Stations of the Tide

This was some kind of amazing. The main character, who was never referred to as anything but Bureaucrat, was hardly my definition of a bureaucrat. He was part outcast, part superspy, part magician's apprentice, and part avenger. He wears so many hats during this superb little gem that I never slow down and even consider why. The plot is also so damn interesting and the pacing so fantastic that I almost miss exactly how wonderfully crafted the writing is.

Am I a fan of Swanwick? I have read a few of his short stories, years ago, and I loved them. I remembered them very fondly, but in passing, because I prefer novels over anything else. So why am I so damn late to the table, now? Hell if I know, and I'm ashamed because of it. I'm going to show more be going through his entire catalogue shortly.

So many wonderful sf ideas were crammed in here, and all of them were firmly in the service of the overarching story that happens to have an awful lot in common with The Tempest. The obvious bits were intended by the colonizers of Miranda, and the allegorical allusions were fully conscious and intended by the characters. It was delightful in that respect. The things that happen give the feel, but thankfully not the full substance of the play, so never worry, if you think you might be turned off by a shameless cribbing. This novel is truly a one-of-a-kind brilliant homage to all things SF and Fantasy. A lot of the time, it's impossible to separate the two, but what else can you do when you have awesome worldbuilding on colony worlds, cloning, terraforming, world-AIs, NSA game theory puzzle boxes the size of nations, AND indigenous aliens who shapeshift, who's biology is mostly incompatible with us except when triggered, turning us into wizards with grand powers, morphing into angels and demons, mind-control, as well as the summoning of immensely powerful archetypes? Is it SF or Fantasy? Clarke's razor applies.

But lo! This is no simple tale to mix elements and say, "Hey, look what I did!" No. The story here is king, from old world to new, disillusionment to renewing perception, retribution to revelation to understanding.

Of course, it also borrows concepts to sweep a wide circumference, even stooping to crib from some classics (Dune fans rejoice, pain by nerve induction). For this, I don't care too much. It serves a serious and pretty much identical purpose, but in the service of magic apprenticeship. There's other examples, too, but it slides by so fast and delicious and moves on to the next wonderful surrealism and solid chink of plot, that I'm left gasping with joy.

THIS IS A GRAND GEM, people. Fantastic writing, wonderful ideas, and nothing short of intensely memorable characters. It won the Nebula award in '91 and was nominated for Hugo, alas that it hadn't won.

I will probably read this one again, just to bathe in it. The tide is coming. Can YOU read between the lines of the tv station? show less

Features that seem to have put other readers off of Swanwick's Stations of the Tide were all to the good for me. The protagonist is nameless throughout, an interplanetary "bureaucrat" who reminded me more than a little of Michael Cisco's "divinity student," in that he is a cog in an opaque hierarchical machine, and his transformation--eventually quite radical--is the real aim of the narrative. Comparisons I've read to the work of Gene Wolfe also seem fair, although I was more reminded of The Fifth Head of Cerberus than I was of Wolfe's New Sun opus. Metafictional anchors include Shakespeare's Tempest.

Stations of the Tide juxtaposes sorcery (pharmaceutical, ritual, and meditative), high technology, and espionage/crime trickery, with lots show more of ambivalence about which is responsible at any given moment for the difficulties being presented. A key element of the high tech is "surrogacy" by which humans achieve telepresence through androids intended to simulate them as well as to sense the remote environments. This mechanism--which seems almost inevitable given the availability of the constituent technologies--tends to undermine characters' individuality in provocative ways throughout the book. Also important is the Puzzle Palace, a shared virtual environment where the bureaucrat's Division of Technology Transfer maintains its functional offices for interplanetary operations.

The setting is the planet Miranda orbiting the star Prospero, where humans have been resident for centuries in a settler-colonist capacity. Miranda undergoes catastrophic flooding of major land masses on a recurrent long-year period, and the story takes place just as such a "winter" is imminent, with whole continents being evacuated in anticipation of it. Much of the indigenous life has the ability to adapt to such changes, transforming with the great "tide."

This book is one that demands careful reading and active interpretation; it's not genre junk-food. It does repay the effort in vivid images and rich ideas. show less

An investigator from a super-advanced sci-fi civ takes a case on a lo-tech world where wizards and witches drug and prestidigitate their way to the appearance of magic. So it's sort of a fantasy novel. But then you get to the super-advanced sci-fi civ part, and the tech is so advanced it's indistinguishable from magic... so it _is_ a fantasy novel. And then the prose -- which is Good n' Literary -- is written in a vivid, abstract, exposition-free way that makes the Dyson sphere and the drug trip indistinguishable, giving the whole thing even more of fairy-tale feel. Add just a sprinkle of free will vs. determinism and secrecy vs. privacy and you've got quite a book. Well done, Michael Swanwick!

The blurb at the back of the book describes this as "a tightly plotted futuristic detective novel, magical and fantastic, exotic and strange, yet thoroughly grounded in cutting edge science. Michael Swanwick's volatile cocktail of surrealist ideas and invention, high technology and basic humanity explodes with insight and wonder." This is, in fact, a spot-on description of this book. It won the Nedula Award back in 1991 and its easy to see why.

The setting is the world of Miranda - a planet which after many years is about to enter its winter season - which means the ocean levels will rise and inundate much of its land, necessitating mass evacuations of the settler colonies that are located below the high-tide level. Its flora and fauna show more have evolved and adapted to cycles of life on land and underwater. After technological experimentation wiped out the native sentient life years ago (called haunts), high-level technology was proscribed and is tightly controlled by the off-world Technology Transfer Division. When a self-proclaimed magician shows up advertising that he can help people alter their bodies to live in the water, the Division sends a bureaucrat down to investigate whether he has illegally smuggled high-level technology on to the planet, or he simply a fraud, or... something else.

The style of the writing is more remnescient of Gene Wolfe's Book of the New Sun than anything else, with its blend of science, myth and magic. the reference in the blurb to surrealist ideas is appropriate as is the reference to high technology. This is a book bursting at the seams with ideas and some spectacularly haunting scenes. For example, [very minor spoilers] offworlders can download their personalities into short lived agents and send them off to accomplish different tasks which may need to be accomplished simultaneously. At one point its mentioned that the reason why information and technology is so tightly controlled by the offworld bureacracy is because of a previous disaster on Earth where an independant AI effectively took over the entire planet by assimilating all life on it within itself. So the moment we encounter an Agent in the form of a giant earth-mother figure sent by the Earth/AI to the rest of humanity which is being held captive and interrogated is simply stunning in its power. There are so many moments and images and ideas replete with symbolism.

This is the third book I've read by Micharl Swanwick and he is fast becoming one of my favourite SF&F writers. Stations of the Tide is an outstanding novel and one to return to down the line I think. show less

ORIGINALLY POSTED AT Fantasy Literature.

It�??s the Jubilee Year on the planet Miranda. Every 200 years the planet floods and humans must leave until Mirandaƒ??s continents are reborn. Miranda used to be the home of an indigenous species of shapeshifters who, during Jubilee, would return to their aquatic forms until the waters receded, but it seems that humans have killed them off.

Gregorian, who lives on Miranda but was educated off-planet by a rich and distant father, now styles himself a magician and is telling the citizens of Miranda that he can transform them into sea creatures so they can stay on the planet. He has stolen a piece of proscribed technology from Earth and our protagonist, who we know only as ƒ??the show more bureaucrat,ƒ? has been sent to find out what Gregorian has up his sleeve. The bureaucrat must track down Gregorian before the Jubilee tides flood the planet. During his quest he learns about the exotic planetƒ??s history, meets several strange residents, does a lot of hallucinating, has a lot of sex, worries about his job back home, and gets hooked on a local soap opera. The middle of the book bogs down in a haze of drugs and sex which feels slightly self-indulgent, but Swanwick manages to make it fit the plot. In the end, itƒ??s not just Miranda that changes.

Stations of the Tide, which has been compared to Joseph Conradƒ??s Heart of Darkness, is often surreal and confusing, but this seems to fit the dark exotic planet. The setting was my favorite part of the story ƒ?? Miranda is both beautiful and frightening. I especially loved the Grandfather Tree which has many trunks descending from its huge branches and houses a caf?? and a shipwreck.

Then thereƒ??s the technology: the bureaucrat has a walking talking briefcase and can split his consciousness into surrogate electronic forms that can run errands for him. Heƒ??s very surprised to find that the Mirandans had even higher forms of technology until they were made illegal by the bureaucratƒ??s agency. The Mirandans resent this.

Some readers are likely to be put off by the nameless bureaucrat because heƒ??s somewhat flat and emotionless for much of the novel, but Oliver Wyman, the narrator of Audible Frontierƒ??s version, made him feel like a real person rather than a nameless entity. I liked Wymanƒ??s interpretation of the bureaucratƒ??s epigrammatic business-like style. His aloofness made it all the more moving when he rarely but suddenly was overwhelmed with emotion.

This is the second novel by Michael Swanwick that Iƒ??ve tried. I didnƒ??t at all like the first one, The Iron Dragonƒ??s Daughter, but I liked Stations of the Tide even though it had some of the same issues. Both novels are original and inventive with exotic settings but the plot of Stations of the Tide was at least comprehensible most of the time. It reminded me most of Robert Silverbergƒ??s fantasy, especially his novel Downward to the Earth.

Stations of the Tide was originally published in two parts in Isaac Asimovƒ??s Science Fiction Magazine in 1990 but was published as a book in 1991. It won the Nebula Award for best novel that year and was also nominated for the Hugo Award, the Campbell Award, and the Arthur C. Clarke Award. Try Stations of the Tide if you like lushly exotic alien settings and donƒ??t mind feeling like youƒ??ve taken the same hallucinogens that the protagonist took. show less

I seldom give 5 stars to a book, but I feel this one deserves it. Complex and multi-layered, thought provoking, at times dreamy and other times nightmarish. Excellent writing, and a genuinely interesting plot. I admit there were times I didn't quite understand what was going on, but I blame myself for that. Perhaps another reading is warranted.

More of a 4.5 (please, Goodreads, give us a finger grain for judging!)

As I read it reminded me of a less impenetrable Gene Wolfe--and once I finished, and read the back cover, sure enough Mr. Wolfe was quoted in praise of the novel. Beautiful writing, a lot of elision, at times very disturbing, somewhat funny, very phantasmagorical, but always extremely well-written and attention-holding.

Knocked it down to 4 rather than up to 5 as 5 is for my all-time favourites, and while I think this is a pretty wonderful, pretty special book, I didn't feel emotionally invested in the characters enough to find this a favourite. But will happily seek out more from the same writer, he's a pleasure to read.