinski, wearing a metal helmet that seemed to be soldered to his skull, had so little to do that he kept acting up a grotesque storm. Aguirre's glassy blue eyes didn't blink; they seemed to have popped open and stayed that way. He was like an angry, domineering Bette Davis.... The imagery of Aguirre—visionary, skewed, cuckoo—was a hallucinatory horror trip. The film took the edge off Coppola's still-to-come version of Conrad's dreamlike Heart of Darkness; Herzog had made the white-intruders-vs.-the-natives trip first. (Some moviegoers cheered each time an Indian's poisoned arrow hit its mark.) Apocalypse Now was clearly influenced by Aguirre. and Coppola may have acknowledged the debt in a visual gesture: his image of a wrecked plane nesting in a tree was possibly an homage to Herzog. though it couldn't match the shivery wit of that boat. Coppola's image could be accounted for; Herzog's had the purity of madness. Is contained inHas as a reference guide/companionHas as a supplement
A band of Spanish conquistadors, led by Pizarro, go up the Amazon in search of gold. As the soldiers battle starvation, Indians, the forces of nature and each other, Don Lope de Aguirre (the self-styled "Wrath of God") is consumed by visions of conquering all of South America and leads a revolt, but Aguirre's megalomania turns the expedition into a death trip. No library descriptions found. |
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Google Books — Loading... GenresNo genres Melvil Decimal System (DDC)791.4372094309047The arts Recreational and performing arts Public performances Film, Radio, and Television Film Films, screenplays Single filmsLC ClassificationRatingAverage:
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