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Revenge of the Lawn: Stories 1962-1970 (1971)

by Richard Brautigan

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8981123,734 (3.93)10
Revenge of the Lawn is Richard Brautigan in miniature and contains no fewer than 62 ultra-short stories set mainly in Tacoma, Washington (where the author grew up) and in the flower-powered San Francisco of the late fifties and early sixties. In their compacted form, which ranges from the murderously short 'The Scarlatti Tilt' to one-page wonders like the sexually poignant poetry of 'An Unlimited Supply of 35 Millimetre Film', Brautigan's stories take us into a world where his fleeting glimpses of everyday strangeness leave stories and characters resonating in our heads long after they're gone.… (more)
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    The Crying of Lot 49 by Thomas Pynchon (andomck)
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    Gutshot: Stories by Amelia Gray (andomck)
    andomck: While reading Gray’s surreal flash fiction, I kept thinking of this collection by Richard Brautigan
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Showing 1-5 of 10 (next | show all)
Now we will fly new banners from the castle, and they will be of your own choosing.

Aww...this is an endearing collection. Made me happy and warm and enthusiastic, made me smile like listening to Nashville Skyline or the Fucking Champs or jumping into a covert soulja boy in my cloistered file room and want to snuggle up against the Pacific Northwest and gave me dreams of being proposed to by a beautiful musician with six fingers on each hand and healed my heart. I will likely reread this again sometime. ( )
  LibroLindsay | Jun 18, 2021 |
I have been wanting to read something by Richard Brautigan for several years. I had heard quite a bit about him and his writing. I was looking forward to the experience with anticipation. I was disappointed, though, by this collection. I see that many Goodreads users love these stories, and I really liked some of them, but the ones I really liked tended to be longer than the average. In general, these short stories are very short; in my edition, sixty-two stories in approximately 146 pages.

Many of the stories, regardless of their length, did not feel like stories to me. I have always loved short stories for their spareness. The ability of the author to develop characters and plot in only a few words, paragraphs or pages. Many of the stories in this collection, though, felt like vignettes, lacking either characters, plot, or the development of one of the two or both. I felt similarly about the stories of Ann Hempel and know I differed there as well from many Goodreads users.

This collection by Brautigan does include some brilliant insights, very colorful and sometimes bizarre analogies and metaphors and prose that is an example of what is crisp and spare. I thought the title story, Revenge of the Lawn, with which the collection begins, was excellent. I am looking forward to trying one of his Brautigan’s novels soon, to see if I feel differently about that. ( )
  afkendrick | Oct 24, 2020 |
Heaven is full of books like this.

"Why were we tossed this way together as if we were nothing but a weird salad served on the seats of a God-damn bus?" ( )
  uncleflannery | May 16, 2020 |
Good writing and storytelling, shame about the objectification of women - left a sad taste in my mouth. ( )
  simonspacecadet | Jul 29, 2018 |
Very disappointing. I enjoy his simple and clean prose, his deadpan humor, but after a while the stories all began to sound the same - and trivial somehow. ( )
  ChrisNewton | Mar 18, 2016 |
Showing 1-5 of 10 (next | show all)
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This book is for Don Carpenter
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My grandmother, in her own way, shines like a beacon down the stormy American past.
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(Click to show. Warning: May contain spoilers.)
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Revenge of the Lawn is Richard Brautigan in miniature and contains no fewer than 62 ultra-short stories set mainly in Tacoma, Washington (where the author grew up) and in the flower-powered San Francisco of the late fifties and early sixties. In their compacted form, which ranges from the murderously short 'The Scarlatti Tilt' to one-page wonders like the sexually poignant poetry of 'An Unlimited Supply of 35 Millimetre Film', Brautigan's stories take us into a world where his fleeting glimpses of everyday strangeness leave stories and characters resonating in our heads long after they're gone.

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