Death on the Holy Mountain

The Lord Francis Powerscourt series of mysteries, largely set in Victorian/Edwardian Britain, fall comfortably into the arena of entertaining light hearted silliness. In general they don't take themselves too seriously, have an engaging cast of characters and an ability to make the reader interested. Perhaps the key strength of the series is that it covers a period that lends itself to over pompous mawkishness with a refreshing tone of humour. Be it a rainy afternoon in London, or in one engaging case, a shady deck on a Greek ferry (with “Goodnight Sweet Prince”) a Dickinson novel can generally be relied on to while away the hours in an eminently pleasurable manner; “Death on the Holy Mountain” broadly adheres to these criteria, show more if at times becoming a touch too bedded into the author's comprehensive background research.

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