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A Life (1892)

by Italo Svevo

Other authors: See the other authors section.

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419560,508 (3.56)1
A Life is the gruelling tale of the frustrated existence of a bank clerk with a poetic soul. The artistic aspirations of the protagonist and the emptiness of his daily life become tragic in the great divide between what he wants and what he actually has and gets. Alfonso the bank clerk wants to be a poet and seems to be falling in love with Annetta, the vain and arrogant daughter of his boss. But the emptiness of both his attempts at writing and at love lead to an ironic and painful conclusion.… (more)
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English (3)  Italian (2)  All languages (5)
Showing 3 of 3
I read this in the English translation of Archibald Calquhoun, which is very readable and seems accurate from what I can judge. The novel was first published in 1892 when Svevo was 31, and had been working in a bank in Trieste for 12 years. He would stay in this employment for another 7 years. It was published under the pseudonym Italo Svevo, and describes the life of somebody working in a bank in Trieste. He wanted to call it un inetto – an inept – but was persuaded to change it to una vita. It conveys better than any other novel I have read the utter tedium of the world of banking seen from the perspective of a junior employee, the hero, Alfonso. This is combined with an interest in intellectual fads of the time, notably Darwinism and Nietzscheanism. The tension between Alfonso’s own goals and his actual achievements e.g. as a writer and philosopher or as a suitor for the daughter of his boss is comic rather than tragic. If the novel is a tragedy in the classical sense I would suggest that Alfonso’s tragic flaw is his extreme self-consciousness which leads him to disaster. The other characters are well delineated, notably the charming but superficial Annetta. Ineptitude, of the Alfonso variety, consists in always doing the wrong thing but for perfectly good reasons. In a world of bewildering complexity this seems to be a peculiarly modern trope. I liked the book a lot and will definitely tackle it in Italian. ( )
  Jeffrey_Towey | Dec 28, 2019 |
Alfonso the bank clerk and his life. Most interesting for the local social divisions -- between town and country folk, the eductated and uneducated, the rich and the poor. Alfonso exists miserably on the borders of all of these, and we hear about his angst in perhaps too oft repeated detail. ( )
  rrmmff2000 | Jan 20, 2013 |
This is the first ever book by Svevo apart from one on tram journeys. Triete is the backdrop - everyone is always walking up or down the Corso. Poor old Alfonso, the bank clerk, he does lead an unhappy life. It is all very analytical and soul searching and you rapidly realise he is doomed. ( )
1 vote jon1lambert | Aug 8, 2011 |
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» Add other authors (20 possible)

Author nameRoleType of authorWork?Status
Svevo, Italoprimary authorall editionsconfirmed
Altvater, FritsTranslatorsecondary authorsome editionsconfirmed
Colquhoun, ArchibaldTranslatorsecondary authorsome editionsconfirmed
Hadders, GerardCover designersecondary authorsome editionsconfirmed
Kleiner, BarbaraÜbersetzersecondary authorsome editionsconfirmed
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A Life is the gruelling tale of the frustrated existence of a bank clerk with a poetic soul. The artistic aspirations of the protagonist and the emptiness of his daily life become tragic in the great divide between what he wants and what he actually has and gets. Alfonso the bank clerk wants to be a poet and seems to be falling in love with Annetta, the vain and arrogant daughter of his boss. But the emptiness of both his attempts at writing and at love lead to an ironic and painful conclusion.

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"Una vita" è il racconto di una iniziazione impossibile. Giovanissimo impiegato di banca, da poco inurbato, che chiama "malattia" il suo disagio sociale e sogna il successo come riscatto, Alfonso Nitri coltiva il "sogno": il sogno a occhi aperti, la fantasticheria che blocca la presa di coscienza; il sogno notturno di intensa vividezza, in rapporto stretto ma imprecisabile con l'esperienza reale, che fornisce intermittenti illuminazioni ma anche complica e frantuma in labirintici percorsi interni la sua complessiva esperienza. L'enigma non è nei fatti, ma nella natura del personaggio e nella fertilità inventiva con la quale egli, rifuggendo dall'apparente gratuità dei suoi gestì, insiste nel decifrarsi, si contraddice, conforta se stesso, traveste l'esperienza.
(piopas)
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